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	<title>Episode 305: Blush Bismuth, Part 3 - Revision history</title>
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		<title>Malificent: Created page with &#039;Jump to: &lt;br&gt;  &#039;&#039;&#039;Part 1&#039;&#039;&#039; &lt;br&gt;  &#039;&#039;&#039;Part 2&#039;&#039;&#039; &lt;br&gt;  &#039;&#039;&#039;Part 4&#039;&#039;&#039; &lt;br…&#039;</title>
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		<updated>2010-02-16T18:52:10Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;#039;Jump to: &amp;lt;br&amp;gt; &lt;a href=&quot;/index.php/Episode_305:_Blush_Bismuth&quot; title=&quot;Episode 305: Blush Bismuth&quot;&gt; &amp;#039;&amp;#039;&amp;#039;Part 1&amp;#039;&amp;#039;&amp;#039; &lt;/a&gt;&amp;lt;br&amp;gt; &lt;a href=&quot;/index.php/Episode_305:_Blush_Bismuth,_Part_2&quot; title=&quot;Episode 305: Blush Bismuth, Part 2&quot;&gt; &amp;#039;&amp;#039;&amp;#039;Part 2&amp;#039;&amp;#039;&amp;#039; &lt;/a&gt;&amp;lt;br&amp;gt; &lt;a href=&quot;/index.php/Episode_305:_Blush_Bismuth,_Part_4&quot; title=&quot;Episode 305: Blush Bismuth, Part 4&quot;&gt; &amp;#039;&amp;#039;&amp;#039;Part 4&amp;#039;&amp;#039;&amp;#039; &lt;/a&gt;&amp;lt;br…&amp;#039;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;Jump to: &amp;lt;br&amp;gt;&lt;br /&gt;
[[Episode 305: Blush Bismuth| &amp;#039;&amp;#039;&amp;#039;Part 1&amp;#039;&amp;#039;&amp;#039; ]]&amp;lt;br&amp;gt;&lt;br /&gt;
[[Episode 305: Blush Bismuth, Part 2| &amp;#039;&amp;#039;&amp;#039;Part 2&amp;#039;&amp;#039;&amp;#039; ]]&amp;lt;br&amp;gt;&lt;br /&gt;
[[Episode 305: Blush Bismuth, Part 4| &amp;#039;&amp;#039;&amp;#039;Part 4&amp;#039;&amp;#039;&amp;#039; ]]&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;p&amp;gt;Down the slope and across the  compound, Rick has made his stealthy way to the crusher facility and the tanks  under it.  The crusher lies quiet, now  that the mine is not running, but the tanks are apparently a 24-hr  operation.  He wanders through the  crushing area, a space filled with giant wheels and drums and in the stillness  of the turned-off facility, he hears sloshing noises.  Following them to their source, he realizes  they’re coming from inside a room-sized tank.   It takes him a minute to find that hatch that will allow him to pass  inside and when he does, Rick finds a lone individual working by the light of a  utility lamp, the single bulb’s glare bright against its wire cage, hanging by  its hook overhead.  The stark lighting  makes the mess all the more depressing, but the man assigned to clean the tanks  seems cheerful enough, mopping and vacuuming the sludge into a tube set into  the floor of the tank.  Unless Rick  misses his guess, the man is actually singing a sea shanty.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;Sealed in a can. Wrangling  sludge.  Singing. &amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;Amazing.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;He does a double take when he  sees Rick walk inside.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;strong&amp;gt;Man: &amp;lt;/strong&amp;gt;Whoa.  Ya scared me.&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Rick: &amp;lt;/strong&amp;gt;Jones?&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Jones:&amp;lt;/strong&amp;gt; Yeah.  Somethin’ wrong?&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Rick: &amp;lt;/strong&amp;gt;I was  told to find someone who went by Engels.&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Engels:&amp;lt;/strong&amp;gt; (leans on vacuum/broom) Now who told you to find someone like that?&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Rick: &amp;lt;/strong&amp;gt;I  can’t tell you any of the specifics but supposedly you were giving information  to someone, smuggling out information?&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Engels:&amp;lt;/strong&amp;gt; (to  himself) I guess if they wanted me dead, they could just kill me….(to Rick)  You…they sent someone? You’ve come?&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Rick: &amp;lt;/strong&amp;gt;(just  go with it)Yeah.&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Engels:&amp;lt;/strong&amp;gt; I’d…what are you gonna do? Are you gonna shut us down?&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Rick: &amp;lt;/strong&amp;gt;I  can’t tell you everything that’s going on, but I’m here to find out if there’s  bad things going on.&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Engels:&amp;lt;/strong&amp;gt; Wait  a minute. Come with me.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;Engels unhooks the  self-powered utility light from overhead and carries it with him to another  locking bulkhead-style door, pulls it open and walks through.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;strong&amp;gt;Engels:&amp;lt;/strong&amp;gt; Follow me.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;Rick follows….into a room  with more sludge in it. Ankle high.   