Difference between revisions of "Episode 510: St. Albans Secrets"

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Joshua watches the vid all the way through.  He does not show it to the crew.  Not yet. He has to absorb it first, to go over it with a fine-toothed comb, to try to examine it from all angles. To try to decide if any of what Cmdr. Wise believes to be true is true. To try to decide what, if any, obligations he owes. Until he’s more certain, he’ll hang on to it and keep the wave to himself.<br><br>  
 
Joshua watches the vid all the way through.  He does not show it to the crew.  Not yet. He has to absorb it first, to go over it with a fine-toothed comb, to try to examine it from all angles. To try to decide if any of what Cmdr. Wise believes to be true is true. To try to decide what, if any, obligations he owes. Until he’s more certain, he’ll hang on to it and keep the wave to himself.<br><br>  
 
 
'''Wednesday, 06 May 2522'''<br>
 
'''0600 hrs, local time'''<br><br>
 
 
We reach the end of Rina’s week to recuperate and the order is given to spin Equinox’s engines up for departure.  We thank the Charles family for their hospitality and the food supplies they’ve given us and leave Greenleaf for St. Albans, a day and a half away.<br><br>
 
 
 
'''Thursday, 07 May 2522'''<br>
 
'''1800hrs, ship’s time'''<br><br>
 
 
We approach St. Albans and Arden and Kiera step onto the bridge for a look. We discover there is no radio traffic coming from the planet.  None?  None.  Nika doesn’t like the sound of that, because it means there’s no ground beacon to guide her in.  And from the looks of things, a little guidance would be a good thing—about 90% of the planet is smothered in thick cloud cover. We suspect that the heavy bombardment of the planet created conditions very like a nuclear winter.  Nika starts very softly cussing under her breath. Arden’s not too happy with the cloud cover either.<br><br>
 
 
Arden: Great. So it’s even colder now.<br>
 
Joshua: You could say that, yeah.<br>
 
Nika: Can we even get to the coordinates we have?<br>
 
Joshua: Just like with any coordinates, you don’t need to be able to see to go, right?<br><br>
 
 
After all, air craft fly by instruments all the time.  Right?<br><br>
 
 
Nika: Yeah but we don’t even know how the weather patterns there are working.<br>
 
Joshua: But you are an awesome pilot. <br>
 
Nika: (Damn straight!) I am.<br>
 
Joshua: You can handle it. You can handle anything.<br>
 
Nika: I can.<br>
 
Joshua: So there we go. Off to the coordinates.<br>
 
Kiera: (to Joshua) You are a horrible enabler.<br>
 
Nika: He is. He’s kissing my ass very prettily.<br>
 
Joshua: (archly) I am not.<br><br>
 
 
Arden’s at the comms station looking for an orbital signal.  There is none. There is, however, a warning buoy, pinging out a message: Welcome to St. Albans.  Warning. You are now entering Interdicted Space. Since it’s an automated buoy message that isn’t backed up by an Alliance gunboat, we fly right on past the buoy.  We have a couple of options at this point.  We can orbit a couple of times and run a few scans … or we can dive right in through atmo for the coordinates.  There are a couple of points arguing against staying in orbit, however.  The buoy might have recorded our presence and it might even have scanned us, or there might be people on the ground able to track us if we stay in orbit and give them time to lock onto us.  If we go right to atmo, though, the cloud cover and the weather might give us some measure of cover from surveillance.<br><br>
 
 
Joshua: Is there a reason you think you can’t do it?<br>
 
Nika: (drawling) There a reason you’re tryin’ to yank my chain, boy?<br>
 
Joshua: (grinning) Cuz it’s fun.<br>
 
Nika: I wouldn’ta backed down anyway.<br>
 
Joshua: I know.<br>
 
Arden: So we leaving or are we going down?<br><br>
 
 
Everyone readies for landfall as their duties dictate.  Nika runs the coordinates through and though our maps aren’t up-to-date and able to tell us where we’re going, the ship can find the spot where the coordinates are. So it’s not long before we’re plunging through St. Albans’s atmo and it’s surprisingly gritty.  There’s a fair amount of particulate matter suspended in the upper atmosphere, consistent with heavy bombardment, and it only supports our suspicions of nuclear winter conditions on the ground. It’s a bumpy ride, with heavy turbulence, but Nika handles our ship easily. In fact, as she’s driving us through that turbulence, Equinox handles beautifully and she gets the strong impression that these conditions are what she’s designed for—plowing through atmosphere at high speed … because she’s handling very well, despite the 200 mph winds outside the hull. By comparison, Summer’s Gift would have been shaking and rattling all the way down, eliciting prayers from everyone begging the ship to hold together. But Equinox? She might as well be flying through nothing. Through the yoke in Nika’s hands, through the frame of the ship to Nika’s bones—this ship feels mighty good.<br><br>
 
 
Joshua: I love watching you work.<br><br>
 
 
And then in a fit of whimsy, he drawls over the comm:<br><br>
 
 
Joshua: All crew members, please report to your stations. Lock your seatbelts in …<br><br>
 
 
We break through the cloud cover over a mountainous area graced with finger lakes.  The water gleams like quicksilver in the overcast light, rimmed at the edges with ice.  It’s not cold enough for them to freeze over solid, which bodes well for the temps outside—we won’t be courting frostbite immediately upon stepping off our ship. Of course, with alpine lakes, especially of a certain depth, freezing solid never happens, regardless of the cold temps outside.  But still, it’s a beautiful sight, following the string of lakes onward to our coordinates.  As we approach them we see a town—or what used to be a town. It’s clearly been bombed. There is, however, a pad big enough to land on and it’s quite near to our coordinates. Given the mountainous terrain, it’s a welcome bit of flatness and Nika aims us for it.  She makes one quick reconnoiter of the town.  Nika doesn’t see anything moving in her initial circle-round.  It’s a small town, maybe about 200 people, and the narrow valley it was built on has a finger lake taking up most of the level space. Joshua’s manning the sensors and nothing comes up with any heat signature.  We do, however, see what appears to be a fishing boat moored to a jetty.<br><br>
 
 
Joshua: Fishing boat. You gonna land?<br>
 
Nika: Yeah, I’m gonna take us down.<br><br>
 
 
She lands Equinox light as a feather on the pad, despite the crosswinds coming off the mountain slopes and the water, and we settle with nary a bump.  It’s snowing outside and as it falls past the bridge windows, Joshua grabs the handset and says to the crew in his best airplane pilot’s voice:<br><br>
 
 
Joshua: We’ve come to a peaceful landing. Please everybody leave their stations.  The temperature outside is really cold—<br>
 
Kiera: (comms) How cold is it?<br>
 
Arden: (comms) Joshua, stop!<br>
 
Nika: (comms) Get the rifles. <br>
 
Kiera: Woo! Awesome!<br><br>
 
 
Nika catches Joshua’s expression.<br><br>
 
 
Nika: You didn’t think we were going out there without rifles, did you?<br>
 
Joshua: I didn’t say anything.<br>
 
Nika: Yes, you did.<br>
 
Joshua: No I didn’t.<br>
 
Nika: Your brain said—(makes a squeaky-snarky noise)<br>
 
Joshua: You can hear my brain now? I didn’t say anything. For God’s sake I get yelled at more for not saying anything than for saying stuff.<br>
 
Nika: You gave me the look.<br>
 
Joshua: I did not give you the look.<br>
 
Nika: You gave me the look.<br>
 
Joshua: The guns are fine. I’m not going to carry one but the guns are fine.<br>
 
Nika: (eyeroll) We oughta be married.<br>
 
Joshua: I’m already headed down that path, you know.<br>
 
Nika: That’s okay, I don’t wanna get married.<br><br>
 
 
Kiera comes skipping in. She’s carrying a couple of rifles. Arden’s right behind her.<br><br>
 
 
Kiera: I’m so happy!<br>
 
Arden: (off Joshua’s look) What? You were the one who wanted to go tiger hunting.<br><br>
 
 
Did anyone think to stock cold weather gear? It’s snowing out there, for goshsakes. Um.  The crew takes stock. Arden did and Beglan, too. So did Rina, as befitting a Russian. Nika and Kiera had as well, given they had just come off Novaya Rodina’s winter. Joshua comes up short, however. Looks like he’s going to be layering on beneath his regular jacket.<br><br>
 
 
Nika: (of herself) Oh, well, no worries.<br>
 
Joshua: (muttering) Well, I’m gonna freeze.  Or at least, refrigerate.<br><br>
 
 
Checking the weather stats on the consoles, he judges he can stay out for a couple of hours before suffering penalties from the cold. So long as we don’t stay out longer before returning to the ship, he should be fine.<br><br>
 
 
We leave the ship and close her up and walk through the town toward the lake. There isn’t much left to the town. It’s been pretty much bombed out.  We see the impact of the bomb that took it out—it hit the center of town and judging by which buildings were blown away and which have simply collapsed inward, it looks like a pretty big one.  It didn’t destroy everything but it did destroy much and there are no people to be seen anywhere.  The boat on the jetty is pretty much intact, despite the two years’ worth of storms brought on by the nuclear winter conditions.<br><br>
 
 
Joshua: Let’s go check out the boat.<br><br>
 
 
Nika sweeps the buildings on the way to the jetty, hoping to find some sign of habitation or at least a clue as to their inhabitants.  It looks like the buildings have been either looted after the bombing or scavenged for materials and carted off elsewhere. No footprints are evident.  Some deer tracks.  But nothing indicating humans have been here since the last snowfall.  It’s a dead town.<br><br>
 
 
As we approach the boat, however, we hear the engine on it power up. It starts to pull away from the jetty. We pick up our pace, loping and finally running for the jetty.<br><br>
 
 
Joshua: (calling to boat) Hey! Hey, we wanna talk! Hey! <br>
 
Nika: They are not really going to make me chase them down with the shuttle, are they?<br>
 
Beglan: We can abseil onto the boat. Remember how great it was the last time?<br>
 
Joshua: That was awesome. Can we do that?<br>
 
Nika: No.<br>
 
Joshua: You are just a killjoy. All the abseiling would have been—<br>
 
Nika: I’m gonna kill every bit of joy you have. I haven’t been laid in a year.<br>
 
Arden: And whose fault is that?<br>
 
Nika: Brian’s.<br>
 
Arden: Uh-hah.<br><br>
 
 
The boat pulls fifty feet or so away from the dock as we skid to a halt at its edge. The engine goes to idle and a man in a fisherman’s stereotypical mackintosh and hat comes out onto the deck. He eyeballs the crew—kinda scruffy in our mixed up gear—and our rifles, which look kinda lethal despite our mixed up gear. His voice is roughened by age and the elements and it sounds scratchy at the man barks:<br><br>
 
 
Fisherman: Whaddya want?  Everythin’s gone!<br>
 
Joshua: Yeah, I was sent here to these coordinates.<br>
 
Fisherman: I don’t want to be rescued. I’m fine. Worked my whole life on this boat, gonna die on this boat.<br>
 
Joshua: That’s fine. I wasn’t really rescuing. I got sent to these coordinates and I’m trying to figure out why.<br><br>
 
 
You can just hear the thought going through the fisherman’s head: Whadda you, some kinda idiot?  We stand out there in the cold and the man in the boat looks us over.  In the silence, Rina leans over to Kiera and mutters:<br><br>
 
 
Rina: Thank god I’m not somewhere where I’m melting.<br>
 
Kiera: I for one like wearing the comfy shorts and the tied-up tee-shirt. I was comfy.<br>
 
