Episode 422: 375°(Season Finale), Part Two - Revision history

Taimdala at 07:11, 25 January 2011

2011-01-25T07:11:44Z

← Older revision		Revision as of 07:11, 25 January 2011
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	'''Kiera:''' Right now, I want to get very familiar with a bed ...<br><br>		'''Kiera:''' Right now, I want to get very familiar with a bed ...<br><br>

	Joshua and Nika work out the course for Boros and thence, the ranch. Arden settles his patients in the '''Exeter''’s medbay. Nika discovers the Captain’s cabin off the bridge and dosses down in it, leaving Joshua to man the pilot’s chair.<br><br>		Joshua and Nika work out the course for Boros and thence, the ranch. Arden settles his patients in the ''Exeter''’s medbay. Nika discovers the Captain’s cabin off the bridge and dosses down in it, leaving Joshua to man the pilot’s chair.<br><br>

	And so we fly. Over the several days’ journey to Boros we go over the ship. We discover a few things in the ship’s records. We find out that it was in fact the ''Exeter'' at one point in its career. The ''Exeter'' is somewhat famous as one of the blockade runners during the Battle of Athens, in the Unification War. It delivered troops during the War and we’re delighted to find the Exeter is still armored. It’s now called the ''Panteleimon''.<br><br>		And so we fly. Over the several days’ journey to Boros we go over the ship. We discover a few things in the ship’s records. We find out that it was in fact the ''Exeter'' at one point in its career. The ''Exeter'' is somewhat famous as one of the blockade runners during the Battle of Athens, in the Unification War. It delivered troops during the War and we’re delighted to find the Exeter is still armored. It’s now called the ''Panteleimon''.<br><br>

Taimdala at 06:59, 25 January 2011

2011-01-25T06:59:45Z

← Older revision		Revision as of 06:59, 25 January 2011
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	'''Kiera:''' Just a bit.<br><br>		'''Kiera:''' Just a bit.<br><br>

	Above their heads, Nika says on.		Above their heads, Nika says on.<br><br>

	'''Nika:''' ''Just as impotent as your brother'' …<br><br>		'''Nika:''' ''Just as impotent as your brother'' …<br><br>

Taimdala at 23:13, 10 January 2011

2011-01-10T23:13:27Z

← Older revision		Revision as of 23:13, 10 January 2011
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	'''Joshua:''' (yelling) We are a flying assault rifle platform. And the person who’s against killing is saying ''‘open fire’''. You might want to run. ''You might want to run''.<br>		'''Joshua:''' (yelling) We are a flying assault rifle platform. And the person who’s against killing is saying ''‘open fire’''. You might want to run. ''You might want to run''.<br>
	Nika: Bank us!<br><br>		'''Nika:''' Bank us!<br><br>

	Joshua banks our flatbed and comes abroad the guards and we fire all guns. It sounds spectacular but it’s not as easy as it sounds. We’re on a moving vehicle and we’re mostly wounded. That makes for some shaky hands and twitchy triggers. We fire again, a deadly volley of flying lead. The last of the guards go down. Joshua pulls us right up to ''Lagniappe''’s airlock as it opens. A mountain of a man stands just inside.<br><br>		Joshua banks our flatbed and comes abroad the guards and we fire all guns. It sounds spectacular but it’s not as easy as it sounds. We’re on a moving vehicle and we’re mostly wounded. That makes for some shaky hands and twitchy triggers. We fire again, a deadly volley of flying lead. The last of the guards go down. Joshua pulls us right up to ''Lagniappe''’s airlock as it opens. A mountain of a man stands just inside.<br><br>

Taimdala at 23:10, 10 January 2011

2011-01-10T23:10:45Z

← Older revision		Revision as of 23:10, 10 January 2011
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	Joshua casts a horrified expression toward the bridge as the words ring down below decks.<br><br>		Joshua casts a horrified expression toward the bridge as the words ring down below decks.<br><br>

	''''Joshua:''' ''Good God'' …<br>		'''Joshua:''' ''Good God'' …<br>
	'''Beglan:''' (banging on door) We’re here, '''we’re here!''' <br><br>		'''Beglan:''' (banging on door) We’re here, '''we’re here!''' <br><br>