Engels shuts the door and they’re sealed inside.  He sighs in relief.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;strong&amp;gt;Engels:&amp;lt;/strong&amp;gt; I  didn’t think anyone got my message. I only had a few minutes to send it,  but…(sighs) It’s the only thing that’s kept me alive these last few months.  What do you want to know? What can I tell  you. How can I help?&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Rick: &amp;lt;/strong&amp;gt;I need  to know more about what’s going on.  I  just posed as a mine worker for a while in the main mine.  What’s up with the stitches?&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Engels:&amp;lt;/strong&amp;gt; Ah,  the stitches.  I don’t know entirely but  what I’ve managed to figure out is that some doctor down in, ah, down in the  valley, down towards Lorgaard in some old Navy base or something like that, has  a thing doing some kinda surgery on these guys and bringing ’em in here.  They work one shift, then they’re shipped off  somewhere Coreward—those that survive.   You know that they’re not right in the head, that there’s something  wrong with them.  I think…I don’t know  that they’ve been lobotomized or what but something is … gone wrong with them  and they are….  &amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;Engels shakes his head and  tries a different tack.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;strong&amp;gt;Engels:&amp;lt;/strong&amp;gt; Before the mine went so high security, we used to go back and forth to town a  lot more and we heard about the Prion disease, and I’m wondering if these guys  have that thing.  Cuz…I heard tales that  it makes you kinda crazy. I thought it was more like Reavers, but….um, I’m not  sure.  But…anyway. They’ve replaced all  of our lower tier people, either promoted them up or just didn’t rehire them.  Which these are guys that have been here for years, some of them. It’s not  great work but it’s their only source of income.  Brought in these guys, from off planet most  of them.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;Engels casts a look at the  closed door and leans in closer.  &amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;strong&amp;gt;Engels:&amp;lt;/strong&amp;gt; Some  of them, with tattooes and such, were like, Naval—not officers—but spacemen.  So what kinda Navy boat got…well, I don’t  know what happened to them but for whatever reason, they were sent to that  camp, had the surgery, and were brought in here.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;The &amp;lt;em&amp;gt;Navy&amp;lt;/em&amp;gt;?  Their &amp;lt;em&amp;gt;personnel&amp;lt;/em&amp;gt;? That healthy men were lobotomized  and sent here to disappear?  If Rina had  been present, she would have immediately thought that it was a method of  getting rid of political adversaries the way one would launder dirty money…an  untraceable way to move something covertly.   In this case, human lives.  No  matter who hears this, the question remains: why?&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;strong&amp;gt;Engels:&amp;lt;/strong&amp;gt; Something’s not quite right.  Also,  there’s something weird about sound.   They don’t like squealy high-pitched sounds. Sometimes that’ll set ’em  off. They can get very aggressive. This is why I think it might be Reaver  Disease, because when I say ‘aggressive’ I mean they won’t stop.&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Rick: &amp;lt;/strong&amp;gt;Yeah,  I heard that if they ever look you in the eyes you’re supposed to back away  from them.&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Engels:&amp;lt;/strong&amp;gt; That’s probably wise.  You gotta calm ’em  down before  it gets too far.  And they’ll calm down on their own, usually,  but if they are confronted they just go….nuts.   And I mean they just won’t kill a man, they’ll…keep killin’ him. Until  there’s nothin’ left, almost just a pulp. I heard tales of Reavers.  I thought they were supposed to be out in  space. Not here in the mines.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;Rick asks Engels about the  security cameras next.  Are they there to  keep an eye on the stitches.  Are the  other miners kept from leaving the mine because of that?  Engels replies that most of the miners are  sticking around because they need the job.   In principle, any miner who wants to leave can leave, but everyone’s  been told that they’ve been exposed to a toxic form of lead.  They are given treatments for it on-site  before they leave and are told that the treatments are over 100 credits  apiece.  Given the size of their  paychecks, few if any of the miners can afford to leave the tender mercies of  Corone after about five treatments—they owe the company too much for their  treatments. At least, until their contract is over.  If they wish to leave before it’s up, the  miners are required to pay for their treatments in full or face jail.  