Nika: Yes, but you have a better body than she does.<br>
 
Rina: (no bones) Absolutely.<br><br>
 
 
And right now, Rina’s got more scars needing covering up than skin that needs exposing. Meanwhile, Joshua turns on the charm and mentions being interested in scrimshaw and the Fisherman relents, apparently taking us for something less dangerous than at first glance, and refrains from taking off altogether. He powers back in to the jetty, throws us the rope and we tie it off as he steps back onto terra firma.<br><br>
 
 
Fisherman: Aye, I saw your ship. Stay outa my warehouse.<br>
 
Nika: Okay.<br>
 
Arden: How do we tell it’s your warehouse?<br>
 
Kiera: (eyeroll) He spray painted his name on the side.<br>
 
Fisherman: Whaddya want, Mister?<br>
 
Arden: I just want to know which warehouse yours is so I don’t go in it.<br>
 
Fisherman: Just stay outa all the warehouses!<br><br>
 
 
Again you can just see him thinking: ''what kinda idiot are you?''<br><br>
 
 
Arden: Okay, that’s fine.<br>
 
Nika: So you said you didn’t want to be rescued.  Has someone come to rescue you before?<br>
 
Fisherman: Well, when the last ship left, they tried to get me but I took my boat out.<br>
 
Rina: (softly) How long ago was that?<br>
 
Fisherman: Ahh, ’round a year or two. Seasons’re a mite changed since the bombin’. It’s hard t’keep track of when winter is and when the summer is.<br>
 
Rina: Were you here for the bombing?<br>
 
Fisherman: Aye.  Well, I was out on the lake. <br>
 
Rina: Do you know why they were bombed?<br>
 
Fisherman: I reckon the war’s happenin’ again.<br>
 
Rina: Was it everywhere? Or just here?<br>
 
Fisherman: Ahh, whaddya mean, ‘everywhere’?<br>
 
Rina: Was the bombing—<br>
 
Fisherman: Well, you gotta fancy ship over there. You might know more about it than I do.<br>
 
Nika: (to Rina) The entire planet was bombed.<br>
 
Rina: I wasn’t on the bridge, Captain.  Sorry.<br>
 
Joshua: Is there anybody else in the area other than you?<br>
 
Fisherman: Well … One day I thought I saw some strange lights in the sky but with the cloud cover it was hard to tell. It seemed to be coming up by the old ’tennas up there.<br><br>
 
 
The fisherman points up to the heights above the town, now shrouded with heavy dirty white clouds.<br><br>
 
 
Joshua: Okay.<br>
 
Rina: Tennas?<br>
 
Fisherman: Antennas.<br>
 
Rina: (Getting it) Oh. Antennas.<br>
 
Nika: Might be a relay station.<br>
 
Fisherman: Yeah, there’s some kinda relay station up there. Figured maybe somebody’s got a ship there?<br>
 
Nika: Or at least tried. (to Joshua) Let’s try it.<br>
 
Joshua: Okay.<br>
 
Fisherman: (continuing) Not interested, to be honest.<br>
 
Arden: Don’t you get lonely out here?<br>
 
Fisherman: Uhhhh …<br>
 
Nika: Obviously you’re making a living, cuz you’re still alive.<br>
 
Fisherman: Yeah. Probably gonna die soon. I’m an old man. Eating mostly fish. Canned goods.<br>
 
Arden: Would you like medical care?<br>
 
Fisherman: Oh, you’d like that wouldn’t you?<br>
 
Arden: No.<br>
 
Fisherman: Yeah, that’s how they start. They’re like, ‘Hey, whyn’t cha lie down on this and they strap ya down and cart ya off to some old age home or somethin’.<br><br>
 
 
The fisherman looks narrowly at Arden and the rest of us. We’re not gonna fool him, nope.<br><br>
 
 
Fisherman: I’m not havin’ it, Mister! You can shoot me with your rifles instead.<br>
 
Nika: (changing the subject, please) You said you had fish and canned goods.<br>
 
Fisherman: I ain’t sharin’.<br>
 
Nika: No, I was going to suggest we could possibly trade for some fish if you’d like some additional canned goods.<br>
 
Fisherman: Hmm, I dunno. Where’re the canned goods comin’ from? If you have’em, another trick is havin’ me eat poisoned canned goods …<br><br>
 
 
Whoa. Paranoid much? Living alone has certainly not done the guy any favors. <br><br>
 
 
Joshua: No tricks.  I’m just really trying to figure out why I’m here. <br>
 
Fisherman: I didn’t call ya!<br>
 
Joshua: That’s good to know. I appreciate it.<br>
 
Kiera: Do you see anybody besides … you?<br>
 
Fisherman: Not since the survivors left. (pause)  ’Less you count sometimes the water...I think I see people.<br>
 
Kiera: Below the water?<br>
 
Fisherman: Yeah. They called to me but I just … (shakes head, stands fast)<br>
 
Rina: Underwater scientific base?<br>
 
Kiera: There’s some Loreleis beneath the water.<br><br>
 
 
Rina thinks of Rusalkas, but keeps her mouth shut. for his part, Joshua pulls out the sketch he made of Mystery Woman from IAV Trafalgar. He shows it to the Fisherman.<br><br>
 
 
Joshua: That doesn’t ring a bell, does it?<br>
 
Fisherman: Yeah, nope.<br>
 
Joshua: Okay. (stows the pic) Well, maybe we’ll just … go and check out those antennas and leave you be to go fishin’, and—<br>
 
Rina: (to Fisherman) When did the survivors leave?<br>
 
Fisherman: Shortly after the bombing. As I say, the days and weeks kinda get confused on that. We’re not really big on that.<br>
 
Kiera: The Lorelei underneath the water. How often do ya see ’em?<br>
 
Joshua: Oh, Lord. Leave the man be. Leave the man be.<br>
 
Kiera: But—! <br>
 
Fisherman: Huh. I gotta hunch I’m gonn wake up and you guys’re some sorta hallucinations too. I was a little bit concerned about one that one tin.  It was a little tainted. I must be havin’ a hallucination.<br>
 
Kiera: Oh, are you now?<br>
 
Rina: Stay away from the soy. It’s poison.<br><br>
 
 
Kiera pulls Rina away from the man and leans to him and whispers.<br><br>
 
 
Kiera: She has concussion injuries.<br>
 
Joshua: Okay.  Have a nice day … week ... month. You know, days and days blurring together. Have a good one. We’ll leave you be. You look like a man who values his privacy.<br><br>
 
 
Joshua’s herding us all away from the Fisherman at this point. No need to antagonize the man any further. He’s made it pretty clear he doesn’t want to deal with us, thank you.<br><br> 
 
 
Fisherman: There is one thing … You don’t happen to have any tobacco do you? I run out.<br>
 
Joshua: (to Arden) We don’t have any do we?<br>
 
Arden: I don’t think so.<br>
 
Fisherman: Anybody smoke?<br>
 
Kiera: No.<br>
 
Nika: No.<br>
 
Rina: I don’t smoke.<br>
 
Fisherman: Useless. Arright …<br>
 
Rina: Do you need tea? Coffee?<br>
 
Kiera: We always have coffee.<br>
 
Fisherman: Nah, I don’t need coffee.<br>
 
Kiera: (to Joshua) Did we take any of that super-pot in trade?<br><br>
 
 
From the Duquesnes, she means. No. We didn’t. <br><br>
 
 
Fisherman: I’m not a superstitious man, here, but that place up yonder, where the antenna are.  Yeah … people told some strange stories about bad things that happened up there. Long time ago.  Just so you know.<br>
 
Nika: What kind of bad things?<br>
 
Fisherman: Well … <br>
 
Joshua: (quietly) Torture?<br>
 
Rina: (to Joshua, whispering) That comes later, dear.<br>
 
Fisherman: People’d talked about it. Torture. Yeah. Experiments of some kind.<br>
 
Nika: Wonderful.<br>
 
Fisherman: So I don’t know if it’s gonna—I doubt it’s still goin’ on there. In fact when the bombin’ happened, I figured they’d bombed that place.  But … I don’t mean to needlessly scare ya.<br>
 
Joshua: No, no.<br>
 
Fisherman: No one’s been here.<br>
 
Joshua: It’s all good. We’re happy to stay and talk of you want us to stay and talk, but if you want to be left alone, we’ll leave you alone. We appreciate the help, appreciate the info.<br>
 
Fisherman: All right.<br>
 
Joshua: If we don’t come back from the antennae, you know what happened to us. Ghosts or whatever it is up there got to us.<br>
 
Fisherman: Maybe you should leave the door on your ship open, just in case.<br>
 
Joshua: We’ll think about it.<br>
 
Kiera: (dryly) All right, if we die we’ll will it to him. That’ll work.<br>
 
Fisherman: That’s fair.<br>
 
Joshua: That seems fair. I’m on board with that.<br>
 
Kiera: (to Fisherman) Can you fly?<br>
 
Fisherman: Yeah. Own everything else in this town.<br><br>
 
 
We look and there’s something about the Fisherman’s expression that invites some reciprocal leg pulling.<br><br>
 
 
Joshua: Yeah. This warehouse. That warehouse. Except for that one. That’s Bob’s warehouse. But don’t touch it. He’ll get to you, too.<br>
 
Fisherman: I’m the mayor of August.<br>
 
Joshua: That what the name of the town was?<br>
 
Nika: Yeah, and no mirrors. Can’t have mirrors. Cuz if you look in the mirrors, that’s how they get us.<br>
 
Joshua: All right. (wrapping up)  Have a good one.<br>
 
Kiera: Nice meetin’ ya.<br>
 
Fisherman: Just keep walkin’.<br><br>
 
 
And we’re walking. Walking away.  Bye-bye. Yikes.  When we draw nearer to our ship, Joshua sums it up.<br><br>
 
 
Joshua: I didn’t kill him. That’s a plus. (off Kiera’s look) It is.<br>
 
Kiera: With what?<br>
 
Nika: I’m not sure I like the new Joshua, really, sometimes. I’m just … (gives up) We’ll keep going. Let’s go.<br>
 
Beglan: (faking street jive) You were better on drugs, man. You were cooler then.<br>
 
Nika: You on drugs you were calm. Instead now you’re all about … (loudly) ‘That was awesome! We gotta abseil into—’.<br>
 
Joshua: You don’t know me very well, do you?<br>
 
Kiera: Where were you—oh, you were piloting when he was screaming about abseiling and flinging himself out of the ship. Now see? You—<br>
 
Nika: I miss a lot when I’m piloting.<br>
 
Kiera: We appreciate that. You’re a very good pilot.<br>
 
Joshua: All right. So let’s go abseil up to the antennas. I mean, fly up to the antennas.<br>
 
Kiera: Why don’t we just make a giant slingshot and shoot him up there. If he makes it, fine. If he doesn’t make it … (shrugs)<br><br>
 
 
Nika opens the cargo bay doors and we walk aboard during this last little exchange.<br><br>
 
 
Nika: You’ve been talking to the ACME people lately?<br>
 
Kiera: I have.<br>
 
Nika: Good! Let’s build it.<br>
 
Kiera: Pshhht!  (Mimes pulling back the slingshot strap) Whoops. Sorry Joshua! We overshot.<br><br>
 
 
Good natured ribbing done, we turn serious again. On closer inspection of the approach to the heights, there is a road that leads up to the antenna installation.  We decide to take the mule up. We have no idea what we’re going to find up on the heights and take the precaution of putting on our throat mikes just in case we get separated. And our rifles come with us, plus Rina’s usual suspects. We’re busy checking the mule and getting it out the door when Beglan elects to stay behind and watch our ship. Nika remarks that he’s also our shooter in reserve and that he’s pulled our fat out of the fire more than once. Kiera concurs:<br><br>
 
