Editing Baroque K

Jump to: navigation, search

Warning: You are not logged in. Your IP address will be publicly visible if you make any edits. If you log in or create an account, your edits will be attributed to your username, along with other benefits.

The edit can be undone. Please check the comparison below to verify that this is what you want to do, and then save the changes below to finish undoing the edit.
Latest revision Your text
Line 9: Line 9:
 
'''General appearance:''' Thin and lanky, coal-black hair in a brushed-back page cut (see picture on the wiki) and a near-omnpresent grin that would be called "Cheshirean" in any other environment than Baroque. Arms and parts of torso covered in an intricate set of disparate magickal tattoos, scarifications etc.
 
'''General appearance:''' Thin and lanky, coal-black hair in a brushed-back page cut (see picture on the wiki) and a near-omnpresent grin that would be called "Cheshirean" in any other environment than Baroque. Arms and parts of torso covered in an intricate set of disparate magickal tattoos, scarifications etc.
  
=====Skills:=====
+
'''Skills:'''
 
* Great (+4): Deceit
 
* Great (+4): Deceit
 
* Good (+3): Mysteries, Resolve, Contacting
 
* Good (+3): Mysteries, Resolve, Contacting
Line 15: Line 15:
 
* Average (+1): Burglary,Investigation, Stealth, Athletics, Academics
 
* Average (+1): Burglary,Investigation, Stealth, Athletics, Academics
  
=====Aspects:=====
+
'''Aspects:'''
  
 
'''One with the whisper-stream'''
 
'''One with the whisper-stream'''
Line 37: Line 37:
  
  
=====Stunts:=====
+
'''Stunts:'''
 
* Conwoman (Modified from vanilla SotC: allows K to use Deceit in place of Empathy, pure and simple.)
 
* Conwoman (Modified from vanilla SotC: allows K to use Deceit in place of Empathy, pure and simple.)
 
* Clever Façade (Deceit: can get a free read on people who are fooled by my façade.)
 
* Clever Façade (Deceit: can get a free read on people who are fooled by my façade.)
Line 44: Line 44:
 
* I know a guy who knows a guy (Contacting)
 
* I know a guy who knows a guy (Contacting)
  
=====K:s relationships:=====
+
'''K:s relationships:'''
  
'''[[Baroque_Alexei|Alexei]]''' - Alexei and K has the kind of relaxed working relationship that you can only get if your area of specialty very nearly doesn´t overlap at all. Once they were past the hitman´s obligatory seduction gambit (which she gracefully managed to avoid), their cooperation is very frictionless. She needs someone to watch her back, or leant upon to discourage them from violence towards her person - well, Alexei has that stuff down to a science. Alexei needs protection from elements that tend to be resistant to bullets and mortal charms, well - K has the recipe.
+
'''Alexei''' - Alexei and K has the kind of relaxed working relationship that you can only get if your area of specialty very nearly doesn´t overlap at all. Once they were past the hitman´s obligatory seduction gambit (which she gracefully managed to avoid), their cooperation is very frictionless. She needs someone to watch her back, or leant upon to discourage them from violence towards her person - well, Alexei has that stuff down to a science. Alexei needs protection from elements that tend to be resistant to bullets and mortal charms, well - K has the recipe.
  
'''[[Baroque_Salil|Salil]]''' - Almost the polar opposite of her relationship with Alexei; K and Sal always step in polite circles around each other, like two cats at the somewhat contested territory border. They´re allies, but they were never exactly friends - K has abstained from digging into the secrets of the mysterious "Sword of God" and Salil does not accept contracts on K as a "witch and practitioner of black arts". They are honest about this, and this is a strong enough bond in Baroque.
+
'''Salil''' - Almost the polar opposite of her relationship with Alexei; K and Sal always step in polite circles around each other, like two cats at the somewhat contested territory border. They´re allies, but they were never exactly friends - K has abstained from digging into the secrets of the mysterious "Sword of God" and Salil does not accept contracts on K as a "witch and practitioner of black arts". They are honest about this, and this is a strong enough bond in Baroque.
  