It is, in effect, indentured servitude, with  the miners working off their incurred debt for the privilege of staying alive  til the next treatment or until their contract ends.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;Or course, the more cynical  and paranoid would wonder if the toxic lead even exists and if the treatments  are actually necessary, much less real. But that’s not Rick’s job to determine  just yet.  The practice alone is enough  to land it on the abuses list. &amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;Engels’ original contract  said that any incidental medical costs would be covered by the company.  It’s standard issue for the Mining  Guild.  However, every time Engels has tried  to contact the Guild, he receives no answer.   Which of itself is not surprising, he says, because Corone Mining  doesn’t normally play by the Guild rules…but…..&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;Rick tells Engels that no  word is getting out anywhere because the Cortex has been shut down. What about  Escobar, he wants to know.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;Engels tells him that he’s  not regular mining security personnel but military. The only thing he knows  about Engels is something he learned from someone else named Stanley, who saw  Escobar arrive on a military ship. Some sort of tank lander.  He wasn’t wearing a uniform so there’s no  telling which military he’s from, especially nowadays with the Alliance Navy  and the PDF being rivals.  Engels says he  doesn’t think he’s one of the General’s men.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;General?  It takes Rick a moment but he realizes that  Engels is talking about General Nguyen, who has established his military base  on the site of the abandoned one, where we got the Miranda weapons cache over a  year ago.  &amp;lt;br /&amp;gt;&lt;br /&gt;
  &amp;lt;br /&amp;gt;&lt;br /&gt;
  &amp;lt;strong&amp;gt;Rick: &amp;lt;/strong&amp;gt;All  right. All I can say right now is just keep doing what you’ve been doing and  we’ll come back for you. You’ll know it when something crazy happens.&amp;lt;br /&amp;gt;&lt;br /&gt;
  &amp;lt;strong&amp;gt;Engels:&amp;lt;/strong&amp;gt; I  can probably talk to some of the men, I mean….I don’t know if they’d be willin’  to fight but…I might be able to at least get them to….some of us are afraid  that ….Sometimes as a form of punishment, Escobar will take one of the stitches  and put him in with one of the men.  And  he’ll…I don’t know what he does to them, but whatever it is, that’s usually the  last time we see our man.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;Do what now? Oh &amp;lt;strong&amp;gt;hell&amp;lt;/strong&amp;gt; no.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;strong&amp;gt;Engels:&amp;lt;/strong&amp;gt; Or  if we do see him, he’s bloodied up.&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Rick: &amp;lt;/strong&amp;gt;Probably  using that high pitched noise I would think.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;How many security guards are  there, Rick wants to know next.  There’s  about a dozen, plus Escobar.  Rick says  there’s a chance that the stitches can be used to distract the guards. Engels  isn’t sanguine about it—it’s like setting fire to the mines as a distraction  technique to try to escape. Risky.  Too  risky.  Rick tells him to tell the men  Engels trusts about this and &amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;strong&amp;gt;Rick: &amp;lt;/strong&amp;gt; Talk to whatever guys you &amp;lt;em&amp;gt;trust&amp;lt;/em&amp;gt;.  I’m not going to say  anything about this but I’ll try to get back to you but you’ll know if  anything…happens.&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Engels:&amp;lt;/strong&amp;gt; All  right…  (vastly relieved) …I can’t  believe I got through.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;Engels gives Rick a hearty  handshake.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;strong&amp;gt;Engels:&amp;lt;/strong&amp;gt; I  had to stay alive….I was able to do it.&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Rick: &amp;lt;/strong&amp;gt;(shakes  hand) You just have to hold on a little bit longer.&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Engels:&amp;lt;/strong&amp;gt; All  right.  All right….&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;Rick heads out of there and  goes off to look for the others on our team. It’s not hard to blend in—by now  Rick’s covered head to toe in the pink stuff and he looks just like any other  miner to anyone watching from the guard towers.   He can quickly see that there’s no one in the guest cabin—it’s lit up  like Christmas and the screen walls show one’s at home.  Rick goes downslope to check the shuttle and  it’s there that he finds Rina and Arden with the paperwork.  Secure inside, they can talk freely.