Editing Episode 308: With Friends Like These, Part Two

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We board and passing through the passenger lounge Nika sees the Tokarev sitting on the table.
 
We board and passing through the passenger lounge Nika sees the Tokarev sitting on the table.
  
'''Nika:''' Somebody wanna tell me about the pistol on the table?<br>
+
Nika: Somebody wanna tell me about the pistol on the table?<br>
'''Arden:''' It was Rina’s present.<br>
+
Arden: It was Rina’s present.<br>
'''Rina:''' (quietly) Yeah.  That would be mine.<br>
+
Rina: (quietly) Yeah.  That would be mine.<br>
'''Nika:''' (annoyed drawl) Well, stick it in the goddamned gun safe.<br>
+
Nika: (annoyed drawl) Well, stick it in the goddamned gun safe.<br>
'''Arden:''' That would be a first.<br>
+
Arden: That would be a first.<br>
  
 
Rina refuses to touch it.
 
Rina refuses to touch it.
  
'''Nika:''' (points belowdecks) Weapons locker, woman!<br>
+
Nika: (points belowdecks) Weapons locker, woman!<br>
'''Rina:''' (growls) Fine.<br>
+
Rina: (growls) Fine.<br>
  
 
She snatches the box off the table.
 
She snatches the box off the table.
  
'''Nika:''' What’s your problem with the gun? It’s ''beautiful''.<br>
+
Nika: What’s your problem with the gun? It’s ''beautiful''.<br>
'''Rina:''' (evenly) Is it a bribe? Or is it a gift?<br>
+
Rina: (evenly) Is it a bribe? Or is it a gift?<br>
'''Nika:''' For what?<br>
+
Nika: For what?<br>
'''Rina:''' Is it a bribe from Brian or is it a gift?<br>
+
Rina: Is it a bribe from Brian or is it a gift?<br>
'''Nika:''' I don’t know what you’d think he’d be bribing your ass for, but it was a gift.<br>
+
Nika: I don’t know what you’d think he’d be bribing your ass for, but it was a gift.<br>
'''Rina:''' ''Fine''.
+
Rina: ''Fine''.
 
<br>
 
<br>
 
Rina stomps down the stairs to the locker.  A resounding slam from the locker door drifts up the stairs, followed a moment later by the crash of a cabinet hatch and a Russian curse. Nika fills her lungs and yells in the direction of the stairs.
 
Rina stomps down the stairs to the locker.  A resounding slam from the locker door drifts up the stairs, followed a moment later by the crash of a cabinet hatch and a Russian curse. Nika fills her lungs and yells in the direction of the stairs.
  
'''Nika:''' You slam any more doors I’m taking the hatch off your quarters.<br>
+
Nika: You slam any more doors I’m taking the hatch off your quarters.<br>
'''Rina:''' (coming off the top stairs) Fine! ''Nothing’s happenin’ in there anyway!''<br>
+
Rina: (coming off the top stairs) Fine! ''Nothing’s happenin’ in there anyway!''<br>
  
 
She comes even with the rest of the party.
 
She comes even with the rest of the party.
  
'''Rina:''' Look, I have to get that part—I know it’s not poisonous, Arden, but still.  We don’t want tritium leaking into our water supply. Anyone coming with? No time like the present.<br>
+
Rina: Look, I have to get that part—I know it’s not poisonous, Arden, but still.  We don’t want tritium leaking into our water supply. Anyone coming with? No time like the present.<br>
  
 
Joshua declines, saying he should be here if we call for help.  How’s he going to help?  Faria’s got our only shuttle, it’s not like Joshua can ride to our rescue in it.
 
Joshua declines, saying he should be here if we call for help.  How’s he going to help?  Faria’s got our only shuttle, it’s not like Joshua can ride to our rescue in it.
  
