Editing Episode 203: Gibraltar Blues

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''Present: Maer, Terri, Bobby, Jay and Tony.''<br>
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Air Date: 04 Aug 2009 <br>
''Air Date: 04 Aug 2009''<br>
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Present: Maer, Terri, Bobby, Jay and Tony.
  
  
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'''Byshek:''' Johnny.  Sit down.<br>
 
'''Byshek:''' Johnny.  Sit down.<br>
 
'''Johnny:''' (sits) ‘kay. Uhh….oh, yeah.  (looks at Christian and Nika)  I wanna go to Blue Sun.  Can you take me there? <br>
 
'''Johnny:''' (sits) ‘kay. Uhh….oh, yeah.  (looks at Christian and Nika)  I wanna go to Blue Sun.  Can you take me there? <br>
'''Christian and Nika:''' (unison) ''Where?'' <br>
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'''Christian and Nika:''' (unison) Where? <br>
 
'''Johnny:''' Just some planet.<br>
 
'''Johnny:''' Just some planet.<br>
 
'''Christian:''' Why?<br>
 
'''Christian:''' Why?<br>
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'''Christian:''' What are you on?<br>
 
'''Christian:''' What are you on?<br>
 
'''Johnny:''' Meh, normal stuff.<br>
 
'''Johnny:''' Meh, normal stuff.<br>
'''Christian:''' I can think of at least fifteen different things that would qualify under that. ''Which'' normal stuff?
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'''Christian:''' I can think of at least fifteen different things that would qualify under that. Which normal stuff?
  
 
Johnny shrugs and eyes Christian shrewdly.
 
Johnny shrugs and eyes Christian shrewdly.
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'''Christian:''' 200 credits.  If you want a bed, it would be three hundred.<br>
 
'''Christian:''' 200 credits.  If you want a bed, it would be three hundred.<br>
'''Johnny:'''  Uhh…okay, yeah.  But I won’t have it ''this'' week….Next week I’ll have it.<br>
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'''Johnny:'''  Uhh…okay, yeah.  But I won’t have it this week….Next week I’ll have it.<br>
 
'''Christian:''' We won’t be here next week.<br>
 
'''Christian:''' We won’t be here next week.<br>
 
'''Nika:''' We’re leaving tomorrow.<br>
 
'''Nika:''' We’re leaving tomorrow.<br>
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'''Christian:''' This is something I’m going to have to discuss—<br>
 
'''Christian:''' This is something I’m going to have to discuss—<br>
 
'''Byshek:''' Mr. Edge.  This is like magic money machine. You just keep boy in room, let him go out every other day and money just shows up.  If I could keep him here, I would.<br>
 
'''Byshek:''' Mr. Edge.  This is like magic money machine. You just keep boy in room, let him go out every other day and money just shows up.  If I could keep him here, I would.<br>
'''Christian:''' Why ''can’t'' you keep him here?<br>
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'''Christian:''' Why can’t you keep him here?<br>
 
'''Byshek:''' Well, because if he doesn’t sign off on these things, I suspect it might anger people I don’t wish to meet.<br>
 
'''Byshek:''' Well, because if he doesn’t sign off on these things, I suspect it might anger people I don’t wish to meet.<br>
 
'''Christian:''' (to Johnny) Why are you running from your family?<br>
 
'''Christian:''' (to Johnny) Why are you running from your family?<br>
 
'''Johnny:''' I’m not running from my family.<br>
 
'''Johnny:''' I’m not running from my family.<br>
 
'''Christian:''' (yeah, right) You’re going to a place which is under Quarantine.  You don’t care where in that place you’re going to.  You’re running from something.<br>
 
'''Christian:''' (yeah, right) You’re going to a place which is under Quarantine.  You don’t care where in that place you’re going to.  You’re running from something.<br>
'''Johnny:''' I’m not ''running'' from anything.  I just want to see what’s going on in Blue Sun.<br>
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'''Johnny:''' I’m not running from anything.  I just want to see what’s going on in Blue Sun.<br>
 
'''Christian:''' You realize seeing what’s going on there would probably be a lot easier to do if your perception of reality was unfiltered by mind-altering substances.
 
'''Christian:''' You realize seeing what’s going on there would probably be a lot easier to do if your perception of reality was unfiltered by mind-altering substances.
  