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;Rina and Arden show Rick what  they’ve found, he shares what he learns with them and the puzzle pieces start  clicking into place. For whatever reason, the mine is a front to cover the  tracks of lobotomized Prion patients traveling from the field hospital near  Lorngaard to the Core. The paperwork Jackson slipped us doesn’t specify their  final destination but it does mention that processing is done on Osiris. Blue  Sun and Corone Mining are involved, though we don’t know to what end, and  somehow Escobar knows about the operation.   The victims are put to work for a one-month shift and then moved—should  any survive their term of employment.   We’ve all witnessed their treatment here as workers and Engels’s  description of further abuses are quite frankly sickening.  High-pitched noises, Reaver aggressiveness…  Arden is convinced that the victims were culled from Prion patients who have progressed  almost to the Reaver stage of their illness before being lobotomized.  &amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;The next shipment of stitches  bound for the Core is in about a week. Not only is a batch of victims leaving  the mine, a fresh batch of victims is heading into it.  There is no indication in the paperwork of  ship names or captains.  All we know is a  shift change is coming.&amp;lt;br /&amp;gt;&lt;br /&gt;
  &amp;lt;br /&amp;gt;&lt;br /&gt;
  We don’t have much time.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;Rick also mentions the miners  affected by the lead poisoning and their need for treatment.  He asks Arden if their treatments really cost  500 credits.  If we leave, we probably  need to take these miners with us because they want to get out. They’re  basically indentured servants.  Arden’s  knowledge of Core-side pharmacology tells him that the treatments should not be  so expensive. Furthermore, this entire story of the lead poisoning sounds fishy  to him, given the fact that there’s on one-shot drug that would cure something  like this, but without access to the medical building’s records, there’s no way  he can be certain if the poisoning is a hoax or the truth.  The more he thinks on it, the more it sounds  like something pushed onto people to keep them in line. &amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;Arden hails Jackson’s office  via the shuttle’s comms.  In Jackson’s  office, the phone rings.  He and Nika had  been conversing when it came through.  &amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;This is what transpired:&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;amp;nbsp;&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;strong&amp;gt;Nika:&amp;lt;/strong&amp;gt; (coming  through the back door) Oh, thank God.&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Jackson: &amp;lt;/strong&amp;gt;Um..uh…okay.&amp;lt;strong&amp;gt;&amp;lt;/strong&amp;gt;&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Nika:&amp;lt;/strong&amp;gt; Come  on. Upstairs.  Now.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;They leave the back entrance  and get upstairs to his office. She shuts his office door, puts her back to it  and declares she’s staying here.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;strong&amp;gt;Jackson:  &amp;lt;/strong&amp;gt;Oh, I..are you…? What happened?&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Nika: &amp;lt;/strong&amp;gt; I’m fine.&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Jackson: &amp;lt;/strong&amp;gt;(firmly)  What happened?&amp;lt;strong&amp;gt;&amp;lt;/strong&amp;gt;&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Nika:&amp;lt;/strong&amp;gt; I’m  fine.&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Jackson:&amp;lt;/strong&amp;gt; No,  you—&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Nika:&amp;lt;/strong&amp;gt; You know that your security is a rapist waiting to happen?                   &amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;There is no trace of stutter  or timidity in Jackson now. That man no longer exists. In his place is only  calm authority wielded by an experienced undercover agent.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;strong&amp;gt;Jackson: &amp;lt;/strong&amp;gt;Is  he looking for you?&amp;lt;strong&amp;gt; &amp;lt;/strong&amp;gt;&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Nika:&amp;lt;/strong&amp;gt; Oh  yeah! I would almost bet money on that.&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Jackson:&amp;lt;/strong&amp;gt; Would you be willing to be bait?&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Nika:&amp;lt;/strong&amp;gt; (no  fear) Yeah.  &amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Jackson: &amp;lt;/strong&amp;gt; Get me a syringe.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;The plan:  Jackson will tranq Escobar if Nika is willing  to be bait to draw the man out.  She’s  all for it.  &amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;At this point the phone rings  and it’s like flipping a switch inside Jackson—he’s back, in all his timorous  twitchy glory.  His hand shakes as he  punches the button and answers the call.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;strong&amp;gt;Jackson:&amp;lt;/strong&amp;gt; Jackson’s off-ff-ffice.  What c-c-can I  do for you?&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Phone:&amp;lt;/strong&amp;gt; Jackons?  This is Arden and Rina.&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Nika:&amp;lt;/strong&amp;gt; (to  the phone) You are a mind reader. Yes!&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Arden:&amp;lt;/strong&amp;gt; No,  no. That’s Joshua.&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Nika:&amp;lt;/strong&amp;gt; I love  you more and more today.&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Jackson:&amp;lt;/strong&amp;gt; What can I do for you? Is...is there some assistance I can provide for you?&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;Arden says he has information  he needs to discuss with Jackson. He doesn’t mention details, this call isn’t  secured.  Jackson says if it’s official  company business? If it is, he’ll have to go see him at his location. Nika  suggests the crew meet her and Jackson in the office.  Jackson quickly seconds that suggestion.  Nika calls out we should bring a tranq  syringe and again Jackson seconds that motion, saying there is a problem that  requires our specialty.  Nika also  advises us to come through the back door since it has no cameras on it.  Arden agrees to come up and ends the  call.  Once they’re both in the office,  he quickly fills Jackson in on what we’ve learned.  Rina’s opinion is we should blow the whistle  on the mine and bust the slimy operation wide open.  We have enough evidence to start an  investigation and while that’s going on, the workers can be freed, right?&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;Jackson and Nika fill us in  on what’s been happening to them and we quickly decide that getting Escobar is  our first priority.  We can come back and  rescue the miners after we do that.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;Nika and Jackson tell us of  their plan to lure Escobar close enough to tranq him with the syringe and  bundle him up and getting him out of here.   The downside to this is he’d have to get close to Nika, or Jackson would  have to get close enough from behind to stab him with the syringe.  Rick says he can shoot Escobar with a tranq  dart from a distance before he even gets close enough to Nika to possibly hurt  her.  We all agree that reaching out and  touching someone from a distance is best.   We all check our comms to make sure we’re all on the same channel and  once that’s done, Rick takes to the water tower and its catwalk.  Rina and Arden go back to the shuttle to prep  it for a fast getaway.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;We wait til he’s in place  before we go for Escobar.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;While we wait, there’s some  chatter over the comms from Jackson.  Going  meta for a moment in his role, he wonders out loud who we should appoint in  Escobar’s place once we extract him.  Rick  says we’ll have to figure out someone we can promote to the position, possibly  from the inside since it cannot be &amp;lt;em&amp;gt;him&amp;lt;/em&amp;gt;.   Whatever. We’ll tackle that problem when  we come to it.  First we need to flush  out Escobar.  Since everyone else is in  the office, including Nika, Jackson puts hand to phone and calls Escobar to  come over. And just like that, the jittery pencil-neck geek is back in the room  with us.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;strong&amp;gt;Jackson:&amp;lt;/strong&amp;gt; Sir? S-sir? I-I’ve got a…a security issue in my office. S-some woman,  like…she’s hysterical, like…I-I can’t make her stop… talking, like—&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Escobar:&amp;lt;/strong&amp;gt; (sarcastically) Tell me about it.&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Jackson:&amp;lt;/strong&amp;gt; And-and-and…and I, I really could use you to, like…to come and take her out of  my office.  Like, I-I can’t get any work  done, sir. I was-I was filing paperwork, sir.&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Escobar:&amp;lt;/strong&amp;gt; All  right.  I’ll take care of it.&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Jackson:&amp;lt;/strong&amp;gt; …okay….&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Escobar:&amp;lt;/strong&amp;gt; Look, if she’s hysterical, don’t even bother tryin’ to pay attention&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Jackson:&amp;lt;/strong&amp;gt; I-I  won’t.  You know what you’re doing.  You’re Security.  I-I-I trust you.  Sort of.&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Escobar:&amp;lt;/strong&amp;gt; Yeah, she’s probably upset.  