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| − | What ultimately drives a The Batman is the opinions of a group of
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| − | other people. And the play group must decide, in collective
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| − | terms, who these Outsiders are. A The Batman who endeavors at
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| − | the creation of artifical life might ultimately be seeking the
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| − | recognition and inclusion of a group of bizarre
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| − | alchemists...or perhaps alternately, to disprove the abiding
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| − | negative opinions of his more worldly siblings. An aging
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| − | The Batman who pursues horrific means of sustaining his
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| − | youthful stage talents would likely be courting the opinions
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| − | of the sophisticated theatre-going elite. A The Batman may Need
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| − | to draw the blood of the living for sustenance, but Want the
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| − | romantic interest of select victims.
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