Taimdala at 23:10, 10 January 2011

2011-01-10T23:10:11Z

← Older revision		Revision as of 23:10, 10 January 2011
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	''''Joshua:''' ''Good God'' …<br>		''''Joshua:''' ''Good God'' …<br>
	''Beglan:''' (banging on door) We’re here, '''we’re here!''' <br><br>		'''Beglan:''' (banging on door) We’re here, '''we’re here!''' <br><br>

	Up ahead, Rina mutters at the taunt even as the Stitches draw closer.<br><br>		Up ahead, Rina mutters at the taunt even as the Stitches draw closer.<br><br>

Taimdala at 23:08, 10 January 2011

2011-01-10T23:08:42Z

Show changes

Taimdala at 22:59, 10 January 2011

2011-01-10T22:59:03Z

← Older revision		Revision as of 22:59, 10 January 2011
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	Go back to: [[Episode 422: 375°(Season Finale)\| Part 1]] <br> <br>		Go back to: [[Episode 422: 375°(Season Finale)\| Part 1]] <br> <br>

	Go back to: '''''[[Episode 421: Jailbreak \| Jailbreak]]''''' \| Go Foward to '''''~~The Next~~ Episode'''''<br>		Go back to: '''''[[Episode 421: Jailbreak \| Jailbreak]]''''' \| Go Foward to '''''[[Episode 501: Shakedown Cruise\|Shakedown Cruise]]'''''<br>
	Back to [[Mutineers Season Four \| Season Four: Trials and Errors ]]<br>		Back to [[Mutineers Season Four \| Season Four: Trials and Errors ]]<br>
	Back to [[EPISODES]] or [[Mutineers Timeline\|TIMELINE]]<br>		Back to [[EPISODES]] or [[Mutineers Timeline\|TIMELINE]]<br>

Taimdala at 17:19, 10 January 2011

2011-01-10T17:19:07Z

Taimdala at 17:03, 10 January 2011

2011-01-10T17:03:09Z

← Older revision		Revision as of 17:03, 10 January 2011
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	Hard.<br><br>		Hard.<br><br>

	She’s flat on the deck and really shaky but levers herself onto her elbows and braces her rifle for the shot. Movement ~~catches~~ to the side catches her eye. It’s Arden. She tips her head toward the bow and mouths: ''Potemkin''. Arden groks it immediately and braces himself at the corner of the container opposite her and takes aim at the approaching men.<br><br>		She’s flat on the deck and really shaky but levers herself onto her elbows and braces her rifle for the shot. Movement to the side catches her eye. It’s Arden. She tips her head toward the bow and mouths: ''Potemkin''. Arden groks it immediately and braces himself at the corner of the container opposite her and takes aim at the approaching men.<br><br>

	On the flatbed, Joshua is on the flatbed facing off with Oleg. He yells at the man over the wind of their passage.<br><br>		On the flatbed, Joshua is on the flatbed facing off with Oleg. He yells at the man over the wind of their passage.<br><br>

Taimdala at 17:02, 10 January 2011

2011-01-10T17:02:15Z

← Older revision		Revision as of 17:02, 10 January 2011
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	And speaking of surprises, Arden runs to Rina to render first aid only to find no pulse. Triage is brutal and has no room for sentiment. There is no wasting medical supplies on those already dead. He doesn’t linger but goes on to Kiera who is still obviously alive.<br><br>		And speaking of surprises, Arden runs to Rina to render first aid only to find no pulse. Triage is brutal and has no room for sentiment. There is no wasting medical supplies on those already dead. He doesn’t linger but goes on to Kiera who is still obviously alive.<br><br>

	As Arden is getting to his feet, Kiera looks down the portside corridor and sees two more people approaching. She recognizes them with no trouble: her hosts on the Exeter, Dr. Gordon and Joseph Potemkin have finally arrived. Not a problem. She’s got an assault rifle and she’s going to reach out and touch them with it.<br><br>		As Arden is getting to his feet, Kiera looks down the portside corridor and sees two more people approaching. She recognizes them with no trouble: her hosts on the ''Exeter'', Dr. Gordon and Joseph Potemkin have finally arrived. Not a problem. She’s got an assault rifle and she’s going to reach out and touch them with it.<br><br>