She kinda  threw herself at me and I wasn’t having any of that, so… &amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Jackson:&amp;lt;/strong&amp;gt; I,  I wouldn’t know anything about it,sir.&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Escobar: &amp;lt;/strong&amp;gt;Well,  we got that training video about STDs from the local girls, so …&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Jackson:&amp;lt;/strong&amp;gt; I’ll-I’ll keep that in mind.&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Escobar:&amp;lt;/strong&amp;gt; Probably wise.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;Now Nika has to look all  teary-eyed…or whatever.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;Time passes.  More than enough to have Escobar walk from the  security building to the office building several times over.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;strong&amp;gt;Rina:&amp;lt;/strong&amp;gt; Oh &amp;lt;em&amp;gt;crap&amp;lt;/em&amp;gt;.   He’s gathering his forces.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;From outside on the water  tower catwalk, Rick sees two people emerge from the security offices.  He checks them out through his rifle scope  and comms the news.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;strong&amp;gt;Rick:&amp;lt;/strong&amp;gt; Two  people coming your way.  Neither one’s  Escobar. They’re goin’ for the front door.&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Jackson:&amp;lt;/strong&amp;gt; (to  Nika) Isn’t this the point where you escape out the back door?  &amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Nika:&amp;lt;/strong&amp;gt; You  want me to go, then.&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Jackson:&amp;lt;/strong&amp;gt; There’s the back door.  I can explain  everything here. If it comes to that, I can say you got away from me.  I’m not like I’m security material.&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Nika:&amp;lt;/strong&amp;gt; (to  everyone) Since they’re comin’ in the front, I’m goin’ out the back.&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Jackson:&amp;lt;/strong&amp;gt; Escobar’s not there.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;And that’s when we piece it  together, why Escobar isn’t coming himself.   He doesn’t have to.  He’s got the  camera feeds on the entire camp—no matter where Nika goes, he’ll know where she  is and can pick her off at his leisure.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;strong&amp;gt;Jackson:&amp;lt;/strong&amp;gt; Maybe you shouldn’t leave….oh well.  It’s  too late now.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;Because we have two goons  about to come through the front door.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;strong&amp;gt;Nika:&amp;lt;/strong&amp;gt; I’m headin’  back to the cabin.&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Rina:&amp;lt;/strong&amp;gt; You  goin’ through with this?  Cuz we’re  standin’ by in the shuttle.&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Nika:&amp;lt;/strong&amp;gt; I  know.&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Rina:&amp;lt;/strong&amp;gt; (mental facepalm) Arden, our project just went tits-up.&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Arden:&amp;lt;/strong&amp;gt; As  usual.&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Nika:&amp;lt;/strong&amp;gt; I have  your pistol, you have mine.  We’re good.  It’s fine.&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Rina:&amp;lt;/strong&amp;gt; All  right…&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;Doesn’t the routine go: &amp;lt;em&amp;gt;So how are we doing? Same as always. That  bad, huh?&amp;lt;/em&amp;gt;&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;The knock comes on the front  door.  Jackson answers.  The two security guards question him.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;strong&amp;gt;Guard 1:&amp;lt;/strong&amp;gt; You  got some kinda…woman trouble, sir?&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Jackson:&amp;lt;/strong&amp;gt; She-she es-escaped.&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Guard 2:&amp;lt;/strong&amp;gt; Escaped? What, you were holding her prisoner?&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Guard 1:&amp;lt;/strong&amp;gt; He’d need to.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;The two guards think that’s  pretty funny.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;strong&amp;gt;Jackson:&amp;lt;/strong&amp;gt;  Sh-she tried t-to…claw at me.&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Guard 1:&amp;lt;/strong&amp;gt; Claw at you? (winks at the other guard) Really? You got some fight in ya, don’t  cha?&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Jackson:&amp;lt;/strong&amp;gt; Oh  no, no. No. No fight, no fight. N-n-no.&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Guard 2:&amp;lt;/strong&amp;gt; Don’t let her tease ya.