'''Arden:''' (cajoling) Road trip!<br>
+
Arden: (cajoling) Road trip!<br>
'''Joshua:''' (jaundiced) Really<br>
+
Joshua: (jaundiced) Really<br>
'''Arden:''' Yeah. <br>
+
Arden: Yeah. <br>
'''Joshua:''' It’s a junk yard.<br>
+
Joshua: It’s a junk yard.<br>
'''Arden:''' It’ll be fun.<br>
+
Arden: It’ll be fun.<br>
  
 
Of course! A trip to the junk yard is what all emotionally and/or physically beaten up guys need to make themselves feel better.  
 
Of course! A trip to the junk yard is what all emotionally and/or physically beaten up guys need to make themselves feel better.  
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Looking at the cargo bay a little closer we notice offset from the center of the floor are six pylons of New Tech origin, making a rectangle of four with two spaced evenly on one side.  Based on what we know of cargo equipment, we think the pylons are force field generators, and given it’s New Tech, fairly expensive.
 
Looking at the cargo bay a little closer we notice offset from the center of the floor are six pylons of New Tech origin, making a rectangle of four with two spaced evenly on one side.  Based on what we know of cargo equipment, we think the pylons are force field generators, and given it’s New Tech, fairly expensive.
  
'''Arden:''' (murmuring) If someone could afford force field generators, why would they be junking the ship? <br>
+
Arden: (murmuring) If someone could afford force field generators, why would they be junking the ship? <br>
'''Nika:''' (quietly) Best guess?  Prisoners took over. <br>  
+
Nika: (quietly) Best guess?  Prisoners took over. <br>  
  
 
Rina overhears and unzips her coveralls just a teense further down, so as to get at her gun easier.
 
Rina overhears and unzips her coveralls just a teense further down, so as to get at her gun easier.
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Rina gets Arden to help her and he crouches at the opening of the engine works, handing her the tools she needs as directed.  And as Arden and Rina are busy, the rest of the crew start noticing the  little things.  How the ship’s crew are kinda shifty, how they don’t move as if they’re accustomed to being on a ship, and the fact that even though they’ve thrown the hsip open to salvage, the crew seem rather interested in keeping an eye on everyone.  Joshua tries getting a read on the ship’s crew, but nothing solid comes through.
 
Rina gets Arden to help her and he crouches at the opening of the engine works, handing her the tools she needs as directed.  And as Arden and Rina are busy, the rest of the crew start noticing the  little things.  How the ship’s crew are kinda shifty, how they don’t move as if they’re accustomed to being on a ship, and the fact that even though they’ve thrown the hsip open to salvage, the crew seem rather interested in keeping an eye on everyone.  Joshua tries getting a read on the ship’s crew, but nothing solid comes through.
  
'''Joshua:''' (quietly apologizing for Nika's loss) I'm sorry.<br>
+
Joshua: (quietly apologizing for Nika's loss) I'm sorry.<br>
  
 
There’s a long pause where Nika looks at Joshua to gauge his intent and determines he's serious.
 
There’s a long pause where Nika looks at Joshua to gauge his intent and determines he's serious.
  
'''Nika:''' Are ''you'' okay?<br>
+
Nika: Are ''you'' okay?<br>
'''Joshua:''' Yeah. As okay as it gets. I'm fine. Well... relative to this morning.<br>
+
Joshua: Yeah. As okay as it gets. I'm fine. Well... relative to this morning.<br>
'''Nika:''' I'm sorry about that.<br>
+
Nika: I'm sorry about that.<br>
'''Joshua:''' Not your fault. Not really his fault either. I'm just ....a little raw.<br>
+
Joshua: Not your fault. Not really his fault either. I'm just ....a little raw.<br>
'''Nika:''' That'd be the understatement of the century.<br>
+
Nika: That'd be the understatement of the century.<br>
  
 
There are a few of the ship’s crew standing in the engine room ostensibly to keep an eye on things.  One of them gets a call on his earpiece and he puts a hand to it and listens.
 
There are a few of the ship’s crew standing in the engine room ostensibly to keep an eye on things.  One of them gets a call on his earpiece and he puts a hand to it and listens.
  
