Editing Wyvern and Westminster
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Meanwhile, Beignet has engaged Rembecki on the roof, interfering with her plans. It’s apparent that she is casting a spell to animate the double-headed eagle on the Russian flag, whereupon to fly away with her kidnapped charges. Beignet sets the flag on fire, ending her plans. Both Mortimer and his fiancée Dashwood are standing off to the side, catatonic, but alive throughout the magical battle that ensues.<br><br> | Meanwhile, Beignet has engaged Rembecki on the roof, interfering with her plans. It’s apparent that she is casting a spell to animate the double-headed eagle on the Russian flag, whereupon to fly away with her kidnapped charges. Beignet sets the flag on fire, ending her plans. Both Mortimer and his fiancée Dashwood are standing off to the side, catatonic, but alive throughout the magical battle that ensues.<br><br> | ||
− | We just manage to haul ourselves through the hatch in the tower roof to help Beignet when Rembecki throws her Darkness spell. It’s a petty magic but highly effective to disguise her escape. Josephine barrels ahead on her hands and knees, hoping to catch hold of Mortimer much like she’d captured Nicolai earlier that evening. Her hand lands on a small foot—she’s caught Beignet. He demands she release him. She demands he point her in the direction of Mortimer. Beignet fumbles in the dark, unable to see exactly where Josephine is, and after an inappropriately placed hand lands on her person, he manages to push her toward her target. Josephine goes forward and finds Mortimer in the inky blackness but cannot find Selene Dashwood. The darkness disappears without warning and we’re chagrined to discover Rembecki gone with Dashwood likewise missing. The roof of the Abbey is also in danger of catching fire from the bits of burning flag. We quickly | + | We just manage to haul ourselves through the hatch in the tower roof to help Beignet when Rembecki throws her Darkness spell. It’s a petty magic but highly effective to disguise her escape. Josephine barrels ahead on her hands and knees, hoping to catch hold of Mortimer much like she’d captured Nicolai earlier that evening. Her hand lands on a small foot—she’s caught Beignet. He demands she release him. She demands he point her in the direction of Mortimer. Beignet fumbles in the dark, unable to see exactly where Josephine is, and after an inappropriately placed hand lands on her person, he manages to push her toward her target. Josephine goes forward and finds Mortimer in the inky blackness but cannot find Selene Dashwood. The darkness disappears without warning and we’re chagrined to discover Rembecki gone with Dashwood likewise missing. The roof of the Abbey is also in danger of catching fire from the bits of burning flag. We quickly stop it out as Josephine takes a still catatonic Mortimer in hand.<br><br> |
We look over the roof for clues as to Rembecki’s plans or whereabouts and find a notebook. Inside are many pages of handwritten notes and two curious things. First is a page of handwritten manuscript in an old Medieval style, in a language that is neither Latin or Greek or any recognizable western European language. There are a few Latin words mixed in with what appears to be Slavic writing. Second, a diagram in red and white is found, with sunbursts and arrows and some sort of two by two array arranged on the page. Very curious. We take the notebook with us.<br><br> | We look over the roof for clues as to Rembecki’s plans or whereabouts and find a notebook. Inside are many pages of handwritten notes and two curious things. First is a page of handwritten manuscript in an old Medieval style, in a language that is neither Latin or Greek or any recognizable western European language. There are a few Latin words mixed in with what appears to be Slavic writing. Second, a diagram in red and white is found, with sunbursts and arrows and some sort of two by two array arranged on the page. Very curious. We take the notebook with us.<br><br> |