 
Kiera: Yeah, I was gonna say.  He grabbed his cross and totally smashed that big nutcase Russian dude. He was totally awesome.<br>
 
Nika: He did.<br>
 
Kiera: Wow. The power of faith. Rock on, little Irishman.<br><br>
 
 
She knuckle bops with Beglan before he takes up the door controls and we drive out of there to let him close up.  Those of us without cold weather gear are really feeling the icy temps—we’ve got wind chill to deal with now, from our passage and from the mountain weather.  We stop in the bombed out town to do a quick scavenger run. Arden and Rina find seafarer’s sweaters—thick and cable knit and made for warmth even when wet—for those without the proper gear for the cold.  They’re sized for strapping six-foot-plus sailors but of the crew, only Rina is significantly under six feet and she’s already set for the weather.  The others pull the sweaters on under their various jackets and are blessedly warmer for it. <br><br>
 
 
The ride up the heights is bumpy and hazardous—though the mule is a hover craft, flatter surfaces are more optimal to drive it on and the road we’re following is anything but smooth.  There are drifts and mini avalanches of snow across the road and the crosswinds from above and below make maneuvering tricky.  It’s a sheer drop to one side and there is very little in the way of a shoulder, and while the mule is capable of hovering and even rising some thirty feet off the ground it is nowhere near able to fly if we pitch off the side down the mountain.  It’s a slow, tense 10 kilometers and a couple 1000 feet and there are a couple of points where the crew has to shift to one side or the other of the mule to stay on the road.<br><br>
 
 
During the ride, Joshua starts getting this feeling, getting really really worried about something.  He’s overwhelmed by it, actually, a full-blown anxiety attack. And it’s not coming from him.  He can’t tell who it’s from. Rina, Arden and Kiera have to hang on to him until the feeling passes.  Kiera’s not above snarking a little over it.<br><br>
 
 
Kiera: (to Arden) You know, you and I oughta start carrying needles with tranquilizers so it’ll be like—poke! to her (nods at Rina) or poke! to him (meaning Joshua). “I got him!” “I got her!” (off Nika’s look) Sorry, Cap’n.<br>
 
Arden: (to Joshua) I brought a tin foil helmet if you want to put it on.<br>
 
Joshua: I wish it would help.<br>
 
Nika: Do none of the exercises that you use to block people out not work?<br>
 
Joshua: I’m working on it.<br>
 
Nika: Don’t jump at me. I was simply asking. <br>
 
Joshua: Argh. I’m trying. I’m also doing my best to try and keep the thought of her behind the door. I don’t know if she meant it for this or for there but….<br>
 
Arden: (slowly) Keep her behind the door?<br>
 
Rina: What? (getting it) He’s hiding his thoughts.<br>
 
Joshua: It’s really … worried, worried, like … something’s-I don’t know.<br>
 
Arden: Like something’s out to get you or something bad is going to happen?<br>
 
Joshua: It’s … worried about somebody. It’s … I don’t know why or what.  It’s just that I’m really worried. Like … (gives up)<br>
 
Nika: I’m driving.<br>
 
Joshua: Thank you.<br>
 
Kiera: Is it coming from outside to you or from the inside out?<br>
 
Arden: He doesn’t know.<br>
 
Kiera: Okay, sorry.<br>
 
Joshua: I’m not clear. It’s … (no words)<br>
 
Kiera: At least it still works, drugs or not. (to Nika) Drive faster.<br><br>
 
 
Joshua can’t quite describe the feeling and he can’t shake it out of his head.  The rest of the crew hangs on to him and he’s holding Rina’s good hand so hard it hurts.  She gets right up against him and starts thinking as hard as she can at him: calm, calm, it’s going to be okay, we’re here, here’s safe, it’s okay, I love you, it’s going to be okay.  It’s a trick she’s done before in private.  This is the first time she’s done it in the open and certainly the first in rough conditions. She’s not sure how much is getting through.  She keeps projecting as best as she can.<br><br>
 
 
Kiera double checks her rifle. Yep.  Locked and loaded.  The feeling assaulting Joshua intensifies and he starts shaking and—he can’t help it—crying. Rina wraps him up in a great big bear hug and gives him her handkerchief. Arden holds up the trank injector where Joshua can see it and looks at him in silent query: ''Need it?''<br><br>
 
 
Joshua: (through tears) Please don’t trank me.<br>
 
Arden: Don’t go berserk.<br>
 
Joshua: I’m not gonna go berserk. All internal, so to speak. I’m not gonna go kill anybody or hurt anybody.<br>
 
Kiera: I know. If he gets out of control, she can pop him once upside the head. (nods at Rina) It’ll work.<br>
 
Arden: It might kill him, but it’ll work…<br>
 
Kiera: I’m assuming she can pull her punches.<br>
 
Arden: When was the last time you saw her pull her punch?<br>
 
Kiera: I assume sometime in the bedroom or he’d be dead by now if she wasn’t pullin’ somethin’.<br><br>
 
 
We make it to the antenna installation.  There’s no way to miss it. The road dead ends at its front door, a massive thing built right into the living rock of the mountain.  It’s built like the entrance to NORAD.  It looks like the front door to Jabba The Hut’s palace … only with snow instead of sand. It also comes up really fast around a curve and Nika manages to stop the mule in time, if only just.  We all catch our breath as the snow from our skid is whipped away by the wind and we regard how best to approach the door.<br><br>
 
 
We bail out and go up to it on foot.<br><br>
 
 
The door is huge, easily big enough to drive dump trucks through.  There appears to be a communications box next to the door, built into the door frame.  Arden looks it over.  It doesn’t appear to be powered up, the display is dark.  There isn’t a power switch on it that he can see.  Rina brings up the rear, holding onto Joshua, and she pulls him with her to the panel.  She looks it over and yup, no power’s running to the thing.  She starts patting down her pockets one-handed for something to open it up with when the others stop her.<br><br>
 
 
Kiera: Nobody paid their power bill, dear.<br>
 
Rina: We can hook it up to a power source …<br>
 
Joshua: What are you trying to do?<br>
 
Rina: What if we hotwired it? Was thinking of hooking it up to the battery on the flatbed.<br><br>
 
 
She looks the setup over again and reckons the circuit that unlocks the doors isn’t on the same one the comms panel is on.  Furthermore, powering the locks might not be sufficient to open the doors—they’re HUGE and HEAVEY and the servos that run them are likely on a different circuit from everything else. So there’s no shorting the locks to pop them open and if the installation’s deserted, simply ringing the doorbell or buzzing the comm panel won’t gain us entry either.  And if there is someone home that we don’t want to run into—as hinted at by Joshua’s mental distress—we don’t want to let anyone know we’re actually here.  So … that hot wiring idea isn’t going anywhere. <br><br>
 
 
That’s assuming, of course, they don’t already know we’re here.  Rina looks for signs of cameras. She doesn’t find any but that doesn’t make her feel any safer, nope.<br><br>
 
 
Rina: (muttering) They know we’re here.  We need to hide.<br>
 
Arden: There’s nobody paying attention.<br>
 
Rina: Doesn’t mean they’re not there. <br><br>
 
 
She puts her hands on the comms box, considers it, looks back at Nika.<br><br>
 
 
Rina: Cap’n?<br>
 
Nika: I’m thinking.<br>
 
Arden: There’s nothing wrong with alerting whoever’s in there. We have no hostile intent. Yet.<br>
 
Kiera: Yet?<br>
 
Arden: Yet.<br>
 
Nika: My concern is, based on Joshua’s reaction here, that there’s someone inside that needs help. And by alerting them we are here, we are mobilizing a security team of some form.<br>
 
Arden: N.E.I.<br>
 
Joshua: N.E.I.?<br>
 
Arden: Not Enough Information.<br>
 
Kiera: (to Joshua) Is there any way—I know you’re receiving—but is there any way can you broadcast back to them? Think happy thoughts that you’re outside?<br>
 
Joshua: I’m pretty sure I’m broadcasting on all channels right now.<br>
 
Kiera: Yes, but what are you broadcasting?<br>
 
Joshua: The same thing that’s getting fed into me.<br>
 
Rina: He’s a repeater station right now.<br>
 
Kiera: Okay, so … Concern and worry back at the concern and worry, like it’s a really bad loop.<br>
 
Nika: (to Rina) I’m thinking more if we can get power to the doors, I’d rather open the doors if we have that option.<br>
 
Rina: Lemme run a patch.<br><br>
 
 
She starts moving for the mule.<br><br> 
 
 
Arden: Is it—we can restore … (gives up) … Okay. Whatever.<br>
 
Nika: No, say what you’re thinking.<br>
 
Arden: I was saying we can restore power to the communication box. If no one answers, then we can try to restore power to the doors.<br>
 
Nika: And if someone does answer?<br>
 
Arden: We can talk to them.<br>
 
Nika: (continuing) Then we’ve just alerted them that we’re here and—<br>
 
Arden: We’re gonna do that anyway.<br>
 
Nika: But if they’re holding people prisoner, that means we’re gonna open the doors and there’s gonna be a whole slew of security people standing right there, as opposed to us being able to go in and—<br>
 
Arden: (fed up) What if it’s the 99 naked virgins?<br>
 
Kiera: ''What?''<br>
 
Rina: (eyeroll) Then it will be a real nice day for you.<br>
 
Joshua: Would somebody please do something?<br>
 
Arden: We don’t have enough information yet.<br>
 
Nika: I think opening the door is going to be as innocuous an action—<br>
 
Arden: Actually no, it isn’t. It’s intrusion.<br>
 
Nika: Oh for heaven’s sake, Arden.<br>
 
Joshua: Would somebody please do something?<br><br>
 
 
Rina stomps off and grabs the tool box stashed on the mule and opens up the comms panel and tries to hack into the system through it. Meanwhile Nika and Arden argue.<br><br>
 
 
Arden: Is it not?<br>
 
Nika: It’s not.<br>
 
Arden: It’s not? Opening the door without permission is—<br>
 
Nika: In theory this place is abandoned, so why the heck would we even try communications?<br>
 
Arden: Because there may be someone inside.<br>
 
Nika: Again—in theory, the entire planet is abandoned. Why would we even bother?<br>
 
Arden: We just saw a fisherman down on the lake!<br>
 
Nika: You’re not listening to me.<br>
 
Arden: I hear you.<br>
 
Nika: No you’re not. You might hear the words that I’m sayin’ but you—<br>
 
Arden: I hear you but I’m disagreeing.<br>
 
Nika: You’re not hearing me.<br>
 
Arden: I disagree.<br>
 
Joshua: (plaintive) As the XO? I’m freezing.<br>
 
Rina: I’d like to put a patch on the doors, Ma’am.<br>
 
Nika: Open the doors.<br>
 
Rina: Thank you.<br>
 
Joshua: (faintly) Thank you.<br><br>
 
 
Kiera slips out of her coat and pulls it around Joshua.  He’s a little larger than she is but the added warmth is welcome.  Rina gets that patch hooked up but it doesn’t look like it’s sufficient to get the doors open.  Neither can she hack into the installation’s system from the comms panel.<br><br>
 
 
We need another way in.<br><br>
 
 
Rina: There might be another entrance.<br>
 
Nika: There would have to be at least air vents.<br><br>
 
 
Huddled in the meager shelter of the doorway, Joshua starts thinking really loudly: ''I’m here. I’m here. I’m here''.<br><br>
 