'''Guard:''' Okay…(to the rest of us) If you’ll excuse me…?<br>
+
Guard: Okay…(to the rest of us) If you’ll excuse me…?<br>
  
 
He leaves the engine room for the crew lounge just outside. Joshua moves to the engine room door to check on the man.  Joshua pokes his head around the jamb, glances out quickly, pulls back in.  He’s seen the guard walk over to other crew members and point in our direction…and those other crew members leave for’ard, away from the engine room.
 
He leaves the engine room for the crew lounge just outside. Joshua moves to the engine room door to check on the man.  Joshua pokes his head around the jamb, glances out quickly, pulls back in.  He’s seen the guard walk over to other crew members and point in our direction…and those other crew members leave for’ard, away from the engine room.
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Joshua goes back to Nika’s side and tells her what he’s seen, wary of the returning guard.
 
Joshua goes back to Nika’s side and tells her what he’s seen, wary of the returning guard.
  
'''Joshua:''' (quietly) Not good.<br>
+
Joshua: (quietly) Not good.<br>
'''Nika:''' (quietly back) What’s going on?<br>
+
Nika: (quietly back) What’s going on?<br>
'''Joshua:''' Remember those in the lounge, next to us?  Left.<br>
+
Joshua: Remember those in the lounge, next to us?  Left.<br>
'''Nika:''' Paranoia.<br>
+
Nika: Paranoia.<br>
'''Joshua:''' Maybe.  But…<br>
+
Joshua: Maybe.  But….<br>
'''Nika:''' Yeah. <br>  
+
Nika: Yeah. <br>  
'''Joshua:''' Enough that I—<br>
+
Joshua: Enough that I—<br>
'''Nika:''' (loudly) Rina!  Is that valve actually gonna work for us?<br>
+
Nika: (loudly) Rina!  Is that valve actually gonna work for us?<br>
  
 
Rina fills her lungs and hollers back.
 
Rina fills her lungs and hollers back.
  
'''Rina:''' Probably.  Better than the one we got now.<br>
+
Rina: Probably.  Better than the one we got now.<br>
'''Nika:''' Well, how long’s it gonna take?<br>
+
Nika: Well, how long’s it gonna take?<br>
'''Rina:''' S’gonna take me half an hour. It’s really stuck in here.  (A beat)  Why?  We gotta go?<br>
+
Rina: S’gonna take me half an hour. It’s really stuck in here.  (A beat)  Why?  We gotta go?<br>
'''Nika:''' Well,…I sorta gotta ''pee''….<br>
+
Nika: Well,…I sorta gotta ''pee''….<br>
  
 
Rina rolls her eyes at the equipment hanging over her head.
 
Rina rolls her eyes at the equipment hanging over her head.
  
'''Rina:''' ''Seriously'', woman?<br>
+
Rina: ''Seriously'', woman?<br>
'''Nika:''' ''Little bladder'', you know?<br>
+
Nika: ''Little bladder'', you know?<br>
  
 
Which comment earns Nika a raised eyebrow from Arden as Rina thrusts her hand out to him.
 
Which comment earns Nika a raised eyebrow from Arden as Rina thrusts her hand out to him.
  
'''Rina:''' ''Torch''.<br>
+
Rina: ''Torch''.<br>
  
 
He hands her the torch from her tool bag. Rina fires it up and starts cutting.
 
He hands her the torch from her tool bag. Rina fires it up and starts cutting.
  
'''Guard:''' Hey, you’ll have to pay for everything you cut through.<br>
+
Guard: Hey, you’ll have to pay for everything you cut through.<br>
'''Nika:''' How much is the valve gonna cost us anyway?<br>
+
Nika: How much is the valve gonna cost us anyway?<br>
'''Guard:''' How big is it?<br>
+
Guard: How big is it?<br>
  
Around twenty pounds.  And it’ll be an extra five, ten credits for the stuff Rina’s gotta cut through.  Joshua goes back to the door to watch our backs and finds the people who had left have returned.   
+
Around twenty pounds.  And it’ll be an extra five, ten credits for the stuff Rina’s gotta cut through.  Joshua goes back to the door to watch our backs and finds the peole who had left have returned.   
  
 
With submachine guns.  
 
With submachine guns.  
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Joshua goes back to Nika and murmurs into her ear.
 
