Editing Liang Yi

''How Cruel the Dark Blade<br/>
''To Score the Spine Through the Throat<br/>
''Liang Cuts Deeper<br/>

''-Nevada-Tan’s Happy Boxcutters and Other Postmodern Haiku, Yui Yamato
----



Liang Yi is a [[Nobilis]] character featured in the [[Black Hollyhock God Campaigns]].<br/>

She is played by [[user:Gothfae|Jade Hammons]].

This is a repository of character trivia, OOC observations, bits of IC splash fictions, and links to resources, from her complete [http://homepage.mac.com/gothfae/nobilis/mika.html Character Sheet], to upcoming Thought Records of sessions.


Liang is the Marchessa of Gender. More information will be forthcoming.<br/>


'''Links'''
* Full Character Sheet: [http://homepage.mac.com/gothfae/nobilis/mika.html Liang Yi, Marchessa of Gender]


----
''I wasn't sure how long I had been unconscious this time. I didn't want to open my eyes. Every muscle ached, my throat burned. How long had it been since I'd had food? Water? Soon I would be a martyr like Him.

''It was her footsteps that had woken me from my fitful sleep, the cold snapping steps of those cursed boots on her oh so perfectly shined marble floor. I could barely breath, my chest was tight against my lungs and it took all my strength to grasp my manacles and pull myself up so I wouldn't asphyxiate.

''"Ohayo gozaimasu William-kun. My, you look more and more like your precious Jesus every day." She tittered at my scraggly beard and at the manner she had hung me from the manacles. I hated the sound of her voice, even as its beauty made me wish I had tears left to cry.

''"I have come," She smiled, grasping my hair and slamming my head back into the wall, forcing my swollen eyes open, "to let you know that I finally hate you. I was afraid it would not be possible, I have hated so much greater things than you, I feared I could not hate anything so small." I felt tiny pieces of marble fall from my shoulders where my skull had cracked the wall.

''I scowled, wishing I could spit into her perfect porcelain face, but found only dust between my lips.

''"But your latest confession, it has stirred my china doll heart William-kun. I was almost out of torturers as well. The people of Aster, they do not like me very much, and I am afraid they were not doing their best by you. For that I apologize. If they loved me more, perhaps they would be have been more thorough months ago, and scoured this particular story from your wicked brain without so much scourging of your body."

''A silvery straight razor fell open, shining in her small hand as she gazed up at my neck.

''My eyes grew wide as I spat my words at her with bilious rage, "This? This is how it ends? You vile temptress. You drag me into your Hell, you torture me, for months.. unending. I am not going to give you the satisfaction! I will not feel remorse, they were '''WHORES''', '''ALL''' of '''THEM''', '''Women''', Just like you. Go ahead and kill me, but I will never apologize" I felt such a flush of victory, whatever voodoo the harlot had played on my mind was gone, I no longer felt enslaved to her, I felt flush with my own burgeoning masculinity. She hadn't broken me. She had bewitched me, but I had not feared her, and by force of will and faith had I broken free!

''"Oh William-kun... this isn't for you," she said, voice ever-sweet, as sweet as the devil's honey, as she drew the blade across her wrist, dark blood welling up from the deep gash, "And this isn't how it ends William. This is how is begins."

''As she lifted her wrist to my lips, blood dripping, I heard screaming. It was with more than simple fear that I realized it was me.

