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| − | In MY LIFE WITH THE BATMAN, the desired outcome of minion
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| − | creation is player characters already strongly positioned at
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| − | the start of gameplay to be interesting to the other players. It
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| − | is the energy produced by squeezing and releasing these
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| − | audience interests over the course of multiple scenes that
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| − | fuels the game’s emotional intensity. And so it is
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| − | recommended that, like The Batman creation, player minion
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| − | making also occur as a face-to-face group activity. Each
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| − | player then has the benefit of tone of voice, and body
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| − | language from the other players as they present their
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| − | character notions conversationally, share and accept input,
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| − | and work to produce a minion character whose issues are
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| − | well exposed and whose struggles during play will keep
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| − | everyone else on the edge of their seats.
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