Difference between revisions of "Important Non Player Characters"

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An official in the U.S. federal government, effectively their "Witchfinder General".
 
An official in the U.S. federal government, effectively their "Witchfinder General".
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==Cecil Becker==
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A reclusive industrialist in his 60s, based in London.  He made his fortune expanding his family's business.  He is a patron of the arts, collecting a number of works from the 1870s onwards. He has mentored a number of young artists, but has never met any of them face to face -- instead acting through his agent Edmund Handley.  In the winter of 1931, he commissioned a series of sketches of Sandoy Island from archaeological illustrator Henrik Mueller.  The reason for these has not been explained.

Revision as of 18:09, 25 July 2007

Rebecca Hopkins

A woman from California in her early twenties. She has a power of empathy that she was raised from an early age to use as a weapon. She is closely bonded to Auda Abisi.

Amanda

The Principle of Illumination, currently residing in Tibet where she is head of the Black Monks. Her birthday is Feb 19th.

Alexandra / Elise

The Principle of Resurrection, whose whereabouts are unknown at present. She is the head of the "Children of Abydos", and her birthday is on August 19th.

Medea / Hannah

The Queen of the Fae, and the Principle of Salvation. Her birthday is October 19th. She is currently residing in Los Angeles, and she has set up a base where she is gathering most of her people (several hundred at least).

Elaine Roth

One of the family (of the Roth clan) who went to China. She had a son named Peter. According to residents in Bailey, she had left Bailey for parts unknown before the events in December 1931 where the village's pagan deity, The Lady, was re-imprisoned.

Lamont Coleman

An official in the U.S. federal government, effectively their "Witchfinder General".

Cecil Becker

A reclusive industrialist in his 60s, based in London. He made his fortune expanding his family's business. He is a patron of the arts, collecting a number of works from the 1870s onwards. He has mentored a number of young artists, but has never met any of them face to face -- instead acting through his agent Edmund Handley. In the winter of 1931, he commissioned a series of sketches of Sandoy Island from archaeological illustrator Henrik Mueller. The reason for these has not been explained.