	Hard.<br><br>		Hard.<br><br>

	She’s flat on the deck and really shaky but levers herself onto her elbows and braces her rifle for the shot. Movement catches to the side catches her eye. It’s Arden. She tips her head toward the bow and mouths: Potemkin. Arden groks it immediately and braces himself at the corner of the container opposite her and takes aim at the approaching men.<br><br>		She’s flat on the deck and really shaky but levers herself onto her elbows and braces her rifle for the shot. Movement catches to the side catches her eye. It’s Arden. She tips her head toward the bow and mouths: ''Potemkin''. Arden groks it immediately and braces himself at the corner of the container opposite her and takes aim at the approaching men.<br><br>

	On the flatbed, Joshua is on the flatbed facing off with Oleg. He yells at the man over the wind of their passage.<br><br>		On the flatbed, Joshua is on the flatbed facing off with Oleg. He yells at the man over the wind of their passage.<br><br>

← Older revision		Revision as of 22:59, 10 January 2011
Line 442:		Line 442:
	Go back to: [[Episode 422: 375°(Season Finale)\| Part 1]] <br> <br>		Go back to: [[Episode 422: 375°(Season Finale)\| Part 1]] <br> <br>

	Go back to: '''''[[Episode 421: Jailbreak \| Jailbreak]]''''' \| Go Foward to '''''~~The Next~~ Episode'''''<br>		Go back to: '''''[[Episode 421: Jailbreak \| Jailbreak]]''''' \| Go Foward to '''''[[Episode 501: Shakedown Cruise\|Shakedown Cruise]]'''''<br>
	Back to [[Mutineers Season Four \| Season Four: Trials and Errors ]]<br>		Back to [[Mutineers Season Four \| Season Four: Trials and Errors ]]<br>
	Back to [[EPISODES]] or [[Mutineers Timeline\|TIMELINE]]<br>		Back to [[EPISODES]] or [[Mutineers Timeline\|TIMELINE]]<br>

← Older revision		Revision as of 17:19, 10 January 2011
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	She’s flat on the deck and really shaky but levers herself onto her elbows and braces her rifle for the shot. Movement to the side catches her eye. It’s Arden. She tips her head toward the bow and mouths: ''Potemkin''. Arden groks it immediately and braces himself at the corner of the container opposite her and takes aim at the approaching men.<br><br>		She’s flat on the deck and really shaky but levers herself onto her elbows and braces her rifle for the shot. Movement to the side catches her eye. It’s Arden. She tips her head toward the bow and mouths: ''Potemkin''. Arden groks it immediately and braces himself at the corner of the container opposite her and takes aim at the approaching men.<br><br>

	On the flatbed, Joshua is ~~on the flatbed~~ facing off with Oleg. He yells at the man over the wind of their passage.<br><br>		On the flatbed, Joshua is facing off with Oleg. He yells at the man over the wind of their passage.<br><br>

	Joshua: You had a change of plan. ''Stupid gorram idiot''.<br><br>		Joshua: You had a change of plan. ''Stupid gorram idiot''.<br><br>
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	Arden is busy working on Kiera and calls back without turning around.<br><br>		Arden is busy working on Kiera and calls back without turning around.<br><br>

	Arden: No, she’s dead.<br>		Arden: No, she’s dead.<br><br>

	On the flatbed, Joshua gives up on the theatrical and employs the practical: he slams a full-on body check into Oleg and pitches him over the side. So long, ''chun zi huen dan!'' Joshua grabs the wheel and turns the flatbed back for ''Summer’s Gift''.<br><br>		On the flatbed, Joshua gives up on the theatrical and employs the practical: he slams a full-on body check into Oleg and pitches him over the side. So long, ''chun zi huen dan!'' Joshua grabs the wheel and turns the flatbed back for ''Summer’s Gift''.<br><br>
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	'''BOOM!'''<br><br>		'''BOOM!'''<br><br>

	Glass rains down on the crew below. Nika had precious little cover on the bridge, just the chairs—luckily for her bolted to the deck. They shield her from some of the blast but not all. She’s got some wounds from the debris and the glass and her ears are none too happy with her at the moment. However, she’s conscious and more than able to move. She gets herself to that window and calls out as Joshua flies the flatbed level with the windowsill.<br><br>		Glass rains down on the crew below. Nika had precious little cover on the bridge, just the chairs—luckily for her they're bolted to the deck. They shield her from some of the blast but not all. She’s got some wounds from the debris and the glass and her ears are none too happy with her at the moment. However, she’s conscious and more than able to move. She gets herself to that window and calls out as Joshua flies the flatbed level with the windowsill.<br><br>