 
Johnny starts to chuckle.
 
Johnny starts to chuckle.
  
'''Johnny:''' Now, see?  ''That’s'' the voice of inexperience, if you ask me…. You might be a little older than me—I don’t know, you look like about the same age— but trust me, man. I see things way better than—<br>
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'''Johnny:''' Now, see?  That’s the voice of inexperience, if you ask me…. You might be a little older than me—I don’t know, you look like about the same age— but trust me, man. I see things way better than—<br>
 
'''Christian:''' (interrupting) I have no doubt that you see things.<br>
 
'''Christian:''' (interrupting) I have no doubt that you see things.<br>
 
'''Nika:''' (quietly firm) Christian.<br>
 
'''Nika:''' (quietly firm) Christian.<br>
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'''Christian:''' (Not a question) You’re going to go there without any money at all.<br>
 
'''Christian:''' (Not a question) You’re going to go there without any money at all.<br>
 
'''Johnny:''' Ehh, that money’ll show up.<br>
 
'''Johnny:''' Ehh, that money’ll show up.<br>
'''Christian:''' Very well.That’s fine, but you will not leave the ship when we get there until the money is in our hands. <br>
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'''Christian:''' Very well.
'''Johnny:''' Seems fair.<br>
 
'''Christian:''' Okay.<br>
 
'''Johnny:''' Oh, but I get the bed, too.<br>
 
'''Christian:''' You get the bed too.<br>
 
'''Johnny:''' And food.<br>
 
'''Christian:''' And food, and you even get to use the shower. (A beat) I '''''recommend''''' you use the shower.<br>
 
'''Nika:''' Often.<br>
 
'''Christian:''' Every day.<br>
 
'''Johnny:''' What kind of perv are you?<br>
 
'''Chrisitan:''' (down low) You have no idea.  
 
  
Johnny looks askance, but seems willing to let it slide.  Christian tells him that he can meet us tonight at the ''Gift'' or come by tomorrow by noon.  If he is not there by then, we’re leaving without him.
 
  
  
Back at the Docks, Rina, Jake and Rick find that the protest hadn’t abated during their sojourn into Old Town.  In fact it seems to have tipped over into a full scale riot and Jake runs toward the danger even as our crew drag him and his camera away toward safety.  Safety in this case means cutting through a small gap in the hurricane fence surrounding the Docks and climbing on top of a stack of containers to continue filming.  Which Jake does, with a running commentary.  Rina and Rick flank him, keeping an eye for anything untoward….which there is a lot of, with a riot going on in front of them.
 
  
People are pleading for food.  The police handling the protest are in full riot gear and are armored and armed.  The order is given and gas canisters are fired into the crowd.  The gas drifts over the rioters and those on the front edge start going passive. It doesn’t take a genius to recognize the gas as Chempliance.  Unfortunately, the people joining the crowd from the rear cannot see what his happening at the front.  As they push forward, the gassed portion of the crowd gets shoved aside and then trampled as the rioting goes on.  The police have to quell the violence before it can escalate and the stun batons and the sticks are out and brought to bear on the rioters.  The chaos increases.  The guards start firing live rounds on the crowd. 
 
  
It’s clearly time to go.
 
  
We scramble across the tops of the containers in a big damn hurry, eager to avoid being affected by the chemical and we beat a retreat away from the riot, going deeper into the Docks as night starts to fall.   
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The protest hadn’t abated during our absenceIn fact it seems to have tipped over into a full scale riot and Jake runs toward the danger even as our crew drag him and his camera away toward safetySafety in this case means cutting through a small gap in the hurricane fence surrounding the Docks and climbing on top of a stack of containers to continue filmingWhich Jake does, with a running commentaryRina and Rick flank him, keeping an eye for anything untoward….which there is a lot of, with a riot going on in front of them.
 
 
We decide to run a circuitous route as far as the containers will take us, hoping to beat a retreat back to the Rock and our ship.  However, the riot and the Town lay between us and our objective and all we can do is parallel both as we go north along the Docks.  It’s not long before reinforcements called to quell the riot spot us running along the tops of the container and we are ordered at gunpoint to halt.  Jake, Rina and Rick go prone, hoping to evade notice as the security forces advance on foot on our position. 
 