'''[[Baroque_Thumbs|"Thumbs"]]''' - K has grown quite affectionate towards the "big old lug", possibly more so than towards any other person in the city. He´s all heart-on-his-sleeve grit, with none of the subterfuge of the rest of her world. He´s also right along with her on her "extracurricular activities", when possible - both of them are quite willing to step in when kids are getting hurt. Consequently, Thumbs has probably seen more of the "unmasked" K than any other breathing person.
+
'''"Thumbs"''' - K has grown quite affectionate towards the "big old lug", possibly more so than towards any other person in the city. He´s all heart-on-his-sleeve grit, with none of the subterfuge of the rest of her world. He´s also right along with her on her "extracurricular activities", when possible - both of them are quite willing to step in when kids are getting hurt. Consequently, Thumbs has probably seen more of the "unmasked" K than any other breathing person.
  
'''[[Baroque_Revenge|Paul Revenge]]''' - Another sometimes-and-tentative ally, Revenge is a man who can tell the difference between Law and Justice. For some reason, the two has an amazing tendency to run into each other on the darker cases - and somehow, they´ve managed to lend each other a hand without compromising the codes that they live and breathe by. They also tend to find themselves in the same bed occasionally - dangerous acquintances makes for fatal attractions. The exact nature of their relationship remains undefined.
+
'''Paul Revenge''' - Another sometimes-and-tentative ally, Revenge is a man who can tell the difference between Law and Justice. For some reason, the two has an amazing tendency to run into each other on the darker cases - and somehow, they´ve managed to lend each other a hand without compromising the codes that they live and breathe by. They also tend to find themselves in the same bed occasionally - dangerous acquintances makes for fatal attractions. The exact nature of their relationship remains undefined.
  
'''[[Baroque_Raith|Eddie "the Angel" Raith]]''' - The journalist is an annoying and possibly dangerous rat chewing at power cables, just waiting to set the whole block ablaze. That aside, K is quite amused by him and his antics... even if she tends to carry around that Sri Lankan charm that makes her features blur on photographs a lot more these days, after that first comedy of errors that very nearly led to her mug featuring in the daily press. Quite despite herself - indeed, to her own annoyance - she has a somewhat soft spot for the man´s passion and would rather not see him killed due to his own recklessness when confronting powers and people that just might be beyond his understanding or reach.
+
'''Eddie "the Angel" Raith''' - The journalist is an annoying and possibly dangerous rat chewing at power cables, just waiting to set the whole block ablaze. That aside, K is quite amused by him and his antics... even if she tends to carry around that Sri Lankan charm that makes her features blur on photographs a lot more these days, after that first comedy of errors that very nearly led to her mug featuring in the daily press. Quite despite herself - indeed, to her own annoyance - she has a somewhat soft spot for the man´s passion and would rather not see him killed due to his own recklessness when confronting powers and people that just might be beyond his understanding or reach.
  
'''[[Red Raven]]''' - The Raven sees K as a sometimes-informer who squeals on people who intrude on her business. K sees Red Raven as an excellent blunt object to be used against people who offend her - people who break the rules, and so are exempt from the Code, mind you. So far, this has worked out fine.
+
'''Red Raven''' - The Raven sees K as a sometimes-informer who squeals on people who intrude on her business. K sees Red Raven as an excellent blunt object to be used against people who offend her - people who break the rules, and so are exempt from the Code, mind you. So far, this has worked out fine.
  
'''[[The Midnight Samaritan]]''' - The man had nothing but contempt for her, but she has managed to make herself a small enough target to stay out of his way - although that whole Brother Clavinger/Broken Circle/Fitzroy debacle was a close one.
+
'''The Samaritan''' - The man had nothing but contempt for her, but she has managed to make herself a small enough target to stay out of his way - although that whole Brother Clavinger/Broken Circle/Fitzroy debacle was a close one.
 
(With permission from above: ) He did show up, though - the very same night that he died, K found herself being dangled from a rooftop and roughly interrogated with the whole subtlety that was the masked crusader´s signum. What was said was between the two of them only, and now that he´s dead... well, nothing good can come out of this.
 
(With permission from above: ) He did show up, though - the very same night that he died, K found herself being dangled from a rooftop and roughly interrogated with the whole subtlety that was the masked crusader´s signum. What was said was between the two of them only, and now that he´s dead... well, nothing good can come out of this.
  

Please note that all contributions to RPGnet may be edited, altered, or removed by other contributors. If you do not want your writing to be edited mercilessly, then do not submit it here.
You are also promising us that you wrote this yourself, or copied it from a public domain or similar free resource (see RPGnet:Copyrights for details). Do not submit copyrighted work without permission!

Cancel Editing help (opens in new window)