 
We start searching the area around the doors.  To one side we have the cliff face, a straight shot down to death. To the other side, the shallowest of shoulders and a steep rise up.  Arden looks for any entrance or vent at ground level.<br><br>
 
 
Kiera: Actually, an air vent would give you a melt pattern.  Cuz the temperature inside is still going to be warmer than the outside. So it’ll melt a little bit.<br>
 
Rina: So we’re looking for thermal exhaust ports now?<br><br>
 
 
Good point.  There aren’t any readily apparent on the slope immediately hemming the road, but that doesn’t rule out vents on the backside of the slope or even higher up where we can’t quite see.  Since higher up the mountain seems the best bet and our hovercraft can’t attain the height we’d need, we’re going to have to climb the slope to search for a possible vent overhead. With the wind and the snow tearing at us every inch of the way.<br><br>
 
 
Great.<br><br>
 
 
Rina: Damn. I left my fifty feet of rope in my other pants.<br>
 
Joshua: Let’s climb. (a beat)  We gonna climb?<br><br>
 
 
We examine the route up. It doesn’t look too bad.  If we fall, maybe the snow will cushion our landing? <br><br>
 
 
Nika: We can take the shuttle up, but at least for a short distance, let’s try to climb.<br><br>
 
 
We put our hands and feet to the rocky mountain wall and get to it.  We actually get some distance up the side, despite the ice and snow and wind. Even Rina’s managing to hang on, despite her injuries. Arden goes slowly, mindful of his surgeon’s hands. Those of us carrying rifles have them slung securely across our backs. We make our way slowly up and we can see the antennas above us.  We can see some evidence that they’re relatively new construction—that at one point there was something else here but it got cleared for the antennas. They’re not so tall as antennas go, either, more like a chunky cell phone tower as opposed to the more slender (and towering) radio type. As we get closer to them, Joshua’s mental distress jacks up several notches and he feels even worse.<br><br>
 
 
Joshua: Mind waves.<br>
 
Nika: What?<br>
 
Kiera: (pinching Joshua’s butt) Keep going.<br>
 
Joshua: ''Ow!'' (swats her fingers) Those aren’t mind waves …<br>
 
Nika: Mother of God …<br><br>
 
 
Clinging to the side of the mountain, Joshua looks carefully around.  It’s a world of white—snow and ice everywhere—and then his eye spots something.  A depression in the snow off to the side, perhaps marking a spot where the snow has melted over a vent.<br><br>
 
 
Joshua: There … <br><br>
 
 
We all inch closer to it and sure enough, we can see little wisps of steam coming through a couple of inches of cleared vent plate.  Dare we risk it? We’ve been out in the cold and the wind for three hours now and some of us are taking stun from the elements. Risk adverse or not, we don’t have much choice—we need shelter. <br><br>
 
 
The depression it’s sunk into is big enough to afford all of us a somewhat level place to stand.  Rina gets over the vent and pulling her tools from her pockets she gets to work on that vent cover.  The ice makes the job tricky and she cuts her hand on a slipped screwdriver, gets her right through her gloves.  She curses and sucks her wound and Arden quips.<br><br>
 
 
Arden: What would MacGruber do?<br>
 
Joshua: Blow it up. That’s what he always does.<br>
 
Rina: (accent thickening) MacGruber is Anti-Christ of engineering world.  Are you kidding?  St. MacGyver I pray to.<br><br>
 
 
The intense worry that has ravaged Joshua for hours flat-out disappears.<br><br>
 
 
Joshua: Holy crap!<br>
 
Nika: What?<br>
 
Arden: Is it getting worse?<br>
 
Joshua: No. It just disappeared.  Um … crap. How long before you get this thing off?<br>
 
Arden: (to Joshua) Deep breath.<br><br>
 
 
Joshua projects as hard as he can the message: Coming to help. Hold on a little longer. We’re coming. He projects as much positive feeling as he can while still hiding Mystery Woman behind his mental door. Rina spits and gets back to work. It takes about an hour, but that vent cover comes off.  We lean in to look down the dark hole thus exposed and see it’s a straight shot all the way down to … more dark.  About fifteen feet.  The vent is about the width of a person. We regard it dubiously. The warmth coming out of that vent helped stave off frostbite and freezing while Rina worked, as did some of the exercises Arden suggested that actually fit in the meager space we had to stand in, but the longer we stay here, the more damage the elements will inflict on us.  We could go back to our ship, rest up, and try again … or, having gotten this far, we can push on and hope for the best. <br><br>
 
 
Rina: (eyeing the vent) Is piece of cake.<br>
 
Arden: Yeah, if we had a rope.<br>
 
Rina: It’s a standard person size.  So it’s about … two and a half feet by two and a half feet, so, you know … you do the chimney thing.<br><br>
 
 
She mimes putting her hands against an invisible wall a foot in front of her, inching slowly down it. The metal of the vent is cold and wet from the snow, making for a slippery climb down, but it’s warmer than the outside. Arden goes first down the vent, being the biggest at six-foot-two, then the rest of the crew follows in descending height and weight, with Rina bringing up the rear.  Arden runs out of vent and drops about six feet into a transverse tunnel that stretches out before and behind him.  Nika drops him her flashlight so he can take a better look around.  He turns it on and looks.<br><br>
 
 
There’s a breeze on his face and a little ways forward he can see a huge fan spinning at the end of the vent—obviously part of the ventilation system.  Joshua inches past Nika in the shaft to join him and once he’s past her he looks down at Arden below, shining the flashlight around … and he suddenly sees the shaft and the tunnel beyond it like an infinity puzzle, like seeing it in two mirrors facing each other.  Arden and the tunnel are replicated a thousand times, sinking far and away from Joshua incredibly fast. It’s vertiginous and overwhelmed, Joshua loses his grip on the shaft and falls to the tunnel floor.<br><br>
 
 
''Whump!''<br><br>
 
 
He doesn’t land on Arden but he takes a bit of stun from hitting the floor. Arden rushes to him and examines him for injuries. <br><br>
 
 
Joshua: Don’t worry about it, I’m okay …<br>
 
Arden: Did you just slip?<br><br>
 
 
Joshua draws breath to answer and is hit with a single word directly into his brain: '''Intruders'''.<br><br>
 
 
Joshua: (to Arden) You might want to leave. (to crew) Down, please.  ''Down, please''.<br><br>
 
 
Arden goes to the fan at the end of the tunnel. Looking it over it’s pretty damned obvious that what we’re looking for is on the other side of that fan. The fan itself is huge and going at a speed that could cut someone in half.<br><br> 
 
 
Nika drops into the tunnel and lands flat on her ass.  Arden quits the fan and checks her over. She’s fine, just bruised.<br><br>
 
 
Nika: That hurt like a mother. I think I broke my tailbone.<br>
 
Arden: At least you landed on a padded part.<br>
 
Joshua: (to Kiera) Come on, please. Down, please. (to Nika) We’ve been detected.<br>
 
Nika: Oh, ''fabulous''.<br><br>
 
 
Kiera’s next, making her way down and dropping.  She’s agile as a cat and manages it gracefully. Rina descends next and though she’s less graceful about it, she manages to land without damage. She straightens and realizes the tunnel is about five feet high and she’s the only one of the party not stooping.  Lucky break for her.  She joins the rest of the crew at the fan. She and Kiera look it over. There’s no on-off switch and whatever power cable it’s got running to it is on the wrong side from us.  So no snipping a power cord and letting it come to a stop, as Kiera had hoped.  Rina gauges the speed and the thickness of the blades and nods.<br><br>
 
 
Rina: We’ll have to jam it. Whose rifle do we  … ? Wait. (pulls out her leatherman’s pliers)<br>
 
Nika: What?<br>
 
Joshua:  I was hoping there’d be some other way. What are you doing?<br>
 
Nika: No.<br>
 
Rina: You think?<br>
 
Nika: You’ll cut your hand off. Use my rifle.<br><br>
 
 
Jamming a rifle into the fan will probably stop it but given the Laws of Conservation of Energy, there will be considerable kinetic energy to overcome and the fan blades might shatter instead of simply jamming against the rifle.  Or the rifle might shatter.  Or both.<br><br>
 
 
Nika: Wait. Before you do that—do you have a scarf?<br>
 
Rina: A scarf?<br>
 
Nika: Yeah. Cold weather gear.<br>
 
Rina: No. Excellent idea though.<br>
 
Nika: You got a tee-shirt?<br>
 
Rina: (eyeroll) Yeah. I can sacrifice a tee-shirt. Turn around everybody.<br><br>
 
 
She’s not entirely serious—a tee-shirt would shred under the torque and the fan would just keep on spinning. A scarf would be marginally better, since it could make up in bulk what it lacked in tensile strength, but even then it isn’t as sure a bet as jamming the rifle in.  Still, the threat of kick-back on the jamming implement makes Nika reluctant to have anyone get close to the fan when we jam it—she’s already got one crewman severely injured through misadventure, she’s not risking another. <br><br>
 
 
If we could get to the cables on our flatbed, we could use those to foul or maybe even snare the fan blades, turn on the cable winch mounted to our vehicle and possibly even pull that sucker apart.  But that would mean a hour’s worth of climbing, one way, and we aren’t sure if we have enough cable to make it all the way back.  So scratch that idea.<br><br>
 
 
What about the strap on the rifle? Long enough? Strong enough? No and no, not really. Besides, the cage over fan blades doesn’t have any gaps big enough to throw anything through it—we’re looking at a lattice work with three-inch spaces between the bars.  A rifle barrel would fit through easily.  A thrown object, not so much.<br><br>
 
 
Kiera: Hell.  Might as well shoot the cussed thing. The mesh that’s over that thing. Can we maybe kick it in? If we could take the mesh and destroy it, we could maybe stick the mesh in and stop it.<br>
 
Arden: Kiera … (stepping away from the fan)<br>
 
Joshua: Everybody might want to move back.<br>
 
Nika: Back up. The rifle’s going in. (steps forward) Everybody against the wall, hands over your head.<br>
 
Joshua: Yay.<br><br>
 
 
Kiera cringes and turns away—she can’t stand the sight of the rifle getting destroyed, just hurts her heart to see a weapon go like that. Joshua takes the rifle from Nika and goes right up and jams the rifle through the cage. There’s a shriek of metal and a crash and a crunch.  There’s a flash from the motor, blue and electric. Sparks fly and bits of metal off the fan—or the rifle, we can’t be sure—spit out through the cage, warping it.  Joshua leaps out of the way and takes some damage from the shrapnel, suffering a few cuts here and there … but the rifle catches and slams, the blades stop, and we’ve got a way past the fan.  The rest of us scramble to our feet.  As Nika, Kiera, and Rina get to work pulling the damaged cage away from the frame to make a hole big enough for us to get through, Arden patches up Joshua’s cuts.<br><br>
 
 
Arden: Lesson for the day—don’t stick a breakable thing in a fast-spinning fan.<br>
 
Joshua: I don’t think that was the lesson. That was pretty quick. Did all of you see that? That was amazing!<br>
 
Nika: (facepalm!) I’m sure there’s brain damage. I’m sure of it.<br>
 
Joshua: Can we get going? Through the thing? (points at the fan) Also, they’ve mentally detected us. Just in case you wanted to know.<br>
 
Kiera: Is that a good thing where they’re happy you’re—<br>
 
Joshua: One thing they said—'''''intruders'''''—<br>
 
Kiera: Oh, then I’d say that’s bad.<br>
 
Arden: Who said ‘intruders’?<br>
 
Joshua: In my mind.<br>
 
Arden: (upset) This is new information that you probably should have shared before now.<br>
 
