Editing Certitude

Jump to: navigation, search

Warning: You are not logged in. Your IP address will be publicly visible if you make any edits. If you log in or create an account, your edits will be attributed to your username, along with other benefits.

The edit can be undone. Please check the comparison below to verify that this is what you want to do, and then save the changes below to finish undoing the edit.
Latest revision Your text
Line 31: Line 31:
 
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Dancers say that when the music starts, they lose themselves in it and their bodies become nothing but the medium the music moves through, that movement is the language it speaks.  Singers say the same, that air and sound and pitch comes combined from their core, pours forth from their throats, and nowhere and at no time are they more alive than when they sing.  Through my ears and my hands and the marrow of my bones, I felt the ship come awake as her engines fired to life and I knew I had made the right choice.  And as we left the dirt I knew, as sure as I knew my name, that Mike had already known what I’d say.<br>
 
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Dancers say that when the music starts, they lose themselves in it and their bodies become nothing but the medium the music moves through, that movement is the language it speaks.  Singers say the same, that air and sound and pitch comes combined from their core, pours forth from their throats, and nowhere and at no time are they more alive than when they sing.  Through my ears and my hands and the marrow of my bones, I felt the ship come awake as her engines fired to life and I knew I had made the right choice.  And as we left the dirt I knew, as sure as I knew my name, that Mike had already known what I’d say.<br>
 
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;So why did he ask?<br>
 
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;So why did he ask?<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;The engines obeyed Nika’s hand on the throttle and they changed their tune, raised their pitch.  I could feel them straining to run, like a thoroughbred at the gate, and I gave them a little more rein.  Power flowed more sweetly and the dissonance of strain disappeared.  All the gauges were well within normal and I let my mind go back to the problem at hand.<br>
+
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;The engines echoed Nika’s hand on the throttle and they changed their tune, raised their pitch.  I could feel them straining to run, like a thoroughbred at the gate, and I gave them a little more rein.  Power flowed more sweetly and the dissonance of strain disappeared.  All the gauges were well within normal and I let my mind go back to the problem at hand.<br>
 
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;If Mike had already known my answer, why had he asked me the question?<br>
 
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;If Mike had already known my answer, why had he asked me the question?<br>
 
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;We’d disembarked and crossed the meadow and stopped short of the tree line at clearing’s edge.  He’d scanned the forest hemming us in and he’d muttered something the rustling breeze couldn’t quite mask from my ears:<br>
 
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;We’d disembarked and crossed the meadow and stopped short of the tree line at clearing’s edge.  He’d scanned the forest hemming us in and he’d muttered something the rustling breeze couldn’t quite mask from my ears:<br>
 
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;''Might be a while before anyone’s here…''<br>
 
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;''Might be a while before anyone’s here…''<br>
 
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;He’d stood at the comms on the bridge, calling the ground below:<br>
 
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;He’d stood at the comms on the bridge, calling the ground below:<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;''Weather data….Mission coordinates….''<br>
+
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;''Weather report….Mission coordinates….''<br>
 
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Not the language of a man getting out of the spy business.  It sounded more like a man getting in.  A man who could not afford the liability of a lover or a wife.<br>
 
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Not the language of a man getting out of the spy business.  It sounded more like a man getting in.  A man who could not afford the liability of a lover or a wife.<br>
 
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;''Make no hostages to fate'', I’d said to him once, back when he’d first asked me to marry him.  At the time he’d seen the necessity of it.  Now I have to wonder if he’d been relieved I’d been practical instead of sentimental, on both that day and when he’d asked me again, nearly ten years later.<br>   
 
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;''Make no hostages to fate'', I’d said to him once, back when he’d first asked me to marry him.  At the time he’d seen the necessity of it.  Now I have to wonder if he’d been relieved I’d been practical instead of sentimental, on both that day and when he’d asked me again, nearly ten years later.<br>   
Line 47: Line 47:
 
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;''You knew this was comin’, Irina'', he’d said that day, with Angel fast approaching.  His duffel sat packed on the bunk we’d shared and at the time I’d thought I’d known what he’d meant. <br>  
 
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;''You knew this was comin’, Irina'', he’d said that day, with Angel fast approaching.  His duffel sat packed on the bunk we’d shared and at the time I’d thought I’d known what he’d meant. <br>  
 
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;I’d once told Nika that I had no faith, and by extension, no belief in God.  That I believed only in tangibles that I could see and touch and measure.  Concrete proof, I’d said, and that I accepted no substitutes.  One could argue that the proof of His existence is how He sent Mike’s path across mine when I needed him most.  Perhaps.  What is inarguable, no matter what agency you subscribe to, is how Mike and I always manage to cross paths again.  And again.  And again.  Across nearly a decade and with the entire ’Verse to get lost in, we would always meet up sooner or later.<br>
 
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;I’d once told Nika that I had no faith, and by extension, no belief in God.  That I believed only in tangibles that I could see and touch and measure.  Concrete proof, I’d said, and that I accepted no substitutes.  One could argue that the proof of His existence is how He sent Mike’s path across mine when I needed him most.  Perhaps.  What is inarguable, no matter what agency you subscribe to, is how Mike and I always manage to cross paths again.  And again.  And again.  Across nearly a decade and with the entire ’Verse to get lost in, we would always meet up sooner or later.<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;It would never be a matter of ''if'', only ''when''.  All I had to do was outlast the Universe and inevitably, she’d relent.  Our divergent paths would meet and we’d be together again.  All past evidence supported it.  Hard evidence, as hard as concrete.<br>
+
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;It was never be a matter of ''if'', only ''when''.  All I had to do was outlast the Universe and inevitably, she’d relent.  Our divergent paths would meet and we’d be together again.  All past evidence supports it.  Hard evidence, as hard as concrete.<br>
 
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;''You’ll find me'', he’d said, as the air of Salisbury wafted through his hair, and the sunlight picked out the gold in it.  ''Somehow we always do''.<br>
 
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;''You’ll find me'', he’d said, as the air of Salisbury wafted through his hair, and the sunlight picked out the gold in it.  ''Somehow we always do''.<br>
 
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Well enough.<br>
 
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Well enough.<br>
Line 53: Line 53:
 
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Damned if I’d let her win.
 
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Damned if I’d let her win.
 
<br><br><br>
 
<br><br><br>
'''Go back to [[Valediction| ''Valediction'']]''' | '''Go to [[Witness| ''Witness'']]'''<br>
+
'''Go back to [[Valediction| ''Valediction'']]''' | '''Go to next Entry'''
'''Go to ''[[Peripatetica - Rina's Journal entry and RP log]]'''''<br>
+
<br>
'''Go to ''[[Rina's Russian Glossary]]'''''<br>
+
'''Go to''' [[Marina Kseniya Sebastien | '''Rina's Crew Page''']]
'''Go to''' [[Marina Kseniya Sebastien | '''Rina's Crew Page''']] <br>
 
'''Go to [[EPISODES]]''' or '''[[MTimeline#2511-2518|TIMELINE]]'''
 

Please note that all contributions to RPGnet may be edited, altered, or removed by other contributors. If you do not want your writing to be edited mercilessly, then do not submit it here.
You are also promising us that you wrote this yourself, or copied it from a public domain or similar free resource (see RPGnet:Copyrights for details). Do not submit copyrighted work without permission!

Cancel Editing help (opens in new window)