Joshua goes back to Nika and murmurs into her ear.
  
'''Joshua:''' We’re boned.  They are extremely well-armed.  With submachine guns.<br>
+
Joshua: We’re boned.  They are extremely well-armed.  With submachine guns.<br>
'''Nika:''' Really?<br>
+
Nika: Really?<br>
'''Joshua:''' Yes.  Really.<br>
+
Joshua: Yes.  Really.<br>
  
 
Nika looks around the engine room.  The only exit is the door to her back, the one that the men with the submachine guns will walk through any second.
 
Nika looks around the engine room.  The only exit is the door to her back, the one that the men with the submachine guns will walk through any second.
Line 135: Line 135:
 
We’re boned.
 
We’re boned.
  
'''Nika:''' Why don’t we backpedal into engineering. Shut the door?<br>
+
Nika: Why don’t we backpedal into engineering. Shut the door?<br>
'''Joshua:''' Unfortunately, the doors slide. <br>
+
Joshua: Unfortunately, the doors slide. <br>
  
 
She looks. It’s true. They slide.
 
She looks. It’s true. They slide.
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Joshua mans one half, Nika mans the other as the servos slowly glide the doors shut. The men outside pick up their pace.  Inside the workings, Rina’s calling for more tools as Arden notices what’s going on.
 
Joshua mans one half, Nika mans the other as the servos slowly glide the doors shut. The men outside pick up their pace.  Inside the workings, Rina’s calling for more tools as Arden notices what’s going on.
  
'''Rina:''' Hey, Arden.  Hand me the pliers.<br>
+
Rina: Hey, Arden.  Hand me the pliers.<br>
'''Arden:''' In a moment.<br>
+
Arden: In a moment.<br>
'''Rina:''' Sooner would be better than later.<br>
+
Rina: Sooner would be better than later.<br>
  
 
Arden rises and draws his gun to cover the doors.  The doors are closing agonizingly slowly.  The gap in them is down to a yard and the men with the guns are coming up fast.
 
Arden rises and draws his gun to cover the doors.  The doors are closing agonizingly slowly.  The gap in them is down to a yard and the men with the guns are coming up fast.
  
'''Arden:''' Rina. Come out of there.<br>
+
Arden: Rina. Come out of there.<br>
'''Rina:''' What?  I can’t come out of—.  <br>
+
Rina: What?  I can’t come out of—.  <br>
'''Arden:''' You might want to come out.<br>
+
Arden: You might want to come out.<br>
'''Rina:''' And do what?<br>
+
Rina: And do what?<br>
'''Arden:''' You really need to come out.<br>
+
Arden: You really need to come out.<br>
  
 
The doors finally close, mercifully before the men outside start shooting…but not before one of them slides through at the last second like a batter sliding for home base.  He’s armed with only a pistol and since Nika’s closer to him, Joshua leaves her to deal with the man while he tries to lock the doors against the rest.
 
The doors finally close, mercifully before the men outside start shooting…but not before one of them slides through at the last second like a batter sliding for home base.  He’s armed with only a pistol and since Nika’s closer to him, Joshua leaves her to deal with the man while he tries to lock the doors against the rest.
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At this point is all about gaining control: Nika kicks the gun out of the sliding guard’s hand and it goes flying under some equipment.  Rina’s stowed her tools and is squirming back out.  Arden covers the guard on the floor with his weapon. The guard crawls out of kicking range, fearful for his head…or his crotch.  Connecting either with Nika’s boots would put him in a world of hurt, which he’d like to avoid thank you very much.  He scrambles to his feet.
 
At this point is all about gaining control: Nika kicks the gun out of the sliding guard’s hand and it goes flying under some equipment.  Rina’s stowed her tools and is squirming back out.  Arden covers the guard on the floor with his weapon. The guard crawls out of kicking range, fearful for his head…or his crotch.  Connecting either with Nika’s boots would put him in a world of hurt, which he’d like to avoid thank you very much.  He scrambles to his feet.
  
