Editing Morpheus

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During one survey of the cosmos, the new Morpheus discovered the shadow dimension into which Morpheus-Prime (as he came to be known) and the other prisoners of Mystico had been placed. With the aid of Justice International and the Secret Army, the trapped heroes revolted against their captor, and escaped to Earth as the prison collapsed around him. They became the "Prime" heroes, living in semi-retirement and offering assistance to their successors.
 
During one survey of the cosmos, the new Morpheus discovered the shadow dimension into which Morpheus-Prime (as he came to be known) and the other prisoners of Mystico had been placed. With the aid of Justice International and the Secret Army, the trapped heroes revolted against their captor, and escaped to Earth as the prison collapsed around him. They became the "Prime" heroes, living in semi-retirement and offering assistance to their successors.
  
βˆ’
Later, the new Morpheus met and fell in love with the superheroine [[Lumiere]], also given mystic power by the Shining Ones. The two worked side-by-side constantly, and eventually were married, shortly after revealing their secret identities to each other.  
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Later, the new Morpheus met and fell in love with the superheroine Lumiere, also given mystic power by the Shining Ones. The two worked side-by-side constantly, and eventually were married, shortly after revealing their secret identities to each other.  
  
 
'''Personality'''
 
'''Personality'''
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Dr. Gannon is a frail and meek man in normal life, but as Morpehus he's the classic bold and daring pulp adventurer, aggressive and hot-tempered. He usually relies on cosmic-powered fisticuffs and feats of strength, only turning to more elaborate rites when they're needed.
 
Dr. Gannon is a frail and meek man in normal life, but as Morpehus he's the classic bold and daring pulp adventurer, aggressive and hot-tempered. He usually relies on cosmic-powered fisticuffs and feats of strength, only turning to more elaborate rites when they're needed.
  
βˆ’
Dr. Pike changes less between his own identity and that of Morpheus- he is a serious and reflective man, who takes a rational and level-headed approach to his work. He is often beset by moral dilemmas and particularly torn by his duties and concern for the safety of [[Lumiere]].
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Dr. Pike changes less between his own identity and that of Morpheus- he is a serious and reflective man, who takes a rational and level-headed approach to his work. He is often beset by moral dilemmas and particularly torn by his duties and concern for the safety of Lumiere.
  
 
'''Appearance'''
 
'''Appearance'''
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Morpheus was created by Alan Grayson for a feature in the first issue of BONANZA COMICS, Star Comics' first all-superhero title (besides CAPTAIN INVINCIBLE). Though known best for writing the more down-to-Earth adventures of Professor Hawk, Grayson enjoyed the opportunity to do something fanciful, and focused the feature on Morpheus' wild interdimensional travellings. Drawn by various artists, the feature was never wildly popular, but it continued to run until the magazine was cancelled in 1949.
 
Morpheus was created by Alan Grayson for a feature in the first issue of BONANZA COMICS, Star Comics' first all-superhero title (besides CAPTAIN INVINCIBLE). Though known best for writing the more down-to-Earth adventures of Professor Hawk, Grayson enjoyed the opportunity to do something fanciful, and focused the feature on Morpheus' wild interdimensional travellings. Drawn by various artists, the feature was never wildly popular, but it continued to run until the magazine was cancelled in 1949.
  
βˆ’
When the Silver Age revival of superheroes got into full swing, Joe Prelutsky assigned the job of revamping Morpheus to TALES OF THE UNKNOWN's regular writer David Denham, known for his prose sci-fi work. Then heavily into Joseph Campbell's "Hero With a Thousand Faces", Denham decided to make the character's story a classic monomyth, at least as much as the episodic format would permit. Irving Ellison, Star's most prolific and praised artist, handled the visuals. More science fiction than fantasy, the new Morpheus' surreal adventures originally had difficulty finding an audience, prompting the creation of the more "street-level" superheroine [[Lumiere]] as a backup feature. As the decade wore on, however, the character accumulated a cult following, mostly among college students, and he gradually became one of the most popular characters in Star's stable. In 1965, Denham had Morpheus and [[Lumiere]] "team up", and developed a romance between the two characters. Finally, in 1970, he followed through on his original plan, finishing his run with a climactic battle between Morpheus and archenemy Dr. Faustus, in an issue which concluded with Morpheus and [[Lumiere]]'s wedding.
+
When the Silver Age revival of superheroes got into full swing, Joe Prelutsky assigned the job of revamping Morpheus to TALES OF THE UNKNOWN's regular writer David Denham, known for his prose sci-fi work. Then heavily into Joseph Campbell's "Hero With a Thousand Faces", Denham decided to make the character's story a classic monomyth, at least as much as the episodic format would permit. Irving Ellison, Star's most prolific and praised artist, handled the visuals. More science fiction than fantasy, the new Morpheus' surreal adventures originally had difficulty finding an audience, prompting the creation of the more "street-level" superheroine Lumiere as a backup feature. As the decade wore on, however, the character accumulated a cult following, mostly among college students, and he gradually became one of the most popular characters in Star's stable. In 1965, Denham had Morpheus and Lumiere "team up", and slowly developed a romance between the two characters. Finally, in 1970, he followed through on his original plan, finishing his run with a climactic battle between Morpheus and archenemy Dr. Faustus, in an issue which concluded with Morpheus and Lumiere's wedding.
  
 
Following Denham's departure, TALES OF THE UNKNOWN was renamed MORPHEUS, THE DIMENSION LORD, and writer Bruce Rodriguez, working with artist Bill Lincoln, again re-emphasized the character's occult side, putting him up against more traditional mythological and horrific menaces (the latter becoming predominant after the 1971 revision of the Comics Code, which allowed the use of vampires, werewolves, etc.) Their run ended in 1975, and since then, the title has gone back and forth between various combinations of science fiction, fantasy, and horror. Morpheus remains one of Star Comics' most popular heroes, and he also has the distinction of being the only character not to be completely rebooted by 1983's END OF TIME crossover. (Wanting to preserve some continuity, the editors had Morpheus remember how things used to be.)
 
Following Denham's departure, TALES OF THE UNKNOWN was renamed MORPHEUS, THE DIMENSION LORD, and writer Bruce Rodriguez, working with artist Bill Lincoln, again re-emphasized the character's occult side, putting him up against more traditional mythological and horrific menaces (the latter becoming predominant after the 1971 revision of the Comics Code, which allowed the use of vampires, werewolves, etc.) Their run ended in 1975, and since then, the title has gone back and forth between various combinations of science fiction, fantasy, and horror. Morpheus remains one of Star Comics' most popular heroes, and he also has the distinction of being the only character not to be completely rebooted by 1983's END OF TIME crossover. (Wanting to preserve some continuity, the editors had Morpheus remember how things used to be.)

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