''-- from “I Don’t Like Mondays”, by Gervaise Goeth''



----
Trivia:
* I wrote up the complete design before I found flowers that actually formed what I had described. I do have a pen&ink stylistic design in my head, but as far as a realistic depiction, it turned out perfect.
* In case it's not blatantly obvious. "Nevada-Tan’s Happy Boxcutters and Other Postmodern Haiku" by Yui Yamato and “I Don’t Like Mondays” by Gervaise Goeth are complete fabrications, in spite of having correct bibliographical annotations on Liang's character sheer.
** Both titles refer to schoolgirl murderers. Natsumi Tsuji, [http://en.wikipedia.org/wiki/Nevada-tan "Nevada-tan"], and [http://en.wikipedia.org/wiki/Brenda_Ann_Spencer Brenda Ann Spencer], [http://www.youtube.com/watch?v=POl4vFp-5os "I Don't like Mondays"] 
*** Both girls have gone on to become pop culture memes. 
** Further fictional works will undoubtedly follow this same pattern, make whatever assumptions you want from this.
** The publication dates on "I Don't Like Mondays" are misleading. Many of the events in the book have not, and possibly will not occur. Technically the book will not be written for over two hundred years. It was written during the Lost Time and is composed of short stories about Liang's anchors, written by an Anchor that will not be born for two centuries.  
* [http://en.wikipedia.org/wiki/Liang_Yi 'Liang Yi'] is another translation of Yin Yang, the ultimate symbol of gender.

----
Thought Processes
Gender as an Estate of Hell
* From the write up, it should be pretty obvious that Liang still has a lot of Mika-chan in her, and that Mika-chan still cares very much about nurturing her Estate. This would seem at odds with the goals of Hell. Liang/Mika are the Yin Yang of Gender, but they are not separate people to the extent that it is disabling. Mika tells herself that Liang is a mask Mika wears for protection. And Liang tells herself that Mika is something in her heart she keeps around to keep from becoming the corruption she spreads. They are both correct. So as Mika nurtures her Estate and makes it more vital in Prosaic Earth, Liang knows full well that the more 'options' there are, the more it will make people suffer in the end. If there is only black and white, temptation has a hard job. Even if black and white are yin and yang and already have a seed of temptation within them.
* But if there are a thousand choices, then temptation becomes easier, and suffering becomes richer. To fully understand, [http://en.wikipedia.org/wiki/Hedwig_and_the_Angry_Inch Hedwig and the Angry Inch] would be a good primer.
** Hedwig refers to [http://en.wikipedia.org/wiki/Aristophanes Aristophanes'] speech in [http://en.wikipedia.org/wiki/Plato%27s_Symposium Plato's Symposium]. This myth, retold by Hedwig in the song [http://www.youtube.com/watch?v=ll3KO-wtVSY "The Origin of Love"], explains that human beings were once round, two-headed, four-armed, and four-legged beings. Angry gods split these early humans in two, leaving the separated people to forever long for their other half. Hedwig believes that Tommy is her soulmate and that she cannot be whole without him. She feels driven to either reunite with him or destroy him.
* And such it is, that Liang keeps splitting Mankind into smaller and smaller pieces. Tell me that's not serving Hell.