&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Jackson:&amp;lt;/strong&amp;gt; She  was, sh-he was…uh…&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Guard 1:&amp;lt;/strong&amp;gt; Ya  want us t’round her up?&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Jackson:&amp;lt;/strong&amp;gt; No-no-no,  iii-it’s too, too much trouble. I’m trying to get—I’m just trying to get some  paperwork done, like, you know, they make so many extra forms for them being  here.   Like, I’ll have to fill them all  out and…iii-it’s all right—like y-you can go back.&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Guard 1:&amp;lt;/strong&amp;gt; You  don’t need us?&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Jackson:&amp;lt;/strong&amp;gt; Uh,  no, no…I appreciate it though. You’re good people.&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Guard 2:&amp;lt;/strong&amp;gt; (shrugging) All right, bud.  Get to sleep  soon.  You take care.&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Jackson:&amp;lt;/strong&amp;gt; Yeah….uh-huh.  Like, uh….That’s the idea.  Yeah. Okay.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;And the entire time Jackson  is stalling the guards at the front door, Nika’s slipping out the back and  doing a run around them for the cabin.   When she gets about a third of the way there, as she draws even with  Rick on the water tower, Escobar comes out from behind the office building and  starts stalking her.  From his vantage  point on the tower, Rick is able to see him and from the way the man moves,  Rick can tell he has experience with moving stealthily.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;The bait’s working.  Now we just have to spring the trap.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;strong&amp;gt;Rick:&amp;lt;/strong&amp;gt; (via  comm) Escobar’s behind you.&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Nika:&amp;lt;/strong&amp;gt; Rick.  I am trusting you to make this shot. Because I am not confident in any way,  shape or form that I’m gonna be able to take him down.&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Rick:&amp;lt;/strong&amp;gt; You’re  probably not gonna be able to. But it shouldn’t have to come to that.  (a beat) You may also want to hide your  throat mike.&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Nika:&amp;lt;/strong&amp;gt; Oh,  shit. I won’t have the ear wig, either.&amp;lt;br /&amp;gt;&lt;br /&gt;
  &amp;lt;br /&amp;gt;&lt;br /&gt;
  Using small movements, Nika  surreptitiously pulls off her ear comm and her throat mike and stuffs both down  the front of her pants.  And she keeps on  walking, feigning ignorance of what’s coming up behind her. Rick carefully  lines up the shot, taking careful aim to drop him with one shot.  &amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;Back at the office, Jackson  grabs some papers and hustles out of the building.  He has the perfect distraction.  He runs toward Escobar, blowing his position.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;strong&amp;gt;Jackson:&amp;lt;/strong&amp;gt; Sir!  Sir, you need to fill out a sexual harassment form.  She harassed you, like…I just thought about  it as I was coming out of the office. Si-iiiirrrrr!&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;Escobar turns around.  &amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;strong&amp;gt;Jackson: &amp;lt;/strong&amp;gt;Your  form.  The sexual harassment form!  &amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;Nothing but a look of disbelief  from Escobar.  Jackson runs upslope  toward him, thrusting the papers forward.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;strong&amp;gt;Jackson:&amp;lt;/strong&amp;gt; I  saw you from my window.  I need your  signature, please.  And I need you to  show the bad places that she touched….show me the bad places….&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;Yup.  A look.   Of sheer and utter disbelief.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;Rick has his sights set  firmly on Escobar’s neck.  He breathes  out, holds his breath, squeezes the trigger.   The dart flies true.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;em&amp;gt;Th-thhhhhhh-unk!&amp;lt;/em&amp;gt; &amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;Nika turns around at the  commotion and from fifty feet away sees Escobar stumble and reach for his watch  to sound an alarm.  She starts closing  the distance.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;strong&amp;gt;Nika: &amp;lt;/strong&amp;gt;Hey,  what’s goin’ on?&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Jackson:&amp;lt;/strong&amp;gt; Are  you hurt? Are you hurt, sir?&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Nika:&amp;lt;/strong&amp;gt; Escobar?&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Escobar:&amp;lt;/strong&amp;gt; (woozily) Lock…down….&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Nika:&amp;lt;/strong&amp;gt; What’d  he say?