Joshua: I did. That’s why I said they had to come down.<br><br>
 
 
He points to the rest of the crew.<br><br>
 
 
Joshua: I didn’t say specifically the ‘intruders’ part but I did say we gotta come down. I did say they’d detected us...<br>
 
Rina: Arden, when she fell, you thought they did not hear her? (points to Nika) Of course, we just gave our position away.<br>
 
Joshua: No, you’re misunderstanding me, Rina. There are—<br>
 
Nika: There are Readers in there and they have reported it. <br>
 
Rina: (b-duh!) I’m sure.<br>
 
Nika: No-no, you’re missing the point entirely.<br>
 
Joshua: When I fell, it was because I heard them.<br>
 
Rina: Now, didn’t I tell you to work on your shields?<br>
 
Joshua: I am shielding but I’m shielding one thing—<br>
 
Nika: ''I told you so'' is extremely helpful, there, Rina.<br><br>
 
 
We duck through the gap through the stopped fan blades and continue down the air duct as we talk. We keep our heads and our voices down.<br><br>
 
 
Joshua: I’m actually wondering if it’s automated.<br>
 
Nika: What?<br>
 
Joshua: Which would actually be wicked cool.<br>
 
Nika: Wicked and intriguing maybe.<br>
 
Joshua: An automated mental—<br>
 
Kiera: Yeah, but it only works against other Readers. So what good is that?<br><br>
 
 
Arden speculates that it might be sign they’re working on a way to make this work on normal people. Rina speculates maybe they’ve found a way to mechanically reproduce a Reader’s ability to project? Before she can start coming up with a shopping list for the pieces and parts for such a thing, Nika puts her foot down as Captain.<br><br>
 
 
Nika: Guys. We do not have time for this conversation.<br><br>
 
 
We walk on, with Arden taking point—because he has the flashlight—then Joshua, Rina, Nika and Kiera follow in order. We follow the vent to an intersection with a transverse vent.  The run we’re standing in continues past the intersection and the beam from the flashlight is swallowed up by the distance.  Stopping shy of the transverse, we all go still and listen. Arden’s in front and picks up the noises first. He turns to Joshua and points over his shoulder.<br><br>
 
 
Arden: You hear that?<br>
 
Joshua: Yeah. You wanna look around the corner?<br><br>
 
 
Arden inches forward with his flashlight and gun, the fist holding the flashlight propping his gun hand. Before he turns around the corner, he can see faint beams of light shining our way from the lefthand side of the transverse. Arden immediately turns off his flashlight, crouches down and looks around the corner. He sees the approaching light sources, does a snap count and pulls back around the corner. He tells Joshua very softly that he thinks there are three of them, three flashlights. Joshua’s seen the beams of light too and he turns to Rina and whispers we’ve got company heading our way. Arden darts across the transverse, deliberately going slow enough so as to be seen but hopefully fast enough not to be shot. <br><br>
 
 
A curse floats to us from the lefthand transverse and we clearly hear the sound of guns cocking. Joshua tries to get a Reading off the approaching party.  He gets the impression of adrenaline and the idea that we’re dealing with trained guards. Joshua is hit again with the impression—trained guards—and then he withdraws his senses back into his own head again. The impression lingers, echoing in his head.  Joshua can’t be certain if going off his drugs has made his Reading abilities unstable or if this is how it’s always been and the drugs stabilized his Readings … but that’s not the issue he’s concerned with. The fact that there are trained guards advancing on our position is and Arden’s just separated himself from the rest of the party by jumping across the intersection. He steps up to the corner, using it for cover.<br><br> 
 
 
Nika taps Rina on the shoulder and motions her engineer to let her swap places.  Rina does, Nika moves forward and Rina stops her Captain long enough to give the woman her pistol to replace the rifle sacrificed to the fan. Nika taps Joshua on the shoulder and he turns and tells her what he’s sensed ahead.<br><br> 
 
 
Across the way, Arden is about to call out to the crew when the lights down the transverse turn off.<br><br> 
 
 
Blackness.<br><br>
 
 
Now what? Joshua Reads the way ahead again and comes away with another impression—''Green''. Joshua relays this new information to Nika. <br><br>
 
 
Joshua: (whispering very softly) Cap’n. Got an impression. Green.<br><br>
 
 
Nika takes a second to parse the meaning. Are the guards using night vision goggles, maybe? Can we use that to our advantage?  Nika swaps places with Joshua.<br><br>
 
 
Nika: (louder whisper) Hsst! Arden. Flashlight. Down the hall. Quick.<br><br>
 
 
She’s hoping to screw their night vision.  Arden pokes his hand and the flashlight clear of cover and shines it down the transverse as ordered.  Nika fires her pistol down the path of Arden’s flashlight beam—a single warning shot.<br><br>
 
 
It’s answered with an immediate volley of bullets and for three seconds, the transverse is filled with flying lead.  She and the crew draw back, covered by the corners.  The guns fall silent and the bullets cease to whine past … and a voice floats down to us from the guards’ position.<br><br>
 
 
Guard: Put your weapons into the corridor. Come out with your hands open and you won’t be fired upon.<br><br>
 
 
Nika decides to go along with the order. She very softly tells the crew to do as they’ve been told. Rina volunteers to go first and hands her rifle to Nika. Maybe we can draw the guards closer and ambush them.<br><br>
 
 
Across the way, Arden turns his flashlight to the floor to provide some ambient light for the rest of us.  After all, it’s nearly pitch black in here and we don’t have night vision goggles. Rina steps out into the transverse and plays bait.<br><br>
 
 
Nika: (to self) God help us.<br><br>
 
 
Rina peers into the darkness toward the guards’ position.  She can see very faint lights in the distance, maybe from their helmets?<br><br>
 
 
Guard: Take five steps forward, turn around, put your hands on your head and get on your knees.<br><br>
 
 
Rina takes those five steps and puts her hands on her head and kneels but she faces them. No way is she going to turn her back on the enemy. If they’re shooting to kill, she’s going to face the damned bullets thank you. The guards, however, come from a different school of thought. A bullet augers into the floor next to her knee.<br><br>
 
 
Guard: Turn around. That was a warning shot.<br><br>
 
 
Rina considers it carefully.  They could have shot her and killed her right then, no need to order her to turn around.  Instead they deliberately missed with a warning shot. That must mean they want her alive. Alive, she’s got a chance. Dead, she’s got nothing.  She turns around.  To her right, she can hear Nika and Joshua whispering.<br><br>
 
 
Joshua: What’s going on?<br>
 
Nika: Nothing good.<br><br>
 
 
On her knees, Rina suppresses a cringe—she hates giving her back to the enemy. She has to trust her crew to cover her. To her left, Arden makes his move. He pops around his corner, yells “Flat!” to Rina and brings his weapon up to shoot. Of course, the meaning of the word escapes her and she’s still kneeling upright, spoiling his shot, causing him to abort his action. And Arden’s action spoils Nika and Rina’s plan to draw the guards closer into ambush.<br><br>
 
 
Kiera grabs Joshua to keep him from jumping out to give himself up to save Rina. Rina flinches but doesn’t move. She’s got a story already prepped in her head—she and Arden had heard St Albans got abandoned after the bombing and they’re here for salvage, just looking to see what they can grab and sell. They’re scavengers, nothing dangerous, no need for shootin’.  Rina knows the guards have only seen her and Arden. The rest of the crew are still hidden and still have the element of surprise.  They may yet pull this off.  At the very least, they can hide and avoid capture.<br><br>
 
 
Nika comes to the same conclusion and starts backing up. Kiera groks immediately and pulls Joshua along with her.  Nika backs them up down the tunnel for the fan, bringing her rifle up and aiming it sightlessly toward the intersection.  Back at the junction, a shot fires from the guards, then another, missing Arden. The shots go wide over Rina’s head, since she’s still on her knees and out of the fire path.  Arden jumps back behind his corner and calls out.<br><br>
 
 
Arden: Look, we don’t want to get anyone hurt. We were responding to a request—<br><br>
 
 
Dammit, he’s ruining their cover story.  Salvage and scavengers, now that’s plausible.  Responding to a request?  That’s never going to fly.<br><br> 
 
 
Rina: (coughing) Shut ''up'', Arden. (coughs)<br>
 
Guard: Put your gun on the floor where we can see it. Put your gun in the corridor and step out where we can see you.<br><br>
 
 
Arden complies and steps out where they can see him. One of the guards comes up behind Rina and pulls her wrists down and zip ties them.  She lets him, suppressing a flinch.  Having people at her back where she can’t see them really really hinks her, but she doesn’t resist. He hauls her by the elbow to her feet.  The angle and the pressure stresses her injuries and the pain is intense. She yells and staggers.<br><br>
 
 
Rina: ''Aughh!'' Ow, ow, ow—(coughs)—''Bozhe moi!'' Ow! Aughh …<br>
 
Guard: Shut up.<br><br>
 
 
This carries clearly down the vent to the rest of the crew. Nika keeps pushing Kiera and Joshua back with her shoulders, her rifle up and ready to fire.  Kiera plugs Joshua’s ears with her fingers and pulls him along—no running to the rescue as his lady love screams.  The odds aren’t in their favor right now. Move, move, move.<br><br>
 
 
Guard: (to Arden) Turn around and put your hands behind your back.<br>
 
Arden: I would really not have my hands bound. You have my weapon and—<br>
 
Guard: I can shoot you here or you can put your hands behind your back. I rarely miss at this range.<br><br>
 
 
Sucking down air against the pain, the thought wanders through Rina’s head that ‘rarely miss’ implies the guard might actually miss.  She shoves the thought down.  With her her injuries riled and pounded by pain, with her hands tied behind her and saddled with a partner who is clueless as to tactics, Rina knows the odds are stacked too high against her.  It’s no longer a matter of trying to fight her way free.  It’s all about buying her crew time to get away.<br><br>
 
 
Arden puts his hands behind his back. The guard relieves him of his flashlight, clipped on his belt for hands-free use.<br><br>
 
 
Guard: On your knees.<br><br>
 
 
Arden complies.  His hands are tied like Rina’s.<br><br>
 
 
Nika gets her remaining crew all the way back to the fan and using the cover of noise the guards make subduing their prisoners, she risks getting Kiera and Joshua through the disabled fan for the other side. She breathes a little easier with the fan providing them a sliver of cover from casual observation.  It’s not enough to hide them if someone walks up to the fan. She pushes her crew all the way back to the shaft to the surface.  She knows the guards would be fools not check the horizontal vent for more intruders and when they see the fan, they’ll know something’s up and investigate further.  Best she and her people are nowhere near when that happens.  It means leaving Arden and Rina behind, but … She orders her crew up the shaft.<br><br>
 
 
Joshua gives Kiera a leg up and then Nika.  Kiera’s above her in the shaft and she hisses at Nika.<br><br>
 
 
Kiera: Don’t leave Joshua at the bottom! Don’t leave him at the bottom!<br><br>
 
 
Meaning don’t let him go last—she knows the fool’s going to get seized by the moment and rush to rescue and ruin everyone’s chances to get away.  It’s too late.  Nika’s already engaged in the shaft and there’s no time to drop and swap with Joshua.  The guards will be here any second.<br><br> 
 
 
Kiera: I swear to God, I will let go this thing, drop, and shoot his ass …<br><br>
 