----


--[[User:Gothfae|Gothfae]] 09:00, 19 August 2007 (PDT)
@@ Line 1: / Line 1: @@
-liolonolivir
 ''How Cruel the Dark Blade<br/>
 ''To Score the Spine Through the Throat<br/>
 ''Liang Cuts Deeper<br/>
-''-Nevada-Tanâs Happy Boxcutters and Other Postmodern Haiku, Yui Yamato
+''-Nevada-Tan’s Happy Boxcutters and Other Postmodern Haiku, Yui Yamato
 ----
@@ Line 21: / Line 20: @@
 '''Links'''
 * Full Character Sheet: [http://homepage.mac.com/gothfae/nobilis/mika.html Liang Yi, Marchessa of Gender]
-* [[Liang Yi#Politics|Political Rundown]]
-* [[Liang Yi#Trivia|Trivia]]
-* [[Liang Yi#Thoughts|Thought Processes]]
-* [[Liang Yi#Questions|Unanswered Questions]]
@@ Line 38: / Line 33: @@
 ''I scowled, wishing I could spit into her perfect porcelain face, but found only dust between my lips.
-''"But your latest confession, it has stirred my china doll heart William-kun. I was almost out of torturers as well. The people of Aster, they do not like me very much, and I am afraid they were not doing their best by you. For that I apologize. If they loved me more, perhaps they would have been more thorough months ago, and scoured this particular confession from your wicked brain without so much scourging and flaying of your body."
+''"But your latest confession, it has stirred my china doll heart William-kun. I was almost out of torturers as well. The people of Aster, they do not like me very much, and I am afraid they were not doing their best by you. For that I apologize. If they loved me more, perhaps they would be have been more thorough months ago, and scoured this particular story from your wicked brain without so much scourging of your body."
 ''A silvery straight razor fell open, shining in her small hand as she gazed up at my neck.
@@ Line 48: / Line 43: @@
 ''As she lifted her wrist to my lips, blood dripping, I heard screaming. It was with more than simple fear that I realized it was me.
-''-- from âI Donât Like Mondaysâ, by Gervaise Goeth''
+''-- from “I Don’t Like Mondays”, by Gervaise Goeth''
 ----
-<span id="Politics">'''Political Rundown'''</span>
+Trivia:
-Liang's thoughts on...
-* Metamorphosis: I liked my last Brother/Sister better. But I don't know Andrea very well, I'm willing to give her the benefit of the doubt anyway.
-* Chaos - What can you say about Chaos anyway that you can't say about any Step-brother with a bug in their ass for destruction.
-* Vanity - Haven't seen them since the big merging of powers, maybe their dead. Or off in love with some mirror somewhere.
-* Tropes - What a fancy word for Cliches. Always undoing the little changes I introduce into my people, purely subconsciously. It annoys the ever-loving fuck out of me to be honest. That Tempest needs to keep his little mindstorm under better control.
-* Aster/Aphrodite - Just when I'm ready to toss a gender test back out, poof, she wants to borrow them an examine them. I have to be careful with my experiments, sometimes the Wild likes to introduce ideas that I don't particularly like, that I'm the source of. Don't get me wrong, I love her dearly, as much as this porcelain heart can love anyone, but she is a fickle bitch.
-----
-<span id="Trivia">'''Trivia'''</span>
 * I wrote up the complete design before I found flowers that actually formed what I had described. I do have a pen&ink stylistic design in my head, but as far as a realistic depiction, it turned out perfect.
-* In case it's not blatantly obvious. "Nevada-Tanâs Happy Boxcutters and Other Postmodern Haiku" by Yui Yamato and âI Donât Like Mondaysâ by Gervaise Goeth are complete fabrications, in spite of having correct bibliographical annotations on Liang's character sheer.
+* In case it's not blatantly obvious. "Nevada-Tan’s Happy Boxcutters and Other Postmodern Haiku" by Yui Yamato and “I Don’t Like Mondays” by Gervaise Goeth are complete fabrications, in spite of having correct bibliographical annotations on Liang's character sheer.
 ** Both titles refer to schoolgirl murderers. Natsumi Tsuji, [http://en.wikipedia.org/wiki/Nevada-tan "Nevada-tan"], and [http://en.wikipedia.org/wiki/Brenda_Ann_Spencer Brenda Ann Spencer], [http://www.youtube.com/watch?v=POl4vFp-5os "I Don't like Mondays"]
 *** Both girls have gone on to become pop culture memes.
@@ Line 76: / Line 58: @@
 ----
+Thought Processes
-<span id="Thoughts">'''Thought Processes'''</span>
+Gender as an Estate of Hell