&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Jackson:&amp;lt;/strong&amp;gt; (to  everyone on our comms) Roll with it.   Keep going.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;Jackson closes in.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;strong&amp;gt;Jackson:&amp;lt;/strong&amp;gt; Sir? Are you okay? Can you sign this form?&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;On the water tower catwalk,  Rick aims, exhales, and squeezed the trigger again.  The dart flies and plants itself in  Escobar…and the man plants his face in the dirt.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;strong&amp;gt;Score!&amp;lt;/strong&amp;gt; &amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;From Escobar’s wrist comes  the tinny voice of his staff, demanding to know what’s going on, sir, do you  copy?  Jackson is right there to handle  it.  He leans down toward the man’s watch  and mimics Escobar’s voice.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;strong&amp;gt;Jackson:&amp;lt;/strong&amp;gt; Stand down the alert. It was a mistake.   Thought I saw something that didn’t happen. Stand down.&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Watch:&amp;lt;/strong&amp;gt; What’s up? What happened?&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Jackson:&amp;lt;/strong&amp;gt; I  thought the woman I’d called in was armed. She wasn’t. I’m going to deal with  it.  &amp;lt;em&amp;gt;Privately.&amp;lt;/em&amp;gt;&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;His tone makes it clear: &amp;lt;em&amp;gt;Gonna nail that crazy bitch.&amp;lt;/em&amp;gt;&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;Jackson cuts the channel and  motions to Nika they’ve got to get going.   He grabs one part of Escobar, she grabs another and they start dragging  him to the shuttle.  On the tower, Rick  asks who’s staying and who’s going.  Nika  says Jackson will help her get Escobar on the shuttle.  Rick volunteers to stay behind and keep an  eye on things with Jackson.  Nika agrees  and announces the rest of us are heading out.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;strong&amp;gt;Nika: &amp;lt;/strong&amp;gt;Rina.  Fire us up.  I’m on the way in.&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Rina:&amp;lt;/strong&amp;gt; All  right.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;She gets the engines spinning  and Arden gets the stuff we need to truss Escobar up. Once he’s aboard, Nika  warns Arden Rick had to shoot the man twice.   Arden checks the man over, sees he’s pretty deep under but he’s alive.  Rina calls out from the cockpit.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;strong&amp;gt;Rina:&amp;lt;/strong&amp;gt; Can  I hurt him?  Just a little?&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Arden:&amp;lt;/strong&amp;gt; Shush. You’re driving. (to Nika) You staying or going?&amp;lt;br /&amp;gt;&lt;br /&gt;
    &amp;lt;strong&amp;gt;Nika:&amp;lt;/strong&amp;gt; (reconsidering) I’m flying.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;She takes over, we take off,  and upon hearing Arden warn Rina off his patient, she orders Rina to sit up  front with her.  Rina complies,  grumbling.  Nika comms Jackson on the  ground, telling him to come up with a cover story that we had to go to town for  something.  Jackson assures her he’s got  that angle covered. And so we fly, with our target bagged, all our men  accounted for, and no one killed or wounded.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;As capers go, it went.  And none too shabbily, either.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;Yay, us.&amp;lt;/p&amp;gt;&lt;br /&gt;
&lt;br /&gt;
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Jump to: &amp;lt;br&amp;gt;&lt;br /&gt;
[[Episode 305: Blush Bismuth| &amp;#039;&amp;#039;&amp;#039;Part 1&amp;#039;&amp;#039;&amp;#039; ]]&amp;lt;br&amp;gt;&lt;br /&gt;
[[Episode 305: Blush Bismuth, Part 2| &amp;#039;&amp;#039;&amp;#039;Part 2&amp;#039;&amp;#039;&amp;#039; ]]&amp;lt;br&amp;gt;&lt;br /&gt;
[[Episode 305: Blush Bismuth, Part 4| &amp;#039;&amp;#039;&amp;#039;Part 4&amp;#039;&amp;#039;&amp;#039; ]]&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Back to the previous episode: [[Episode 304: The Masquerade Begins | &amp;#039;&amp;#039;&amp;#039;The Masquerade Begins&amp;#039;&amp;#039;&amp;#039; ]] | Forward to: [[Episode 306: Blowing the Whistle | &amp;#039;&amp;#039;&amp;#039;Blowing the Whistle&amp;#039;&amp;#039;&amp;#039;]] &amp;lt;br&amp;gt;&lt;br /&gt;
Back to [[Mutineers Season One| Season One: Foundations]]&amp;lt;br&amp;gt;&lt;br /&gt;
Back to [[Mutineers Season Two| Season Two: Hitting Our Stride]]&amp;lt;br&amp;gt;&lt;br /&gt;
Back to [[Mutineers Season Three| Season Three: Things Fall Apart]]&amp;lt;br&amp;gt;&lt;br /&gt;
Back to [[EPISODES]]&amp;lt;br&amp;gt;&lt;/div&gt;</summary>
		<author><name>Malificent</name></author>
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