'''Arden:''' Hands in the air.<br>
+
Arden: Hands in the air.<br>
  
 
He complies. We herd him next to the other two people in the engine room with us.  They don’t give us any trouble. Apparently we’re the only ones with guns in the room.  However there are a lot of people on the other side of the door who have guns who want in.  Joshua manages to punch in the right sequence to get the doors to close again. It remains to be seen if he can keep them shut.
 
He complies. We herd him next to the other two people in the engine room with us.  They don’t give us any trouble. Apparently we’re the only ones with guns in the room.  However there are a lot of people on the other side of the door who have guns who want in.  Joshua manages to punch in the right sequence to get the doors to close again. It remains to be seen if he can keep them shut.
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Nika grills the man on the ground.
 
Nika grills the man on the ground.
  
'''Nika:''' You wanna tell me why you came in here with weapons drawn at us?<br>
+
Nika: You wanna tell me why you came in here with weapons drawn at us?<br>
'''Guard:''' Uhh….no.<br>
+
Guard: Uhh….no.<br>
'''Nika:''' Good.  I’ll just kneecap you.<br>
+
Nika: Good.  I’ll just kneecap you.<br>
  
 
She draws her gun.
 
She draws her gun.
  
'''Guard:''' My men are right back there.  (points to the door)<br>
+
Guard: My men are right back there.  (points to the door)<br>
'''Nika:''' ''And?''<br>
+
Nika: ''And?''<br>
'''Guard:''' If you shoot me, they’ll shoot you.<br>
+
Guard: If you shoot me, they’ll shoot you.<br>
  
 
Hello, you came in here with weapons drawn.  Nika’s not entirely convinced that shooting us wasn’t the plan to start with.  
 
Hello, you came in here with weapons drawn.  Nika’s not entirely convinced that shooting us wasn’t the plan to start with.  
  
'''Guard:''' Drop the gun.<br>
+
Guard: Drop the gun.<br>
  
 
Like hell.
 
Like hell.
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Seeing Nika has the man on the ground well in hand, he turns his attention to the two others who happened to be in the room with us.  Arden gestures them to the deck.
 
Seeing Nika has the man on the ground well in hand, he turns his attention to the two others who happened to be in the room with us.  Arden gestures them to the deck.
  
'''Arden:''' Kneel. <br>
+
Arden: Kneel. <br>
  
 
They obey meek as lambs—they aren’t part of this altercation and don’t want to be part of this altercation and will do what we tell them to so they can survive this altercation.   
 
They obey meek as lambs—they aren’t part of this altercation and don’t want to be part of this altercation and will do what we tell them to so they can survive this altercation.   
  
'''Arden:''' Cross your ankles.<br>
+
Arden: Cross your ankles.<br>
  
 
Ankles cross.  And hands go on heads for good measure.  One has to wonder of they’ve done this sort of thing before.  Former prisoners, perhaps?   
 
Ankles cross.  And hands go on heads for good measure.  One has to wonder of they’ve done this sort of thing before.  Former prisoners, perhaps?   
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Joshua attempts to lock the door and he manages to do it.  There might be overrides, but for now, the damned thing is closed.
 
Joshua attempts to lock the door and he manages to do it.  There might be overrides, but for now, the damned thing is closed.
  
'''Joshua:''' (Whew!) Tensest door closing, ''ever''…<br>
+
Joshua: (Whew!) Tensest door closing, ''ever''….<br>
  
 
Nika tells the guard on the deck what’s what.
 
Nika tells the guard on the deck what’s what.
  
'''Nika:''' Get on your comm.  I don’t know what you people’s problem is, but we have no beef with you.  All we wanna do is pay for the part we wanted and we want to go.<br>
+
Nika: Get on your comm.  I don’t know what you people’s problem is, but we have no beef with you.  All we wanna do is pay for the part we wanted and we want to go.<br>
'''Guard:''' Sounds good to me. (engages comm) Hey, Boss!  <br>
+
Guard: Sounds good to me. (engages comm) Hey, Boss!  <br>
  
 
He’s not getting through to the Boss.  He looks up at Nika.
 
He’s not getting through to the Boss.  He looks up at Nika.
  