 
She’ll have to drop on Nika to do it, but Kiera’s past caring at this point.  Luckily for everyone, Joshua climbs up the shaft after his captain and they all move higher up.  And just in time too, because one of the guards does investigate the vent and approaches the fan just as Joshua’s feet disappear from view up the shaft.  Holding their breath, the crew can hear the guard mumbling into his headset, but can’t make out the words.  Back at the junction, however, Rina and Arden hear every word.<br><br>
 
 
Rear Guard: (over the comm) I don’t see anyone but it looks like they broke through the fan over here.<br><br>
 
 
Arden susses what will happen next and tries a distraction.<br><br>
 
 
Arden: Yeah, we ruined a rifle on the fan doing that.<br>
 
Head Guard: Check it out.  <br>
 
Rear Guard: Okay.<br><br>
 
 
Not what Arden had hoped. Back in the shaft, the rest of the crew tries to listen for the guard’s next move. Kiera hears the slow footsteps draw closer to the fan. She reaches between her knees and grabs Nika’s shoulder and points down and silently mouths: He’s at the fan.  Nika nods and reaches between her knees and grabs Joshua and pulls steadily up on him. The meaning is clear.<br><br>
 
 
Up and out. NOW!<br><br>
 
 
Of course, it’s easier said than done. The vertical shaft is slippery from melting snow from above and hauling someone up by their collar while keeping yourself wedged in place isn’t a cakewalk.  Nika hauls on Joshua and then freezes.  Thanks to her contortions, she’s momentarily stuck, unable to move upward and any further downward movement will have her plummet on top of Joshua and send them both crashing to the floor far below.  She forces herself to wait, to breathe, and then her balance returns and she can move upward again. Kiera makes it to the top of the vent and crawls out.  Nika gets a hand up and pulls out.  Joshua’s next and he rolls over the lip just in time.<br><br>
 
 
Back at the junction, Rina and Arden hear the rear guard report back over the comms.<br><br>
 
 
Rear Guard: Yeah, the vent’s open. It looks like it’s been pulled off. I don’t see anyone else. We’ll have to send a crew up here.<br>
 
Head Guard: We should probably keep a guard up here.<br>
 
Rear Guard: (grokking it) No way! It’s freezing up here!<br>
 
Head Guard: Hold your position. You can come in a little ways.  Just make sure they’re not comin’ in that way, if there’s any more.<br>
 
Rear Guard: (grudging) All right.<br><br>
 
 
The rear guard looks up the shaft again and then steps away from the cold down draft pouring through the thing.  Outside, on rock just past the opening, Nika, Kiera and Joshua are relieved that the man isn’t going to climb up and discover them.  However, this also means there’s no going back down the shaft to ambush the guard from behind.  They’re going to have to find another way in.  Nika figures out that the people inside will send a repair crew outside to fix the damage done.  It’s unlikely they’ll send the repair crews crawling up a vertical shaft to replace a cover but instead will send them outside to make the repair.  That means the front door will have to open up to let them out.<br><br> 
 
 
Why not sneak inside when the repair crew steps outside and their backs are turned? <br><br>
 
 
Nika, Kiera, and Joshua scramble down off the mountain as fast as they dare. It won’t be long before that repair crew shows up on the doorstep and once they walk out, the doors will swing shut and the opportunity to slip inside will be lost.<br><br>
 
 
Back at the junction, Arden is hauled to a frog march position and Rina pulled down alongside him. She yelps again, milking her injuries for all they’re worth.  She and Arden are frog marched by the remaining two guards for a 100 feet or so to a grate that’s been pulled away from an opening.  Beyond it is a 10-foot wide corridor.  A guard precedes them into it and Rina and Arden are shoved through from behind.  They stagger upright and manage a quick look around.  The grate they exited is revealed to be an access cover to the vent running off this corridor and the corridor runs at right angles to it. To the left, it runs off into the distance and the lights mounted at intervals in the ceiling fade off into darkness.  There’s no telling how deep it runs.  To the right, the run is considerably shorter, a run of maybe 100 feet opening out into a vast space that strongly suggests a cavern waits beyond.  Halfway to the cavern lies what looks to be a door on the right hand wall and a section of clear plexi to the left.  The guards shove them toward the cavern end and Rina and Arden start walking.<br><br>
 
 
As they approach the end of the corridor, the door on the right proves to be a corridor about 10 feet long, ending in elevator doors.  The plexi on the left is actually the clear wall of a guard station immediately opposite the corridor and Rina spies the surveillance camera aimed at it.  The office is occupied by another guard.  Unlike Rina and Arden’s captors, he’s not decked out in armor but is dressed in a light blue uniform shirt and trousers. There is no insignia anywhere on any of the men that Rina can see.  His voice is tinny, issuing from a hidden speaker, and he leans closer to the mike as he sees the party come up.<br><br>
 
 
Station Guard: (with static) What’cha got?<br>
 
Head Guard: I dunno. Intruders.  Just like she said.<br>
 
Station Guard: Interesting.  Anyone else?<br>
 
Head Guard: Eh, we left Charlie up there.<br>
 
Station Guard: Oh.<br><br>
 
 
The security staff exchange eyerolls.<br><br>
 
 
Station Guard: We’ll send a team.<br>
 
Head Guard: Yeah, they pried off one of the vents.<br>
 
Station Guard: Huh. That’s the most excitement we’ve had in a few months. (a beat) All right. You should probably take them down. Talk to the Director.<br><br>
 
 
The station guard nods at the elevator doors.  The guards give Rina and Arden a shove toward them and they’re moving again.<br><br>
 
 
Meanwhile, outside, Kiera tells Nika it might be best if they moved the mule out of sight.  No point in letting the repair crew find it when they step outside—it’s our only ride out of here and we don’t want them confiscating it. And not a moment too soon.  From somewhere beyond the vent shaft, down inside, they can hear the repair crew’s voices drifting up to them.<br><br>
 
 
Repair crewman#1: (enthused) Whaddya waitin for? C’mon. The pay’s way better.<br>
 
Repair crewman#2: (sour) Great.<br>
 
Repair crewman#1: (still enthused) No, some of these planets are amazing. They’re really great.<br>
 
Repair crewman#3: Yeah! Beach planet. Then there’s the whore planet. The Sino planet … <br>
 
Repair crewman#2: (still sour) ‘Frozen wasteland planet? No, I don’t think so. No frozen wasteland planets.’<br><br>
 
 
People are mobilizing to investigate the vent.  What are Nika, Joshua, and Kiera going to do now? People will be climbing out of the shaft pretty damn soon.  Do they want to be there when that happens, Nika asks?  Besides …<br><br>
 
 
Nika: They’ll be sending guards up here to see what else is here. The question will be—what is the likelihood we’re actually going to get in there and be able to do anything?<br>
 
Joshua: Now, or then?<br>
 
Nika: ''Either''.<br>
 
Joshua: I’m not sure we can open the vent again.<br><br>
 
 
Rina’s got all the tools and she’s a prisoner inside.  Joshua tries not to dwell on the prisoner part.<br><br>
 
 
Nika: Yeah.  There’s that problem and there’s also the problem of they’ve had to have seen the ship land.<br>
 
Joshua: That’s not necessarily true.<br> 
 
 
We did land in very heavy cloud cover and we stayed fairly low, due to whiteout conditions.<br><br>
 
 
Kiera: Where do you think they’re going to send the detail out? If they send them out the front door, we can always go in the front door.<br>
 
Nika: (liking this) Yeah. We gotta figure they’ll come out the front door and come around and climb up. So if we get down there first, we can wait by the front door and when they go up to check the thing, we can just go right in through the front door.<br>
 
Joshua: I feel like there’s a flaw in that plan somewhere.<br>
 
Nika: There should be, shouldn’t there? But I’m not seeing it.<br>
 
Joshua: There might be more than one set of guards coming out, in the front area.<br>
 
Kiera: Yes, but we wouldn’t be trying to bottleneck them and shoot my way as gunfire erupts and the next umpteen people come through here (gestures at the vent) and start firing.<br>
 
Nika: At least if they’re coming that way, they’re coming one by one, like the ants come marching one by one, and we take them all out, hurrah-hurrah.<br>
 
Kiera: All right but I have one clip with me.  And you can’t climb.<br><br>
 
 
Also, the probability is they’re more likely to send repair crews out the front door instead of guards, who are more likely to come through the vent.<br><br>
 
 
While Nika, Kiera and Joshua start climbing down the mountain for the road again, Rina and Arden are divested of their backpacks and tool belts and suffer a thorough frisking.  Rina’s injuries don’t take it kindly and the guards seem indifferent to her pain. They find her boot knife and her pocket tools.  They also take Rina’s and Arden’s winter jackets, uncuffing them and leaving their hands free. Jackets dispensed, they are taken into the elevator and they go down. There are two sets of doors on this elevator, directly opposite each other, front and back. There are only four buttons on the controls: up, down, doors close, doors open.  There is no indicator showing how many floors they go down on their trip and like elevator passengers everywhere, they all stand and stare at the doors they entered through. The ride is short, maybe one floor’s worth—assuming they are going at a normal speed—and the doors behind them open, necessitating some shuffling around before they step off into the corridor outside. <br><br>
 
 
It’s a straight 20-foot run to another set of elevator doors, with a camera mounted above to record their approach.  The guards nudge Rina and Arden to move forward.  They do, walking for the doors opposite, and Arden notices that the guards tense up three feet into the corridor. He turns to look at them closely and the corridor is abruptly flooded with a blinding purplish-white light. Arden recognizes it as a decontamination protocol and waits the 15 seconds for the light to blink off.  That explains the space separating the elevators, at least.  Rina blinks spots from her vision and tries not to dwell on what might be waiting for them at the end of the journey.  Putting all-comers through decon suggests either a clean room is coming up soon or … She tries not to dwell on the alternatives. <br><br>
 
 
They are shoved into the second elevator by the guards.  Unlike the first elevator, this one has levels clearly indicated. They’ve entered Level 2.  The guard presses the button for Level Three and there are buttons for Levels Four and Five. Arden takes note of the details.  Also unlike the first elevator, the two sets of doors are not opposite each other, front and back, but adjacent to each other, to the front and on the side. It’s a short trip before the doors open again onto a corridor about 10 feet wide and 10 feet long. Again, there are doors immediately opposite the elevator and it’s surmounted by a camera too. This door opens up to reveal a much larger room on our approach.  There are benches and lockers inside.  It’s a dressing room, obviously, and Arden starts getting a little nervous.  If he sees biohazard suits in here … He spies several hanging on a wall nearby.<br><br>
 
 
Arden: This is starting to look like a Level Three containment. If it becomes Four or Five, I’m going to be upset.<br><br>
 
 
What’s so virulent or dangerous down here that they’re going to such lengths to isolate it?  Then again, the guards aren’t wearing anything like a biohazard suit so maybe the situation isn’t as dire as it looks. Rina and Arden take a careful look at their surroundings as they’re hustled through.  Rina spots 3-inch pipes with 5-inch connectors—they look like fire suppression lines, but they’re not.  Could be they’re chemical decontamination lines instead, in the light of what they’ve seen so far. Even so, the lines are clearly high pressure lines and should one of them rupture, the force released would slam anyone to the floor and rip clothing off their bodies.  It doesn’t make for comfortable walking under them, nope.<br><br>
 
 
There is another door out of the room. It’s sealed and it has a camera as well.  The guards point them to it. Arden opens the door for Rina. Beyond it is another run of corridor with yet another plexi-walled guard station.  Like the station some floors above, the man behind the wall is in a blue uniform shirt and pants, no insignia.  He punches the comm button on his console and his voice comes out of the speaker.<br><br>
 
