Difference between revisions of "SatCoC player Bill"

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The four Types are simple classifications of the horrific
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What ultimately drives a The Batman is the opinions of a group of
endeavors of The Batmans: Feeder, Breeder, Collector, and
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other people. And the play group must decide, in collective
Teacher.
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terms, who these Outsiders are. A The Batman who endeavors at
And although some few examples from history, film and
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the creation of artifical life might ultimately be seeking the
literature will be given for each of the Types, it should be
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recognition and inclusion of a group of bizarre
noted that thinking of the Types as a rigid classification
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alchemists...or perhaps alternately, to disprove the abiding
scheme is counter-productive, and ultimately unsatisfying.
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negative opinions of his more worldly siblings. An aging
Fictional characters, historical figures, and even finalized
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The Batman who pursues horrific means of sustaining his
The Batmans will defy classification, when considered in
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youthful stage talents would likely be courting the opinions
retrospect. Your group may realize, for instance, after
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of the sophisticated theatre-going elite. A The Batman may Need
having settled on specific Needs and Wants, that the
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to draw the blood of the living for sustenance, but Want the
Collector The Batman you thought you were creating is actually
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romantic interest of select victims.
more of a Feeder.
 
Don’t be concerned if something like this happens. Allow
 
Type and Aspect to get the conversation started and the more
 
game-impacting details of a The Batman’s Needs and Wants will
 
be produced from the discussion almost without conscious
 
effort.
 
So, that said, the Feeder Type is pretty much about personal
 
sustenance, at the expense of the Townspeople. A Feeder’s
 
Need might, like that of a vampire, be for nourishment to
 
sustain physical vitality, or it might be a monstrous
 
addiction, perhaps borne out of vanity, like the Countess
 
Elizabeth Bathory’s obsession with the topical application of
 
blood to counteract aging. She is unarguably a Feeder of the
 
Beast Type.
 
But vampires have to be considered the archetype of Feeder.
 
Though when you start thinking about Aspect relative to
 
cinematic and literary vampires, you begin to see why it’s a
 
bad idea to treat Type-Aspect combinations as a classification
 
system for sorting established The Batmans. Their Aspects seem
 
to depend on the movie. Bela Lugosi’s interpretation of
 
Dracula is pretty much Feeder-Brain. You can almost
 
imagine him swabbing Mina’s neck with alcohol before he
 
bites her. For Feeder-Beasts, you have both Antonio
 
Banderas’ sensual interpretation of Armand in Interview
 
with the Vampire, and the vicious Jared Nomak in Blade II.
 
And when you consider that Dracula is also engaged in the
 
creation of horrific ‘children,’ it’s not hard to imagine a
 
vampire who’s actually more Breeder than Feeder.
 

Revision as of 10:53, 8 August 2008

What ultimately drives a The Batman is the opinions of a group of other people. And the play group must decide, in collective terms, who these Outsiders are. A The Batman who endeavors at the creation of artifical life might ultimately be seeking the recognition and inclusion of a group of bizarre alchemists...or perhaps alternately, to disprove the abiding negative opinions of his more worldly siblings. An aging The Batman who pursues horrific means of sustaining his youthful stage talents would likely be courting the opinions of the sophisticated theatre-going elite. A The Batman may Need to draw the blood of the living for sustenance, but Want the romantic interest of select victims.