	Nika: Is Potemkin on board?<br>		Nika: Is Potemkin on board?<br>
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	The light hits us first, a brilliant flash that shoots out every jagged hole and tear in our baby’s hull. We think we see Potemkin silhouetted against the bridge windows for a split second—and then the shock wave of the bomb blows through our beloved ship, the roar of the explosion deafening. ''Summer’s Gift'' expands, bends, warps with the groan of tortured metal. She lifts off the ground and slams back down a mangled wreck. Smoking. Burning. Dying. Debris flies everywhere and Joshua has to dodge the larger pieces as we speed away leaving our home, our beloved ship, behind.<br><br>		The light hits us first, a brilliant flash that shoots out every jagged hole and tear in our baby’s hull. We think we see Potemkin silhouetted against the bridge windows for a split second—and then the shock wave of the bomb blows through our beloved ship, the roar of the explosion deafening. ''Summer’s Gift'' expands, bends, warps with the groan of tortured metal. She lifts off the ground and slams back down a mangled wreck. Smoking. Burning. Dying. Debris flies everywhere and Joshua has to dodge the larger pieces as we speed away leaving our home, our beloved ship, behind.<br><br>

	We have no time for regrets or farewells. Anyone Potemkin left with Lagniappe will have heard the explosion and will not be inclined to stick around once it’s clear Potemkin’s dead. We have to get to her before they fly off with her. Kiera points out the direction she saw it land and Joshua drives us for it.<br><br>		We have no time for regrets or farewells. Anyone Potemkin left with ''Lagniappe'' will have heard the explosion and will not be inclined to stick around once it’s clear Potemkin’s dead. We have to get to her before they fly off with her. Kiera points out the direction she saw it land and Joshua drives us for it.<br><br>

	We reach the clearing and luck is with us—''Lagniappe'' is still on the ground. She’s not unmanned, however. She has guards who bring up their weapons to shoot. Arden brings up his rifle and shoots. Hell, everybody who has a weapon shoots. Nika’s blind but fires her rifle. Rina and Kiera are at death’s door, are hopped up on adrenaline, and are feeling no pain. They grab guns and shoot. We even manage to wing one the guards. And just in case Potemkin’s men fail to get the hint, Joshua flips the flatbed comm to loudspeaker.<br><br>		We reach the clearing and luck is with us—''Lagniappe'' is still on the ground. She’s not unmanned, however. She has guards who bring up their weapons to shoot. Arden brings up his rifle and shoots. Hell, everybody who has a weapon shoots. Nika’s blind but fires her rifle. Rina and Kiera are at death’s door, are hopped up on adrenaline, and are feeling no pain. They grab guns and shoot. We even manage to wing one the guards. And just in case Potemkin’s men fail to get the hint, Joshua flips the flatbed comm to loudspeaker.<br><br>
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	Nika: Bank us!<br><br>		Nika: Bank us!<br><br>

	Joshua banks our flatbed and comes abroad the guards and we fire all guns. It sounds spectacular but it’s not as easy as it sounds. We’re on a moving vehicle and we’re mostly wounded. That makes for some shaky hands and twitchy triggers. We fire again, a deadly volley of flying lead. The last of the guards go down. Joshua pulls us right up to ~~Lagniappe’s~~ airlock as it opens. A mountain of a man stands just inside.<br><br>		Joshua banks our flatbed and comes abroad the guards and we fire all guns. It sounds spectacular but it’s not as easy as it sounds. We’re on a moving vehicle and we’re mostly wounded. That makes for some shaky hands and twitchy triggers. We fire again, a deadly volley of flying lead. The last of the guards go down. Joshua pulls us right up to ''Lagniappe''’s airlock as it opens. A mountain of a man stands just inside.<br><br>

	Roskov.<br><br>		Roskov.<br><br>
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	Arden: I say we take the ''Exeter''.<br><br>		Arden: I say we take the ''Exeter''.<br><br>