 
Station Guard: Stop.  Cuff ’em again.<br>
 
Arden: There’s really no need to do that.<br><br>
 
 
Arden puts his hands behind his back anyway. He’s zip-tied.  Rina is too.  They’re taken down the corridor past a door.  There are cameras covering the corridor but Rina and Arden note there are blind spots in the surveillance.  The corridor does a dogleg turn and ends at a door.  The door opens and reveals a large operating room beyond, with several operating tables.  Stepping inside, Arden and Rina note there are several exits from this room. Rina is busily mapping their route here in her head, praying she’s memorized everything correctly. Arden notes that for all its size, the room is not an operating theatre, with tiers for observers.  It’s just a big room for operating in.<br><br>
 
 
Yeah, but operating for what? On whom?<br><br>
 
 
Standing amongst the tables is a short plump Chinese woman, likely in her early twenties.  She turns around and looks at Rina and Arden, then turns to the guards.<br><br>
 
 
Chinese Woman: It’s not them.<br><br>
 
 
As we fade to black, we can hear Arden say:<br><br>
 
 
Arden: Not us ''what?''<br><br>
 
  
  

Revision as of 09:09, 1 April 2011

Episode in Progress, Special Features page in progress. A little more action oriented, it lends itself to a more condensed synopsis.--Maer

Air Date: 22 Mar 2011
Present: Kim, Maer, Terri, Andy, and Bobby

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Part 2
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Special Features


Wednesday, 15 Apr 2522
Five Suns Fruit Company Plantation
Waysmeet, Greenleaf
Red Sun (Zhu Que) system
1200hrs, local time

We’ve brought Lanie (formerly Roland) Charles home. The Charles family owns the Five Suns Fruit Company Plantation. So named because they have orchards in each of the five systems—White Sun, Red Sun, Kalidasa, Georgia, and Blue Sun—they are a fairly prosperous operation. The orchard on Greenleaf has been carved out of the tropical rainforest and it is acres upon acres of cultivated paradise. It’s mountainous and lush. For those with an interest for such things, it’s very much like the Hawaiian Islands of Old Earth and the climate is about the same—tropical but balmy, not oppressive. Perfect for growing things and relaxing in.

Not that we loll around for long. After a couple of days of goldbricking we roll up our sleeves and get our ship repaired. When we’re finished, Equinox should be spaceworthy and ready for work. And judging by the state of our coffers, we need the work. We gather over coffee in the crew lounge to discuss our options for travel and cargo.

Joshua: I would like to travel to St. Albans.
Nika: Okay.
Arden: Another quixotic quest?
Joshua: Actually I—well, I guess. But this one I feel like I owe.
Arden: Let’s go from the jungle to the bitter cold and see how many of us get sick.
Beglan: That’s a myth.
Rina: I’m strong like Russkie. Cold doesn’t bother me. It’s the heat that bothers me.
Arden: Yeah. Get used to hot weather and then go to cold weather, and then talk to me.
Rina: (sighs) Perhaps you don’t know, Arden, but I hate hot humid weather.

It’s an old argument and no one puts any heat into it.

Nika: So you want to go to St. Albans. There was a reason for St. Albans, right?
Joshua: I got coordinates. I would like to go to St. Albans and it’s only a day, day and half from here, right? It’s not far.
Nika: Can we pick up cargo in that direction? Just to help defray costs?

Actually, we’ve already looked—there is nothing going to St. Albans. Nothing in-system, for that matter. There’s cargo going to White Sun and to Kalidasa, but nothing in-system. If we go to St. Albans from Greenleaf, we’ll be going empty.

Joshua: Technically this is now a Captain’s decision.
Nika: I’m sorry I missed it.
Joshua: No, I know. I’m getting to it. We have 1267 credits, so we have enough to fully repair the ship.
Arden: Which would leave us less than 40.
Joshua: Yeah, it’ll leave us about 45. Plus her fund.

Meaning the 100 credits that Kiera offered to throw in as a reserve.

Nika: But we need enough to refuel.
Joshua: We have a decent chunk, about 419 hours in the tank.
Nika: Here’s my thought on it. Only because you would like to go to St. Albans.
Joshua: (deferential) You’re the Captain.
Nika: You want to go to St. Albans?
Joshua: I would like to, yes.
Nika: So we’re talking about possibly a bunch’a Readers who possibly need a lot of help which could possibly put the ship into some serious issues, so fix the ship.
Arden: A lot of Readers?
Joshua: I don’t know if it’s Readers.
Nika: We don’t know. We don’t know what we’re looking at.
Kiera: (snark!) There’s just people that need help, so we’re going.
Joshua: (not amused) Uh-huh.
Nika: The whole reason he wants to go to St. Albans is because the person who helped us out on the Alliance ship, we think may also have been a Reader and she gave him coordinates because she’s going to help us get out and in return he has to help her friends.
Arden: Oh, sorry, somehow I had fixated on finding another girl.

Off the Jing Jing Bei list, right?

Nika: Oh yeah, no.
Joshua: No, no girls to be had on St. Albans.
Nika: This was, she was going to help us get out and now we got to help her. So, being as she’s Alliance and she has been indicating that her people are in trouble from probably an Alliance front, I think we should fix the ship before we go.
Arden: I agree. Although I think we should do a cargo run before we go to St. Albans.

Because after we do the repairs we will have far too little left for Arden’s comfort. Less than 100 credits. However, the only cargo moving right now is a 4-week cargo run out-system.

Nika: I’m not taking a vote. I’m telling you I’m not doing it. We’re going to St. Albans.

St. Alban’s is right here in-system, a 2-day flight—max—to get there. It doesn’t make sense to her to have us fly 4 weeks one way, only to spend another 4 weeks coming back, just to have money in our pockets we won’t need for a 2-day trip. She makes the command decision to repair our ship on Greenleaf and then take off without cargo for St. Albans.

It takes pooling all our cash, both personal and ship’s accounts, and having the crew help Rina. Joshua tries pulling a pick-up of Rina’s repairs skills and instead picks up her tendency to whiteboard conspiracy theories and find connections. He spends the time during repairs making a lovely little map of everything that might possibly have gone wrong on the machine room wall, with lines and notes connecting things. Rina sticks her head in to check on him from time to time.

Rina: (yanking his chain) You missed one. Over there.
Joshua: (sees it) You’re right. If the reverse vampire circuit was …

Off he goes and Rina leaves him to it. Of course, there is an added aspect to Joshua’s dip into conspiracy theory land—he’s still going through detox and what would be a normal case of detox for anyone else is complicated by Joshua’s Reader abilities. He not only reacts to things that aren’t there, but also to things that are … but aren’t anywhere outside another person’s head … making the things there-but-not-there ….

It’s a confusing and painful time for him and the project on the machine shop wall helps him get through it. How much of that is borrowed from Rina’s personality and how much of it is a natural outgrowth of the detox—it doesn’t matter in the end. What matters is at the end of the two weeks it takes for repairs, Joshua makes it through.

Kiera tries to help with the repairs as well but is more effective as a cheerleader and pep squad than as a mechanic. Even so, the help from the rest of the crew lowers our cost by about 20%. Out of our combined 1276 credits, the repairs eat up 1125 of them, allowing us to squeak by with exactly 42 credits to spare. If we factor in docking fees wherever we end up docking next and things like fuel when we get there, that 42 credits won’t last long.

Lanie’s brothers help us defray our costs by arranging for 40 person-days worth of fresh produce from their orchards when we depart. It will be a welcome addition to the canned food we’ve stocked aboard and will be a pleasant reminder of our stay here once we’re in the Black.


Wednesday, 29 Apr 2522

The repairs are finally finished. We sit back and bask in the glow of a job well done. And it occurs to us that we have a mystery spot on our hull that’s been plated over. In fact, upon closer inspection, we have a matching pair to either side of our hangar bay. They are actually room-sized protrusions over the ‘wing’ structures of our hull, and the plating we’ve discovered cover portions of it fore and aft. We originally thought they were part of the fuel tanks to port and starboard but now it’s looking unlikely. So what’s behind the plating?

We take another close look at the layout of the hull and the suspected rooms. It doesn’t take much imagination to realize that there might be an interior entrance to them. Eyeballing it, we decide the best candidate for an interior door would be on the rear walls of the storage rooms flanking the hangar deck utility room. Sure enough, we find the rear walls are plated in a different metal than the other walls on this deck. It also comes off fairly easily once Rina sets her torch to it. We practically pop the panels off and reveal the doors to the canon bays, starboard and port. After a short debate we decide against sealing up the false panels, but leave the doors exposed. We may be in need of them. We take a torch to it and carefully cut away the patch plating and when the metal falls away and the smoke clears, we see a pressure hatch staring us in the face. It’s a door to a heretofore undiscovered space on our ship. It’s a pressure hatch.

We get that pressure hatch open, once we double check to make sure that we’re not breaching a fuel tank, and look inside. The air is stale and rank with a boozy stench and looking at the pipes and lines and whatnot crammed inside our first thought is we’ve stumbled onto a still. It’s about fifteen by twenty feet by standard height off the deck. A second look around triggers Rina’s memories of the Naval patrol boat she’d served on—specifically its cannon bay. Here is the railroad track that the cannon rounds are conveyed to the cannons on, there is the chain tackle that raises and lowers the rounds onto the tracks. There is a compression system for firing the canon rounds at the target, through a pair of tubular tunnels in the bulkhead, one forward and one aft, very like torpedo tubes on a submarine. There is a cargo deployment ramp—empty—facing a cargo door of the sort made to slide down into the deck.. On a hunch, we go back outside of the cannon bay and sure enough, there’s another plate welded over the torpedo tubes’ hatch, forward and aft, and the cargo door as well. We cut them free.

Going back inside we look at the rounds stacked on the ammo racks. They aren’t cannon rounds, exactly, but 5-gallon barrels pressed into service as rounds. The barrels come in two types—one half are beer kegs, labeled as Elsinor Pilsner, the other half are barrels labeled as Blue Sun Birdseed. Sniffing the birdseed barrels closely, they are revealed as the source of that boozy scent. But shifting the barrels and listening hard, we can tell that they aren’t filled with booze. So what are they filled with? Are they explosives, as the machinery and the racks, the pumps and tubes, suggest?

Nika’s concerned about the contents of the kegs. Sure, they smell boozy but what if they’re actually filled with acid or some other dangerous stuff? Mind, we’d been carrying the dang things all this time without mishap and probably can continue doing so, but with the way our luck tends to run, Nika’s not willing to bet on it. They weigh about fifty pounds each. We take one of each type of container to open up. Rina has demolitions skills and she opens up the pilsner keg first. She finds not beer but the basic materials for a small EMP device, about the equivalent of a 50 pound magnetic charge. It’s a dud, however, the charge having been degaussed over time. The picture’s getting clearer. The compression pumps on the bay’s torpedo tubes aren’t powerful enough to actually launch anything at killing speed but you were in the business of laying mines in your wake and maybe kick a few EMPs out the door, this set up would suit admirably.

Rina tackles a birdseed barrel next. As she works to get the cover off, she starts smelling an odd chemical odor—it’s a chemical fuse and it’s about to blow. She yells everyone to get the hell out of there (they already are, no dummies they) and she turns to run. She doesn’t get far before the bomb goes off.

BOOM!

