|
|
(22 intermediate revisions by the same user not shown) |
Line 1: |
Line 1: |
| Absent Love, the life of a minion is a hard one. You don’t
| | |
| have the strength to resist the The Batman, or the ability to aid
| |
| other minions in their struggles. And it’s almost certain that
| |
| you’ll have an unhappy ending.
| |
| A minion gains a point of Love attached to a Connection by
| |
| making an overture to that character. Essentially, the player
| |
| informs the GM that the minion wants to act on a specific
| |
| Connection, and the GM frames the scene, putting the
| |
| characters into a location together and describing the
| |
| circumstances as he sees fit. From there, the minion’s
| |
| effort of emotional risk is roleplayed by the player, and
| |
| the dice are thrown. The minion rolls Reason minus Selfloathing
| |
| against the target of the overture rolling Fear
| |
| minus Reason:
| |
| minion (REASON minus SELF-LOATHING) vs.
| |
| connection (FEAR minus REASON)
| |
| If the minion fails the roll, he gets a point of Self-loathing,
| |
| and the scene is roleplayed with a shared understanding
| |
| that the NPC’s reaction should deliver a blow to the
| |
| minion’s self-esteem. However, failing the roll or not, the
| |
| minion still gets the Love point he was after. He has
| |
| demonstrated his humanity, regardless of the outcome.
| |
| And of course, if the minion’s roll was successful, the scene
| |
| is roleplayed out to reflect incremental development of a
| |
| shared emotional bond.
| |
| EX: Gregor the hunchback’s player tells the GM he
| |
| wants a scene with one of his Connections, an
| |
| NPC named Catharine whose singing Gregor
| |
| enjoys. The GM describes Gregor coming upon
| |
| Catharine at the well in the center of town, singing
| |
| as she draws water. The player considers the
| |
| situation for a moment, and then roleplays Gregor
| |
| approaching Catharine and presenting her with a
| |
| skinned rabbit. The dice are thrown and the GM’s
| |
| roll is higher. ‘Meat, on a Friday?’ improvises the
| |
| GM. The player increments the Love Gregor has
| |
| attached to Catharine, and his Self-loathing. ‘Make
| |
| it on Saturday,’ blurts Gregor, his lip quivering,
| |
| before he flees the clearing.
| |
| Players can invent new Connections, or declare previously
| |
| revealed NPCs to be Connections, at any time. And this
| |
| includes NPCs that might already be Connections for the
| |
| minion characters of other players. But they remain empty
| |
| of Love for the minion naming them until an overture is
| |
| made.
| |