'''Guard:''' You wanna talk to the guys on the other side of the door?<br>
+
Guard: You wanna talk to the guys on the other side of the door?<br>
'''Nika:''' Knock yourself out.<br>
+
Nika: Knock yourself out.<br>
'''Guard:''' Louis?<br>
+
Guard: Louis?<br>
  
 
He holds the comm to his ear.  Listens.  
 
He holds the comm to his ear.  Listens.  
  
'''Guard:''' Yeah.  It’s locked? Okay.  Do we have those things where we can flood the engine room with sleeping gas or anything?  No?...(whispers back)….''Say we do''.<br>
+
Guard: Yeah.  It’s locked? Okay.  Do we have those things where we can flood the engine room with sleeping gas or anything?  No?...(whispers back)….''Say we do''.<br>
  
 
Nika turns her gun sideways and shoots two rounds into one of the consoles.
 
Nika turns her gun sideways and shoots two rounds into one of the consoles.
Line 221: Line 221:
 
'''Blam! Blam!'''
 
'''Blam! Blam!'''
  
'''Guard:''' All right.  No, they got us back here. Yeah. No, I tried. I got a couple of ’em. But uh…yeah, they have overwhelming forces.  They’re all armed.<br>
+
Guard: All right.  No, they got us back here. Yeah. No, I tried. I got a couple of ’em. But uh…yeah, they have overwhelming forces.  They’re all armed.<br>
  
 
Joshua isn’t.
 
Joshua isn’t.
  
'''Joshua:''' Hey…!<br>
+
Joshua: Hey….!<br>
'''Guard:''' Small arms.<br>
+
Guard: Small arms.<br>
  
 
Enough of this.  Nika snatches the comm from the man.
 
Enough of this.  Nika snatches the comm from the man.
  
'''Nika:''' Hey, Louis.<br>
+
Nika: Hey, Louis.<br>
'''Louis:''' Who is this.  All right, whom is this?<br>
+
Louis: Who is this.  All right, whom is this?<br>
'''Nika:''' Why don’t you tell me what your problem is with my crew when we came on board just to purchase a part?<br>
+
Nika: Why don’t you tell me what your problem is with my crew when we came on board just to purchase a part?<br>
'''Louis:''' Are you one of the people we’re told to just to hold here?<br>
+
Louis: Are you one of the people we’re told to just to hold here?<br>
  
 
It’s not fair to engage in a battle of wits with someone who’s clearly unarmed, but Nika takes advantage anyway.
 
It’s not fair to engage in a battle of wits with someone who’s clearly unarmed, but Nika takes advantage anyway.
  
'''Nika:''' I guess.<br>
+
Nika: I guess.<br>
'''Louis:''' Oh. Well, we’re ordered to hold you here.<br>
+
Louis: Oh. Well, we’re ordered to hold you here.<br>
'''Nika:''' For what?<br>
+
Nika: For what?<br>
'''Louis:''' Ummmm….for the Boss wants you to stay here.<br>
+
Louis: Ummmm….for the Boss wants you to stay here.<br>
'''Nika:''' Yeah. And who’s your boss?<br>
+
Nika: Yeah. And who’s your boss?<br>
'''Louis:''' Uhhh…Mr. Alexander?<br>
+
Louis: Uhhh…Mr. Alexander?<br>
'''Nika:''' Mr. Alexander.<br>
+
Nika: Mr. Alexander.<br>
'''Louis:''' Yeah.<br>
+
Louis: Yeah.<br>
'''Nika:''' Name means nothing.<br>
+
Nika: Name means nothing.<br>
'''Louis:''' Doesn’t mean anything to me either.<br>
+
Louis: Doesn’t mean anything to me either.<br>
'''Nika:''' Wonderful.<br>
+
Nika: Wonderful.<br>
'''Louis:''' All right.<br>
+
Louis: All right.<br>
  
 
Clearly unarmed.  Right.  Nika gestures him to go over with the others.  He goes.  When he’s kneeling like the others, Arden has Rina frisk the prisoners for weapons.  She finds a stun stick.  Prison grade.  Packs a punch.  She hands it to Arden.
 
