Editing Of Shoes and Ships and Sealing Wax

Jump to: navigation, search

Warning: You are not logged in. Your IP address will be publicly visible if you make any edits. If you log in or create an account, your edits will be attributed to your username, along with other benefits.

The edit can be undone. Please check the comparison below to verify that this is what you want to do, and then save the changes below to finish undoing the edit.
Latest revision Your text
Line 159: Line 159:
 
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;“I don’t think I can get the ''Gift'' off the ground fast enough,” Rina muttered, getting out of there to go check on their prisoner in the building outside. <br>
 
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;“I don’t think I can get the ''Gift'' off the ground fast enough,” Rina muttered, getting out of there to go check on their prisoner in the building outside. <br>
  
&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;<br>
+
&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;<br>
  
 
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;“He still breathing?” Rina asked Jake when she got there.<br>
 
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;“He still breathing?” Rina asked Jake when she got there.<br>
Line 165: Line 165:
 
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;“Don’t tempt me. Nika’d have my balls for breakfast if I hurt him.”<br>
 
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;“Don’t tempt me. Nika’d have my balls for breakfast if I hurt him.”<br>
 
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;“That’s surprising,” Jake commented, leaving it at that.<br>
 
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;“That’s surprising,” Jake commented, leaving it at that.<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Prison for Mifuni was a walk-in freezer, the compressor running to provide atmo for breathing and with the coolant bled off so as to keep the man from freezing to death.  Rina glared at Mifuni through the viewport of the door.  They'd taken everything out of there the bastard could use to kill himself or escape, but it didn't take too much imagination to see him hanging like a side of beef, cut and bloodied as Reaver bait...<br>
+
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Prison for Mifuni was a walk-in freezer, the compressor running to provide atmo for breathing and with the coolant bled off so as to keep the man from freezing to death.  Rina glared at Mifuni through the viewport of the door.  They'd taken everything out of there the baastard could use to kill himself or escape, but it didn't take too much imagination to see him hanging like a side of beef, cut and bloodied as Reaver bait...<br>
 
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;''That's it.  Time to go.''<br>
 
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;''That's it.  Time to go.''<br>
 
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Rina thanked Jake and returned to the ''Gift.'' <br>  
 
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Rina thanked Jake and returned to the ''Gift.'' <br>  
  
&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;<br>
+
&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;*&nbsp;<br>
  
 
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;She could hear Shyla and Harry talking as she approached the bridge and their conversation ceased as she crossed the threshold.<br>
 
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;She could hear Shyla and Harry talking as she approached the bridge and their conversation ceased as she crossed the threshold.<br>

Please note that all contributions to RPGnet may be edited, altered, or removed by other contributors. If you do not want your writing to be edited mercilessly, then do not submit it here.
You are also promising us that you wrote this yourself, or copied it from a public domain or similar free resource (see RPGnet:Copyrights for details). Do not submit copyrighted work without permission!

Cancel Editing help (opens in new window)