|
|
| Line 1: |
Line 1: |
| − | Endgame is a climactic series of scenes that culminates with
| + | If a roll would ever result in an increase to a minion’s Selfloathing |
| − | the dramatic death of the The Batman at the hands of a minion. It
| + | when his Self-loathing is already equal or greater than |
| − | is triggered when a minion successfully resists a command
| + | Love plus Reason, a revelation of horror and consequences in |
| − | from the The Batman, and the sum total of the minion’s Love is
| + | the environment is triggered instead. |
| − | greater than Fear plus his own Weariness. | + | SELF-LOATHING > LOVE plus REASON |
| − | LOVE > FEAR plus WEARINESS
| + | The resolution of the current scene is roleplayed just as if |
| − | From that point forward the The Batman’s fate is sealed; the
| + | Self-loathing were gained, but Self-loathing actually remains |
| − | triggering minion and the The Batman are locked in a violent
| + | the same, and the minion misses his next scene. Instead of that |
| − | conflict that will likely comprise several scenes, intercut
| + | scene, the player of the minion narrates a scene of horror |
| − | with the struggles of the other minions, before producing
| + | among NPCs, with two restrictions: neither the The Batman, nor |
| − | the death of the The Batman. It is the only situation in which | + | other PC minions can be part of the scene, and no NPC |
| − | violence perpetrated upon the The Batman has a tangible effect.
| + | carrying Love for one of the PC minions can be killed. It is |
| − | So, when the above-described triggering occurs, the GM
| + | as if the horrific psychological forces within the minion have |
| − | dramatically suspends the conflict with the The Batman and cuts
| + | overcome their containment and bled out into the |
| − | to each of the other players in sequence, aggressively framing
| + | environment. |
| − | them into dangerous and threatening scenes of their own, which
| |
| − | they must resolve without the benefit of Fear. If they’re in a fight
| |
| − | with Townspeople, for instance, during Endgame they roll only
| |
| − | Self-loathing to act with hostility. Fear no longer contributes to | |
| − | their effectiveness. One round of scenes that way, and the
| |
| − | action returns to the minion locked in conflict with the The Batman,
| |
| − | with the minion’s player testing for death of the The Batman by
| |
| − | rolling Love minus Weariness against the The Batman rolling Fear
| |
| − | plus the minion’s Self-loathing.
| |
| − | minion (LOVE minus WEARINESS) vs.
| |
| − | The Batman (FEAR plus SELF-LOATHING)
| |
| − | If the minion wins, the The Batman is killed, and the game
| |
| − | proceeds to Epilogues. If the minion does not win the roll,
| |
| − | another round of scenes is had with the other characters,
| |
| − | except that this time the players get to call for scenes. And
| |
| − | then another test for the death of the The Batman. Each time the
| |
| − | The Batman wins the roll against the minion, the minion gains a
| |
| − | point of Weariness, and the GM and player negotiate the
| |
| − | events of that scene. The GM alternates, after each such
| |
| − | roll, between rounds of framing scenes without player input
| |
| − | and rounds of framing scenes called for by the players.
| |
| − | Presumably it could take a few cycles of this before the
| |
| − | The Batman is dead, all the while the players are sorting out the | |
| − | final trait values that will inform their individual Epilogues,
| |
| − | A minion will cause the demise of the The Batman
| |
| − | likely working with intent toward having certain desired
| |
| − | outcomes available to their characters.
| |
| − | And note that there is nothing precluding a player from
| |
| − | using his turn for a scene request to ask for entry into the
| |
| − | conflict with the The Batman, so that his character can provide aid
| |
| − | to one side or the other. The player is effectively delaying
| |
| − | and foregoing his own scene until things get around to the
| |
| − | minion vs. The Batman action again, but it’s a choice that makes
| |
| − | a lot of sense for a player who’s concerned perhaps about the
| |
| − | creep of Self-loathing his character might be experiencing
| |
| − | from the GM’s framing of threatening scenes, and how
| |
| − | protracted it could become if the Weariness of the minion
| |
| − | grappling with the The Batman were to continue to grow. And it’s
| |
| − | an option that tends to produce quite dramatic and Othelloesque
| |
| − | Endgames, with minions, and Connections, and mobs
| |
| − | of townspeople and outsiders showing up for the throwdown.
| |