Clearly unarmed.  Right.  Nika gestures him to go over with the others.  He goes.  When he’s kneeling like the others, Arden has Rina frisk the prisoners for weapons.  She finds a stun stick.  Prison grade.  Packs a punch.  She hands it to Arden.
Line 254: Line 254:
 
Does the name Alexander mean anything to anybody, Nika wants to know.  Nope. We all come up blank.  Nika gets back on the comm.
 
Does the name Alexander mean anything to anybody, Nika wants to know.  Nope. We all come up blank.  Nika gets back on the comm.
  
'''Nika:''' I want to talk to Alexander.<br>
+
Nika: I want to talk to Alexander.<br>
'''Louis:''' Uhhhh…okay. We got more guys out here, by the way.  So, you know, you just might wanna surrender peacefully.  That way when he gets here he won’t be upset.<br>
+
Louis: Uhhhh…okay. We got more guys out here, by the way.  So, you know, you just might wanna surrender peacefully.  That way when he gets here he won’t be upset.<br>
'''Nika:''' I will happily sit here peacefully.  You guys stay on your side of the door, we’ll stay in here, and we’ll just what for him to get here.<br>
+
Nika: I will happily sit here peacefully.  You guys stay on your side of the door, we’ll stay in here, and we’ll just what for him to get here.<br>
'''Louis:''' You guys just open the door, put your guns on the floor and step away—<br>
+
Louis: You guys just open the door, put your guns on the floor and step away—<br>
'''Nika:''' Yeah, no. Not happenin’. <br>
+
Nika: Yeah, no. Not happenin’. <br>
  
 
What’s he take us for? Idiots?
 
What’s he take us for? Idiots?
  
'''Louis:''' Well, I’m just sayin’.  That would probably make it go easier on ya.<br>
+
Louis: Well, I’m just sayin’.  That would probably make it go easier on ya.<br>
'''Nika:''' I’d rather just sit in here peacefully until Mr. Alexander gets here.<br>
+
Nika: I’d rather just sit in here peacefully until Mr. Alexander gets here.<br>
'''Louis:''' I’ve seen him break fingers and stuff.<br>
+
Louis: I’ve seen him break fingers and stuff.<br>
'''Nika:''' You know what? When he comes and he comes in, we’ll not have the weapons anymore.<br>
+
Nika: You know what? When he comes and he comes in, we’ll not have the weapons anymore.<br>
'''Louis:''' I’m just sayin’.<br>
+
Louis: I’m just sayin’.<br>
'''Nika:''' You’re just sayin’ an awful lot.  And it ain’t soundin’ like anythin’ useful. Get him here.<br>
+
Nika: You’re just sayin’ an awful lot.  And it ain’t soundin’ like anythin’ useful. Get him here.<br>
'''Louis:''' Okay.<br>
+
Louis: Okay.<br>
  
 
She cuts the comm off with an eyeroll.  And in a couple of minutes, we can hear an odd sound…like hissing.
 
She cuts the comm off with an eyeroll.  And in a couple of minutes, we can hear an odd sound…like hissing.
  
'''Joshua:''' Rina….Rina….Rina…?<br>
+
Joshua: Rina….Rina….Rina….?<br>
'''Rina:''' Yes?<br>
+
Rina: Yes?<br>
'''Joshua:''' Could you come over to the door?<br>
+
Joshua: Could you come over to the door?<br>
  
 
The sound’s coming from the door.  There’s banging. They’re burning their way through.   
 
The sound’s coming from the door.  There’s banging. They’re burning their way through.   
  
'''Joshua:''' (to Rina) Do something with it.<br>
+
Joshua: (to Rina) Do something with it.<br>
'''Nika:''' I do not want a firefight in here. I do not want to get shot by a submachine gun.<br>
+
Nika: I do not want a firefight in here. I do not want to get shot by a submachine gun.<br>
'''Rina:''' (calmly) Neither would I. All right. Let’s see if I can’t make the doors a little more secure.
+
Rina: (calmly) Neither would I. All right. Let’s see if I can’t make the doors a little more secure.
 
