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and (if no one else interrupts) moves to speak privately with
 
and (if no one else interrupts) moves to speak privately with
 
Carl as he asked.
 
Carl as he asked.
 
'''ELSEWHERE'''
 
 
REBECCA
 
 
Rebecca waits until you are both settled into the chairs, offers you some
 
more tea -- though you may be pretty tired of it by this time.
 
 
She is wearing her "all business" attitude, though not hostile, she's
 
definately focused and directed on the discussion at hand.
 
 
Elwar leans forward, and rattles off his list of questions in short order -
 
 
"Rebecca, What are the energies being manipulated by Ellis?  How has he
 
come to know how to harness these energies? Is this magic? Are the Fey
 
men?  Or something other than mankind?  Please describe! If guns are of no
 
use why do you and Auda carry so many? Have you had occasion to use guns
 
for your own defense?  If so what were the circumstances? Carl has
 
mentioned Ponic Flux, Hyperborean Phrasing and Ley Lines.  What do these
 
terms mean?"
 
 
She waits until you take a breath, and then holds up a hand, with a faint
 
smile . . . "Wait . . . wait . . .slow down a little . . ."
 
 
John falls silent, looking a bit chagrined at his own outburst.
 
 
"There are answers to all of these questions, maybe not answers that make
 
sense, or seem realistic . . ." she makes a little shrug as if to say it
 
doesn't matter to her whether you believe the answers or not.  "but --
 
I'm not an expert on everything.  I can tell you what I know - and maybe
 
send you to someone else who knows what I don't.  And some of what you're
 
asking I probably can't answer in as much detail as you like , because we
 
have to sleep sometime."
 
 
A little pause as she looks at both of you, "Doesn't mean I won't answer
 
you . . . just means that the explaination will take longer than we have
 
right now."
 
 
For a moment she looks down at the fire, gathering her thoughts.  The
 
flickering shadows make her look younger, and oddly vulnernable.  Then
 
with a drawn in breath, she turns her attention back to the two of you.
 
 
"Some of this Jack and I've been talking about, already . . . There are a
 
couple of different . .. ah . . . 'flavors' of energy that Carl uses.
 
It's all basically the same stuff, it all just has different signatures to
 
it."  She glances over to Jack, as if he should know what "signature"
 
means.
 
 
"According to Carl, everything in the world produces this energy in some
 
amount, even rocks." she makes a little noise, indiciative of what she
 
thinks about the rock theory - - - not much apparently.
 
 
"Think of it as a sort of electricity that the body, and other things,
 
generate inside themselves.  The energy, when you understand how it works
 
and what it's laws are, can be used to effect things around you."
 
 
She takes a moment to sip at her tea, which is sitting on the mantle.
 
 
"Is it magic?", another one of those shoulder shrugs.  "I suppose you
 
could call it that.  I've grown up with it all my life, so I don't think
 
about it that way.  Carl would cringe if he heard that word thrown around,
 
because he's spent a long time figuring out what it's rules are.  I expect
 
that a before there was any sort of means of scientific testing, that
 
magic is the word people used to explain it. " she thinks about this for a
 
bit, before going on.
 
 
"But magic is just a word.  Just like Ponic Flux, or Ley Lines . . . it's
 
a way of describing something, but describing it, doesn't always give any
 
sort of understanding.
 
 
"As for how Carl learned about it . . . I don't know, that was before I
 
met him, so you'd have to ask him about that.  But I do know that anyone
 
can learn to use this energy - to a greater or lesser degree - by
 
practice."
 
 
She turns to stir the fire, which has burned down a bit, then back to face
 
you both again.
 
 
"The Fae.", and there is a world of pent up dislike and disgust in those
 
two words.  She shakes her head.  "I'm not the one to ask if you want a
 
neutral opinion on them . . . or even an unbiased opinion about them.  I
 
don't consider them men or even remotely human.  There's others that say
 
that they are . . . just different from us . . . Carl will tell you that
 
they're part of the world and we need to extend them at least tolerance,
 
because they're going to be allies."  You can tell from her body language
 
and voice that she's never going to be buying into Carl's viewpoint on
 
this.
 
 
"My feeling is that The Fae are just as bad as the Outside Things . . .
 
they're just a little lower on my priority list right now than the larger
 
things that we're fighting against.  I don't know the inner most details
 
about the Fae . . . I don't need to.  I know how to assess them as an
 
enemy, and that's enough for what I need to do."  Her voice has become a
 
bit sharper, and more flat as she talks about them.  Then she softens a
 
little.
 
 
"Look - you've got to make up your own mind about them, everyone knows how
 
I feel - I'm not the only one who has had to deal with them. And my
 
viewpoint isn't the only one to listen to."  The mini-rant about the Fae
 
has darkened her mood, and she seems more tired and edgy now.
 
 
"Guns.  You asked about guns."she makes a small, mirthless laugh.  "Well -
 
it's true.  They're not much good against the really huge, Outside Things.
 
But they work really well against any human bodies that are helping them.
 
Sometimes breaking the concentration of someone who is talking to an Evil
 
Dark Thing with a bullet is the easiest way of hampering It.  Or buying
 
time for Carl and the others to do what they need to do uninterrupted.
 
 
"Have I killed people?  Yes."  the admission sounds so strange coming from
 
this slip of a girl.  "Both with guns, and with the energy we've been
 
talking about.  I'm not going to make any apologies for doing what was the
 
right thing at the time." She closes off that subject fairly firmly - and
 
you understand that at least for right now, she's not going to elaborate
 
on the circumstances.
 
 
"Ponic Flux . .. it's a term to describe the energy.  Basically energy
 
moving around.  Carl uses the word Ponic as a catch-all phrase when he
 
refers to it.  You'll hear me call it Power, the Spanish that we work with
 
call it Essence.  Hyperborean . . . it's a language of some kind.  It's
 
suppose to be pretty old, I guess . . . I'm not sure where Carl learned
 
it,  or what he uses it for.  You'd have to ask him about that part."
 
 
She closes her eyes for a moment, looking suddenly very tired. The opens
 
them again to resume her talk.
 
 
"And Ley Lines.  Those are like creek beds where the natural energy . . .
 
Carl would say the Ponic Energy . .. of the world flows, kind of like the
 
veins that carry blood through the body. Sometimes those flows . . .flux .
 
. ." a little smile at using Carl's words, "get cut off, or blocked or
 
misused.  When they do, it's a huge problem, as well as indicating
 
something that's pretty large, or very knowledgable, or very huge.  You
 
can't manipulate the Ley Lines very easily - they're too big and powerful.
 
 
"You can sometimes draw energy out of them if you need to - but I wouldn't
 
reccomend it.  It's like getting sucked under by a huge tidal wave. It can
 
pull you out of your body, and kill you flat in about 2 seconds if you
 
aren't strong enough, or skilled enough.
 
 
"Ley Lines run mostly straight, and are powerful enough to barrel through
 
just about anything.  So when Carl opened up that Ley Line, and it stopped
 
at the Church, instead of going straight through . . . that's a problem.
 
It means that something inside the Church is damming or bottling up, or
 
using up that energy faster than it can move."
 
 
A thoughtful pause.  "Yeah. I don't know why the Ley wasn't working before
 
Carl did what he did. But whatever is going on in that church . . . it's a
 
real problem."
 
 
The clock on a shelf near the bar chimes . . . she's been talking nearly
 
non-stop for an hour, and is begining to run down.
 

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