Editing Episode 211: What Must Needs Be Done

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Lem continues to improve and it’s amazing how far he’s come from the autistic and confused boy he used to be.  So when we take off for Aesir and are met by Jake’s family we think nothing of taking him with us to meet them.  Christian flies off in his shuttle to meet with his client at the Unification Monument on the outskirts of town.
 
Lem continues to improve and it’s amazing how far he’s come from the autistic and confused boy he used to be.  So when we take off for Aesir and are met by Jake’s family we think nothing of taking him with us to meet them.  Christian flies off in his shuttle to meet with his client at the Unification Monument on the outskirts of town.
  
It turns out that Jake’s family, the Abergs, have a decent sized shipyard/repairs business in town, and the Abergs are HUGE.  About fifty cousins are in attendance to greet Jake home, to say nothing of all the aunts and uncles and grandmothers and grandfathers and his parents and siblings.  Almost all of them are involved in ships mechanics in some way or another and it’s pretty apparent they were on the Independent side of the war.  There’s a huge passel of children of Lem’s age for him to play with and several matronly women who delight in watching them so the others can celebrate Jake’s homecoming.  Reasonably assured of Lem’s safety, Rina lets him mingle without her watching and the crew drag her away to what is fast becoming a barbeque-drinking party-reunion.
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It turns out that Jake’s family, the Abergs, have the shipyard/repairs business all wrapped up and the Abergs are HUGE.  About fifty cousins are in attendance to greet Jake home, to say nothing of all the aunts and uncles and grandmothers and grandfathers and his parents and siblings.  All of them are involved in ships mechanics in some way or another and it’s pretty apparent they were on the Independent side of the war.  There’s a huge passel of children of Lem’s age for him to play with and several matronly women who delight in watching them so the others can celebrate Jake’s homecoming.  Reasonably assured of Lem’s safety, Rina lets him mingle without her watching and the crew drag her away to what is fast becoming a barbeque-drinking party-reunion.
  
 
There’s just one fly in the ointment: Jake has asked the crew not to divulge his career as a cameraman, instead asking us to say he’s just an engineer.  It seems he’s bucked tradition in his choice of calling and he doesn’t want to embarrass his family or deal with any questions from them about it.  Rina chooses to stay sober, knowing her tendency to blurt out the wrong thing in social situations.  Besides, she’s being her usual twitchy self and though the Abergs seem friendly enough, she’d rather be sober if anything untoward happens.
 
There’s just one fly in the ointment: Jake has asked the crew not to divulge his career as a cameraman, instead asking us to say he’s just an engineer.  It seems he’s bucked tradition in his choice of calling and he doesn’t want to embarrass his family or deal with any questions from them about it.  Rina chooses to stay sober, knowing her tendency to blurt out the wrong thing in social situations.  Besides, she’s being her usual twitchy self and though the Abergs seem friendly enough, she’d rather be sober if anything untoward happens.
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Back at the party with the Abergs, Rina looks up from her lively discussion with the grandfather and sees the children and the matrons are gone. It’s late, after one AM and she asks the grandfather where the children might be.  He tells her they’d be sleeping upstairs and she thanks him, then goes off to look.  Everyone else is having a good time, no point in bothering them with this.   
 
Back at the party with the Abergs, Rina looks up from her lively discussion with the grandfather and sees the children and the matrons are gone. It’s late, after one AM and she asks the grandfather where the children might be.  He tells her they’d be sleeping upstairs and she thanks him, then goes off to look.  Everyone else is having a good time, no point in bothering them with this.   
  