	Going over who Potemkin sent against us ~~aboard our girl~~ and based on Kiera’s intel on ~~Exeter’s~~ crew complement, we reckon there might be one more mercenary and a few Chinese crewmen left aboard.<br><br>		Going over who Potemkin sent against us and based on Kiera’s intel on ''Exeter''’s crew complement, we reckon there might be one more mercenary and a few Chinese crewmen left aboard.<br><br>

	Kiera: Potemkin’s ship is now not owned. The owner is dead.<br>		Kiera: Potemkin’s ship is now not owned. The owner is dead.<br>
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	Kiera: Right now, I want to get very familiar with a bed ...<br><br>		Kiera: Right now, I want to get very familiar with a bed ...<br><br>

	Joshua and Nika work out the course for Boros and thence, the ranch. Arden settles his patients in the ~~Exeter’s~~ medbay. Nika discovers the Captain’s cabin off the bridge and dosses down in it, leaving Joshua to man the pilot’s chair.<br><br>		Joshua and Nika work out the course for Boros and thence, the ranch. Arden settles his patients in the '''Exeter''’s medbay. Nika discovers the Captain’s cabin off the bridge and dosses down in it, leaving Joshua to man the pilot’s chair.<br><br>

	And so we fly. Over the several days’ journey to Boros we go over the ship. We discover a few things in the ship’s records. We find out that it was in fact the ''Exeter'' at one point in its career. The ''Exeter'' is somewhat famous as one of the blockade runners during the Battle of Athens, in the Unification War. It delivered troops during the War and we’re delighted to find the Exeter is still armored. It’s now called the ''Panteleimon''.<br><br>		And so we fly. Over the several days’ journey to Boros we go over the ship. We discover a few things in the ship’s records. We find out that it was in fact the ''Exeter'' at one point in its career. The ''Exeter'' is somewhat famous as one of the blockade runners during the Battle of Athens, in the Unification War. It delivered troops during the War and we’re delighted to find the Exeter is still armored. It’s now called the ''Panteleimon''.<br><br>

	Rina and Beglan explore the ship and discover glitches in the system everywhere—nothing in the critical systems, but still …. For instance, doors cannot stay opened but must be propped or jammed open. If allowed to close, they are extremely hard to open again. The controls don’t seem to work. Flushing the toilet appears to affect the laundry machines. Turning on a light over there affects something completely unrelated over here. There are little post-it notes all over the ship in Chinese, explaining how to operate one thing or another. It is very odd. There are four decks to Exeter ~~over all~~ and Rina and Beglan have a lot of ground to cover. Well, Beglan, mostly. Rina’s not able to do much given the extent of her injuries. The same holds true for Kiera. And of course, Nika can no longer see. Arden tries one treatment after another, using what supplies and equipment we have, but nothing he does improves her sight. Once we kiss dirt on Boros, Arden will search out eye specialists, as many as it takes, to help Nika.<br><br>		Rina and Beglan explore the ship and discover glitches in the system everywhere—nothing in the critical systems, but still …. For instance, doors cannot stay opened but must be propped or jammed open. If allowed to close, they are extremely hard to open again. The controls don’t seem to work. Flushing the toilet appears to affect the laundry machines. Turning on a light over there affects something completely unrelated over here. There are little post-it notes all over the ship in Chinese, explaining how to operate one thing or another. It is very odd. There are four decks to ''Exeter'' and Rina and Beglan have a lot of ground to cover. Well, Beglan, mostly. Rina’s not able to do much given the extent of her injuries. The same holds true for Kiera. And of course, Nika can no longer see. Arden tries one treatment after another, using what supplies and equipment we have, but nothing he does improves her sight. Once we kiss dirt on Boros, Arden will search out eye specialists, as many as it takes, to help Nika.<br><br>

	Foreman doesn’t want to stick around with us or the ship. Because you guys have a lot of enemies, he says. He’d be delighted if we’d just drop him off someplace. Boros is fine. But as a reward for rescuing him, he is willing to help us to ‘touch up’ any ownership documents.<br><br>		Foreman doesn’t want to stick around with us or the ship. Because you guys have a lot of enemies, he says. He’d be delighted if we’d just drop him off someplace. Boros is fine. But as a reward for rescuing him, he is willing to help us to ‘touch up’ any ownership documents.<br><br>