Editing Lagniappe

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After Rina left, Joshua spent a few moments with pencil in hand but not drawing. He hadn't realized how tense he had been. He didn't try to analyze why. He just let the calm of the dropship and the stars flying by in pulse relax him. Before long, he felt his shoulders and neck easing up and his whole body felt more loose. There, he thought, '''now''' I can work.<br><br>
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After Rina left, Joshua spent a few moments with pencil in hand but not drawing. He hadn't realized how tense he had been. He didn't try to analyze why. He just let the calm of the dropship and the stars flying by in pulse relax him. Before long, he felt his shoulders and neck easing up and his whole body felt more loose. There, he thought, now I can work.<br><br>
  
He got up from the seat and paced out the dimensions of the ship, sketching as he went. Every so often, he'd have to get out his eraser and adjust dimensions, but his spatial sense was pretty good. After he was done, he flipped the sketchbook closed and was getting ready to descend back into the ''Gift'' when an idea struck him. He opened the book back up to a clean page and started sketching in a rough outline of the cockpit with the stars pulsing by. But instead of an empty seat, he sketched Rina there, as he remembered her from his entrance. After the rough sketch was done, he stood there for five minutes, eyes flitting from left to right, committing the scene to memory. He didn't have time to do a quality sketch now but his memory and observation of the moment would help him fill in the details later.<br><br>
+
He got up from the seat and paced out the dimensions of the ship, sketching as he went. Every so often, he'd have to get out his eraser and adjust dimensions, but his spatial sense was pretty good. After he was done, he flipped the sketchbook closed and was getting ready to descend back into the Gift when an idea struck him. He opened the book back up to a clean page and started sketching in a rough outline of the cockpit with the stars pulsing by. But instead of an empty seat, he sketched Rina there, as he remembered her from his entrance. After the rough sketch was done, he stood there for five minutes, eyes flitting from left to right, committing the scene to memory. He didn't have time to do a quality sketch now but his memory and observation of the moment would help him fill in the details later.<br><br>
  
 
Then he closed the book back up and put his pencil away, opened up the hatch, and wandered back down to see how Rina had done with the prepping.<br><br>
 
Then he closed the book back up and put his pencil away, opened up the hatch, and wandered back down to see how Rina had done with the prepping.<br><br>

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