Upstairs is a warren and she starts getting worried when she doesn’t immediately find the children.  She encounters a man during her search, somewhat better dressed and with better diction, and he tells her Lem is asking for her, would she come with him please?  Thoroughly hinked by now, Rina pulls her handcom and tries to raise her crewmates, but no one answers. She pockets the comm with it still on and running and tells the man to take her to Lem.  When his back is turned, she pulls a grease pencil from a sleeve holster and marks the walls as she goes, hoping to leave a trail for the others if they come looking for her.  At this point, she’s pretty much figured it’s a trap and Lem is in danger somewhere and she’s the only one that knows.
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Upstairs is a warren and she starts getting worried when she doesn’t immediately find the children.  She encounters a man during her search, somewhat better dressed and with better diction, and he tells her Lem is asking for her, would she come with him please?  Thoroughly hinked by now, Rina pulls her handcom and tries to raise her crewmates, but no one answers. She pockets the comm with it still on and running and tells the man to take her to Lem.  When is back is turned, she pulls a grease pencil from a sleeve holster and marks the walls as she goes, hoping to leave a trail for the others if they come looking for her.  At this point, she’s pretty much figured it’s a trap and Lem is in danger somewhere and she’s the only one that knows.
  
And she’s pretty much right.  The man opens a door to the outside and there’s a car waiting, its passenger door open and inside is Lem, frightened and calling for her, and held by a goon.  Rina is offered a choice: get in the car, or the boy dies.
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And she’s pretty much right.  The man opens a door to the outside and there’s a car waiting, it’s passenger door open and inside is Lem, frightened and calling for her, and held by a goon.  Rina is offered a choice: get in the car, or the boy dies.
  
 
She gets in the car.
 
She gets in the car.
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The door slams shut.
 
The door slams shut.
  
Back at the party, Nika finally starts to wonder where Rina and Lem are and when she can’t find them at the party, she starts getting the other crewmates together to look for them.  Arden doses himself with adrenaline to shake off the effects of too much alcohol and he, Jake, Rick and Nika go upstairs to find the children.  They glimpse out the upper windows  a sleek black hovercar flying away from the building.  It’s not in keeping with the general style of vehicles Jake’s family keeps for their use, and there are not many rich folks in town. The only people likely to have such a vehicle would be from off world, or from one of the few wealthy families.  They shrug and continue their search.  
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Back at the party, Nika finally starts to wonder where Rina and Lem are and when she can’t find them at the party, she starts getting the other crewmates together to look for them.  Arden doses himself with adrenaline to shake off the effects of too much alcohol and he, Jake, Rick and Nika go upstairs to find the children.  They glimpse out the upper windows  a sleek black hovercar flying away from the building.  It’s not in keeping with the general style of vehicles Jake’s family keeps for their use, but there are many rich folks in the cliffs over the town.  They shrug and continue their search.  
  
They find the room where the children are supposed to be sleeping, and find the matron asleep, possibly dosed with some tranquilizer. In questioning those still awake, they learn that Lem was taken away by his ‘daddy’.  The man described looks nothing like Christian.
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They find the room where the children are supposed to be sleeping and in questioning those still awake, they learn that Lem was taken away by his ‘daddy’.  The man described looks nothing like Christian.
  
 
The crew immediately call Christian to see if he does indeed have Lem. They cannot raise him or the shuttle.  They home in on the shuttle's pinger and find it abandoned, it's hatch wide open and evidence of a struggle inside, complete with bloodstains.  An inspection of the craft shows that a fire axe has been taken to the cockpit controls.  The shuttle isn't flying anywhere.  They start putting two and two together and now the search is on to find the car they saw flying away.  They discover the name of his client and coupled with the information they get from Jake’s family, about the Camden's buying out the Dansmueller Fishery, they realize that the Camdens might be behind the three disappearances.  Nika gets the crew into the ''Gift''’s remaining shuttle to go find where the Camdens might be staying.
 
The crew immediately call Christian to see if he does indeed have Lem. They cannot raise him or the shuttle.  They home in on the shuttle's pinger and find it abandoned, it's hatch wide open and evidence of a struggle inside, complete with bloodstains.  An inspection of the craft shows that a fire axe has been taken to the cockpit controls.  The shuttle isn't flying anywhere.  They start putting two and two together and now the search is on to find the car they saw flying away.  They discover the name of his client and coupled with the information they get from Jake’s family, about the Camden's buying out the Dansmueller Fishery, they realize that the Camdens might be behind the three disappearances.  Nika gets the crew into the ''Gift''’s remaining shuttle to go find where the Camdens might be staying.

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