 
 
The guards know someone’s on the container roof and orders us to show ourselves and give over our weapons.  In the end, Rick decides to give himself up and fakes spraining his ankle jumping down from the containers.  Two guards quickly take him in hand and divest him of his weapons.  Behind their backs, Rick motions us to go without him while he ties up the security goons below, but Jake is seen before he can escape and is ordered down.  Rina’s still undiscovered on top of the container and just beside herself—two of her shipmates are facing arrest and there is little she can do to slip away without betraying her position.  The guards are armored and her pistol can’t do squat to bring them down and free her friends.  Jake’s left her his camera, intending that it get out with her and the footage make it off-world, but that would work only if Rina gets away.   
 
 
 
Rick and Jake in custody when the order comes through on the guards’ suit helmets.  The one-sided conversation Rina hears goes something like this: You want us to do what?  Repeat the order?  Shoot? Yes, sir, we copy. 
 
 
 
Obviously the order to shoot Rick and Jake outright has just been given.
 
 
 
One of the guards holding Rick and Jake fires two shots into the air and both guards turn and walk away, letting their helmet mikes suggest the order has been carried out.  Not a peep from our crew til the guards are out of sight.  Then Rick gets up, his ankle apparently unhurt and Rina climbs down from the container much relieved she didn’t have to shoot her and the crew out of thereWe beat a retreat, following our plan to get back to the ship.
 
 
 
On the way, we hear a fight in progressAhead we see the silhouettes of two people, one of them growling and screaming, tearing and now clawing at the other, who is on the ground.
 
 
 
It’s a rioter, and it looks like the Chempliance has triggered a Reaver response.  That response is confirmed when we see the man take a big bite out of his opponent.
 
 
 
Rick and Jake get its attention, Rina takes careful aim and fires.  Her shot slices through the Reaver’s neck, severing the artery and the doomed creature advances, snarling, even as he dies.  We avoid his twitching corpse to check on his victim and see we were too late to save him.  The Reaver had already eviscerated him.
 
 
 
We make it back to the ship without further mishap.  Once safe aboard the Gift, we hit the Cortex to scan the news of the riot.  It takes some doing but the riot is quelled.  The police have been rounding up rioters and deliberately shooting them down in cold blood.  Given what Rick, Rina and Jake have seen, those shot down could have been Reaverized rioters… or they could have been innocents.  There is no way we can tell from our ship and for obvious reasons we are unwilling to leave it. We resolve to leave as soon as our cargo is loaded and we get clearance to leave.  We cannot save the people down below from their food shortages or the rioting or the police.  We can save ourselves and those aboard with us… and that’s what we’ll have to do.
 
 
 
To reduce our exposure to whatever Chempliance we may have taken on at the Docks, Rina, Rick and Jake consign the clothing they’re wearing to the incinerator and their shoes and pocket contents and gear to a thorough cleaning with disinfectant.  Jake sends the footage he’s shot through a twisty maze of unofficial comms channels, getting the news out to his friends off-world.
 
 
 
The following morning, our cargo of pipe shows up and is loaded aboard.  Volker shows as well and we quickly arrange for him to stay in the passenger container.  His thousand credits have bought him better than steerage, but he is to stay in the passenger-only areas.  All other places on our ship are barred. That means the bridge, everything aft of the midships lounge,  everything below decks not immediately pertaining to the passenger container, and the bridge.  Which apparently suits the young man fine enough.
 
 
 
There being nothing else to keep us here, we lift off and leave Newhope behind us.  Next stop, Meridian, and the delivery of the meds we’ve been hired to take there.
 
 
 
As the flight begins Arden conducts a thorough medical evaluation of Johannes. He is in good, if somewhat malnourished, condition. But he does have several incision marks on his skull. Under the secrecy of Doctor-Patient confidentiality, he admits several things.  He admits to having brain surgeries. That it would be a good idea if Arden doesn’t look too closely at Johannes’ blood sample, saying ‘They don’t like it when you look too closely.” That he met someone who could have been Arden’s father.  That the man he met was probably Alliance.  And that he met him at a special school.
 
<br><br>
 
Back to the previous episode: [[Episode 202: Obstinacy| '''Obstinacy''']] | Foward to:[[Episode 204: Meridian Encounters| '''Meridian Encounters''']]<br>
 
Back to [[Mutineers Season Two| Season Two: Hitting Our Stride]]<br>
 
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