<br>
 
<br>
 
She looks.
 
She looks.
  
'''Rina:''' ''Pipe''.  Look for pipes, stick ’em in the tracks.<br>
+
Rina: ''Pipe''.  Look for pipes, stick ’em in the tracks.<br>
  
 
Rina grabs a length of pipe and threads it through the dog wheel while the others look around for pipes to lay down in the door tracks long enough to keep the doors closed.  That way the guys on the other side can’t just cut through the lock and slide the doors open enough to stick a gun or themselves through.  Ten inches is all they’ll need.  With the proper length of pipe in the tracks, however, there will be no wiggle room and they’ll have to cut a hole through big enough to admit them.  That will take time, hopefully time enough for us to find another way out of here.
 
Rina grabs a length of pipe and threads it through the dog wheel while the others look around for pipes to lay down in the door tracks long enough to keep the doors closed.  That way the guys on the other side can’t just cut through the lock and slide the doors open enough to stick a gun or themselves through.  Ten inches is all they’ll need.  With the proper length of pipe in the tracks, however, there will be no wiggle room and they’ll have to cut a hole through big enough to admit them.  That will take time, hopefully time enough for us to find another way out of here.
Line 292: Line 292:
 
Joshua looks over at Arden as they start laying the pipes in the tracks.
 
Joshua looks over at Arden as they start laying the pipes in the tracks.
  
'''Joshua:''' Why did we leave?  Why did we leave the ship?<br>
+
Joshua: Why did we leave?  Why did we leave the ship?<br>
'''Arden:''' Our ship?<br>
+
Arden: Our ship?<br>
'''Joshua:''' Yes. I was told we left the ship for a reason, like we were looking for parts.  Like a roadtrip.  Do all roadtrips end like this?<br>
+
Joshua: Yes. I was told we left the ship for a reason, like we were looking for parts.  Like a roadtrip.  Do all roadtrips end like this?<br>
'''Arden:''' Lately. <br>  
+
Arden: Lately. <br>  
'''Joshua:''' (very softly) …Okay…<br>
+
Joshua: (very softly) …Okay…<br>
'''Arden:''' Which is why I’m glad you’re here with us.<br>
+
Arden: Which is why I’m glad you’re here with us.<br>
'''Joshua:''' Uh..yeah.<br>
+
Joshua: Uh..yeah.<br>
'''Arden:''' If it was just Rina and I, we’d be so screwed.  Cuz you know how perceptive ''we'' are together.<br>
+
Arden: If it was just Rina and I, we’d be so screwed.  Cuz you know how perceptive ''we'' are together.<br>
  
 
Rina figures that since the ship is grounded and there is no plasma or other nasty crap flowing through the engines, she might manage to find an access or maintenance hatch to the outside through the engines themselves.  She starts making her way through the workings of an engine to find one, encounters stuff she has to cut through and engages her torch.   
 
Rina figures that since the ship is grounded and there is no plasma or other nasty crap flowing through the engines, she might manage to find an access or maintenance hatch to the outside through the engines themselves.  She starts making her way through the workings of an engine to find one, encounters stuff she has to cut through and engages her torch.   
Line 307: Line 307:
 
She gets past the bottleneck and yells for the crew.
 
She gets past the bottleneck and yells for the crew.
  
'''Rina:''' ''MARINES!  WE ARE LEAVING!''
+
Rina: ''MARINES!  WE ARE LEAVING!''
  
 
They follow her voice, end up in the vast metal tube of the combustion chamber, duck past the secondary burn coils, and fetch up against a spot in the engine that’s translucent—meaning that it’s thinner than the rest of the walls.  Rina applies her torch, her hammer, and then her booted foot to it, busting through the weakened metal.  In a minute she’s got a hole big enough to escape through.   
 
They follow her voice, end up in the vast metal tube of the combustion chamber, duck past the secondary burn coils, and fetch up against a spot in the engine that’s translucent—meaning that it’s thinner than the rest of the walls.  Rina applies her torch, her hammer, and then her booted foot to it, busting through the weakened metal.  In a minute she’s got a hole big enough to escape through.   

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