+* From the write up, it should be pretty obvious that Liang still has a lot of Mika-chan in her, and that Mika-chan still cares very much about nurturing her Estate. This would seem at odds with the goals of Hell. Liang/Mika are the Yin Yang of Gender, but they are not separate people to the extent that it is disabling. Mika tells herself that Liang is a mask Mika wears for protection. And Liang tells herself that Mika is something in her heart she keeps around to keep from becoming the corruption she spreads. They are both correct. So as Mika nurtures her Estate and makes it more vital in Prosaic Earth, Liang knows full well that the more 'options' there are, the more it will make people suffer in the end. If there is only black and white, temptation has a hard job. Even if black and white are yin and yang and already have a seed of temptation within them.
-*Gender as an Estate of Hell
+* But if there are a thousand choices, then temptation becomes easier, and suffering becomes richer. To fully understand, [http://en.wikipedia.org/wiki/Hedwig_and_the_Angry_Inch Hedwig and the Angry Inch] would be a good primer.
-** From the write up, it should be pretty obvious that Liang still has a lot of Mika-chan in her, and that Mika-chan still cares very much about nurturing her Estate. This would seem at odds with the goals of Hell. Liang/Mika are the Yin Yang of Gender, but they are not separate people to the extent that it is disabling. Mika tells herself that Liang is a mask Mika wears for protection. And Liang tells herself that Mika is something in her heart she keeps around to keep from becoming the corruption she spreads. They are both correct. So as Mika nurtures her Estate and makes it more vital in Prosaic Earth, Liang knows full well that the more 'options' there are, the more it will make people suffer in the end. If there is only black and white, temptation has a hard job. Even if black and white are yin and yang and already have a seed of temptation within them.
+** Hedwig refers to [http://en.wikipedia.org/wiki/Aristophanes Aristophanes'] speech in [http://en.wikipedia.org/wiki/Plato%27s_Symposium Plato's Symposium]. This myth, retold by Hedwig in the song [http://www.youtube.com/watch?v=ll3KO-wtVSY "The Origin of Love"], explains that human beings were once round, two-headed, four-armed, and four-legged beings. Angry gods split these early humans in two, leaving the separated people to forever long for their other half. Hedwig believes that Tommy is her soulmate and that she cannot be whole without him. She feels driven to either reunite with him or destroy him.
-** But if there are a thousand choices, then temptation becomes easier, and suffering becomes richer. To fully understand, [http://en.wikipedia.org/wiki/Hedwig_and_the_Angry_Inch Hedwig and the Angry Inch] would be a good primer.
+* And such it is, that Liang keeps splitting Mankind into smaller and smaller pieces. Tell me that's not serving Hell.
-*** Hedwig refers to [http://en.wikipedia.org/wiki/Aristophanes Aristophanes'] speech in [http://en.wikipedia.org/wiki/Plato%27s_Symposium Plato's Symposium]. This myth, retold by Hedwig in the song [http://www.youtube.com/watch?v=ll3KO-wtVSY "The Origin of Love"], explains that human beings were once round, two-headed, four-armed, and four-legged beings. Angry gods split these early humans in two, leaving the separated people to forever long for their other half. Hedwig believes that Tommy is her soulmate and that she cannot be whole without him. She feels driven to either reunite with him or destroy him.
-** And Liang keeps splitting Mankind into smaller and smaller pieces, and thus serves Hell. Liang defines gender identities to separate mankind, not bring them closer together. So an individual might find solace in their gender identity, or they might find alienation, sooner or later though, someone will be alienated by their choice even if they themselves find solace in it. Another Power of Gender might seek to strengthen the 'likeness' of the choices, and bring mankind closer, even as it celebrates it's diversity and serve Heaven, another might make each the choices so broad and encompassing that like attracts like, and even though some lines are blurred all mankind benefits and serve the light. Liang strengthens the differences and engenders, pun intended, pride, envy, insular communities, and stereotypes, while giving strength, no matter how false, to the individual, while weakening the whole to temptation. Corruption and Suffering, Suffering and Power, Power and Corruption.
 ----
-<span id="Questions">'''Unanswered Questions'''</span>
-* None as yet, the only one I had has been answered.
-[[liang yi#top|Top of Page]]<br/>
---[[User:Gothfae|Gothfae]] 13:53, 20 August 2007 (PDT)
+--[[User:Gothfae|Gothfae]] 09:00, 19 August 2007 (PDT)