Thousands of ball bearings explode in a 360-degree sphere of death and Rina gets caught in it. The crew is frozen in horror and a second later, Arden and Kiera are running toward Rina’s last known position before the smoke even clears. She’s been swiss-cheesed by the ball bearings and blood is seeping out of every hole. Arden checks for a pulse. There is none. He and Kiera work feverishly to bring her back, patch the holes, stabilize her enough to move her. They get her heart beating again and get her to medbay and go straight into surgery. Seven and a half hours later, during which her heart stops and is revived again, they step back, all the major damage sewn, stapled, removed or otherwise fixed. Now it’s just a waiting game to see if her situation worsens due to complications like hidden injuries or infection, or if she pulls through. In addition, she’s one massive traumatized bruise where she isn’t actually holed and stitched up.

She survives the night into the next day. And the next and the next. Four days later, the docs are hopeful enough of her continued survival to grab the first real sleep they’ve dared in nearly a week. Also four days after surgery, they bring her out of the medical coma they put her in and thank their foresight in strapping her down beforehand: Rina comes to consciousness fighting. She’s in a world of hurt and will be hurting for some time to come but her Russian stamina serves her well. She’s weak as a kitten and shaky, but she’s alive and wants to get the hell out of bed. Kiera threatens to kill her if she undoes all the hard work she and Arden put into her, however, and Rina promises to behave. We delay the rest of the week to let her recover.

While Arden and Kiera are busy with Rina, the rest of the crew gets back to work securing the contents of the starboard cannon bay. In addition to the birdseed and pilsner barrels, they find 5 other keg-style containers with gadgets and wires hanging off them. Unlike the other kegs in the compartment, these aren’t condensed to fit through the tubes but are meant to be kicked out an airlock at will. Beglan hasn’t a clue as to what they are—maybe radio controlled somethings-or-other—and everyone decides to leave them for Rina to look over once she’s better.

They investigate the portside compartment next and sure enough, another cannon bay is revealed. This one does not seem to have been heavily converted into the workshop the one to starboard was. This one has a parachute-rigged pallet full of military food rations, ready to be kicked out the rear hatch as a food drop. Going through the rations, we find that they are mostly MREs, protein paste and even a case of nutrient bars. The street value of the rations, given the time elapsed, is only about 20% of their original value. But still, the seals on the packages are intact and they should still be edible.

They also find more canisters like in the starboard compartment, only these are labeled differently: Planck’s Coffee (whole bean) and Photo Brand Favorite Spiced Lentils. Like the containers in the starboard bay, these weigh in about 40-50 pounds. In between the two racks of canisters are five large lawn darts. No joke—they look like lawn darts. They’re not actually lawn darts but they look like them. Fins and pointy ends and everything. About three feet high. Measuring them, we find out that like the five mystery containers from the starboard bay, these aren’t made to go through the tubes either.

Arden speculates the cannon bays were slave smuggling compartments. On the surface that makes sense … but why lock up people in a bay full of explosive rounds? The portside pallet offers a clue—in making food drops, the users of the bay were carrying out activities the original Exeter was famous for: blockade runner. Could the starboard cannon bay hark back to that career as well?

At this point, there is no telling. In any event, we’re the proud owners of pounds and pounds of unexploded ordnance. What do we do with it? Kiera suggests hauling the suckers out a safe distance and shooting them from the same.

Arden: Since the really curious one is two decks away and immobile, what do you think about calling a bomb disposal unit to get rid of the hazardous materials?
Nika: (dryly) Yes, because calling the cops has worked SO well for us in the past.
Arden: They’re not cops, they’re—
Nika: The Alliance has gone SO well for us in the past.
Arden: Then somebody who knows explosives should get rid of them. Rather than us. You’ve seen what happened to our explosives expert.
Nika: I’m actually climbin’ into her boat—(nods to Kiera)—and I’m thinking if we can very carefully move them over there and we’ll shoot at ’em from here …
Kiera: Yeah, and they’ll go ka-FOOM!
Nika: They’ll go ka-FOOM and it’ll be all over.
Kiera: Yeah, and nobody will find them.

Blowing them up might even be constructive—do the Charleses need a new irrigation pond? We’ve got enough unexploded ordnance that we might make a decent sized crater for it. Safety issue solved, right? Looking over the containers, a certain percentage look like they’re damaged, making moving them a mite problematic.

Nika: Here’s the thing, okay? We’ve been flying around with these things for … how long? Months, now.
Joshua: I’m not worried about that.
Nika: You just want to just seal’em up in the thing and just leave them for now?
Joshua: Yeah.
Nika: Even knowing that some of them are leaking?
Joshua: I do.

He’s been awfully quiet over this entire business til now. Considering it’s his fiancée that ran afoul of the damned things, it’s understandable he doesn’t want anyone touching them. We eyeball them again and reckon that they’re made to handle sudden maneuvers by the ship. After all, they’ve weathered all the maneuvering we’ve put them through since we took possession of Equinox. Plus they’ve lasted the ten years since the war in reasonably good shape. They should last the next little while just fine.

Kiera: At least we don’t have to worry about them going ka-thudda-ka-thudda-ka-boom!
Arden: Not unless you botch the piloting.
Nika: If I botch the piloting, you won’t know. You’ll just be a smear somewhere.
Arden: I know. But I’m just sayin’.
Kiera: Things happen.
Joshua: Yeah. We’ve done more damage opening them up than we have leaving them in there sealed, at the moment.
Arden: That doesn’t change the fact that we needed to know what was in them.
Joshua: I’m not denying that. I’m just saying that I don’t see any reason to get rid of them. Just seal them up and leave them be. (to Nika) You’re the Captain. If you want to get rid of them, get rid of them.
Nika: Well, there is something to be said for the idea of leaving the cannon access open, such that should we ever need it …

Then again, whoever concealed the cannon ports and accesses to the cannon bays must have had a good reason to do so. For all we know, they’ve been sealed up since the war and the owner at the time felt it would be asking for trouble to have the Exeter visibly armed with them. They’d done a good job concealing them from observation, both outside and in.

Nika: I’m tryin’ to decide if we need to, you know, for example weld over the port holes and box it back up.
Arden: No.
Kiera: Why?
Nika: Because again, we are not running an Alliance flag which is gonna cause us problems with some quarters. Enough trouble that what if we were to go back to the Core…
Arden: If they do cause us trouble we can always seal them up again.

Cuz … dude, if they cause trouble for us with the Feds, they aren’t going to stand by and let us weld those covers on BEFORE they throw our butts in jail.

Nika: And we’ll be in jail.
Arden: Well, the worst they could do to us in my opinion is fine us.
Nika: Uh, no.
Kiera: No.
Joshua: Plus, if the Alliance really wants us, they don’t need this to add as a charge.
Nika: There is that, yeah.

So how do we hide the fact they exist? We had, unfortunately, ruined a damned good job of hiding them when we cut the plating away. With Rina pretty much out of commission, there’s no replicating the job to hide them again—not to a matching degree, at any rate. Nika decides to leave them as they are for now. We’ll make the run to St. Albans, given we’re unlikely to run into the Alliance in-system, and try to line up cargo outgoing from St. Albans when we leave it. Time enough to decide then what to do about it and it will give Rina more time to heal.

Speaking of whom, near the end of the week, Rina’s out of bed and walking around, albeit slowly. She’s lightly sedated with painkillers and Kiera dogs her footsteps at first to make sure she doesn’t injure herself or rip out her stitches. Nika puts Rina on light duty—max—and Rina continues to improve. As the week wears on and Rina recovers enough strength to take the stairs up to the hanger deck, she examines the cannon bays again, trying to suss their original function. She can’t be sure, other than the fact that they weren’t designed to be cannon bays off the factory assembly line—they’d been modified to that purpose. Perhaps they were originally intended as cargo space. Shuttle bays maybe—though that seems a stretch. She could find no evidence of doors large enough to admit a shuttle for docking. Looking over the rest of the contents of the cannon bays, the rations make her smile in remembrance and the five odd containers that Beglan couldn’t make head or tails of, she recognizes right off as crybabies—fake distress signal broadcasters, made to lead the adversary astray.

The rest of the crew makes ready to leave for St. Albans and Arden remembers a bit of news concerning the planet from around October, two years ago. St. Albans was massively bombed. It was the sole place in the Verse from which the Quantum Dipoles for the Quipe Dolls could be extracted naturally and the Quipe Dolls were the linch pin of the Verse spanning Cortex. St. Albans was also the last known residence of Dr. Kell Lawrence, whose research into left-handed Prions led to Arden’s discoveries in how Prion Disease worked, and who had also helped effect Lem’s cure from the disease. It is not known for certain if Lawrence survived the bombing but rumors have it the man is dead.

There’s no telling if there is any cargo leaving St. Albans, since it was never a heavily populated planet before it was bombarded and there are likely less people living there now. Besides …

Arden: The Siberian tigers have taken over. (off Joshua’s look) She hunted a Siberian tiger. (points to Nika)
Nika: I did.
Rina: She did. With Rick.
Joshua: Really?
Nika: Really.
Rina: With spears.
Joshua: Can we do it again? Can we … (looks at Nika) … do it again?
Arden: The answer to that one is no.
Joshua: Why not?
Arden: Because I’m running low on medical supplies.
Joshua: Actually we have 60 days of emergency supplies left and 8 standard. We’re good.
Arden: You know I was thinking too bad Rick wasn’t here.
Nika: I miss Rick. I do.
Arden: You remember? When we discovered the compressed air things? He would have conniptions.
Nika: Oh, Christ. Can you see Rick? (squeaks) He would have been like, ‘Air cannons!’ (mimes loading a canon round and firing it) I miss Rick.

She ain’t the only one. We spend a moment or two recounting the man’s wilder stunts and get back to work prepping for departure for St. Albans. And no, we’re not hunting Siberian tigers when we get there.

Joshua deals with the disappointment. Actually, right now, life being sucky is kinda the norm for him. He’s spent the last three weeks effectively suffering a hideous hangover as he goes through detox. He’s had the horror of watching the love of his life get blasted right before his eyes and die on him before being brought back. And now he’s trawling the Cortex, hoping to find us a paying job so the rest of us don’t die of starvation, and as he’s trawling, he gets a little pop-up telling him he’s got mail. Really? He didn’t even know he had a Cortex addy. Expecting to find an inbox full of spam, he clicks on the pop-up to access the message.

He doesn’t recognize the address on it. It’s a video message and it’s super low-res, as one would use to conserve band width and the routing string on it suggests it’s from off the main Cortex lines. It’s also highly encrypted. He hits play and the image of Cmdr. Wise of IAV Aceso flickers onto the screen.

From Cmdr. Wise to Joshua Drake. April 22

Son, I got your message. I understand you. I don't know what I did to spook you, or your crewmates, when we went to pulse. But you're gone, again. I guess I shouldn't be surprised. But, this time you found it in yourself to wave me. That means something. I don't know what you are thinking about now, you're obviously confused and uncertain. I think calling me was a way of keeping this door open, and know... it will always be open for you.

I don't doubt for a minute what you say you believe. And, for now I pray the Buddha is guiding your crew, and that they have no part in this.

I'm glad you are trying to get off the drugs. Whether you are my son, or just someone playing him. Whoever you are, you'll never really know until you are free of that and able to think clearly. I think you can do it. Maybe that means nothing to you, coming from some Alliance Doc telling you this because you look like his son, but if nothing else you can try... as Rex would have tried.

Once you are clean watch this again. Think about these things. You’ve had brain surgery, the likes of which no neurosurgeon I've spoken to has heard of. You’ve had memory loss. You hear voices. You've been taking Flomoxipan, a sedative, amnesic, hypnotic and hallucinogen. For how long, you can't remember. You've been exposed to things that could send anyone over the edge. I don't know who would set you on this course, but I do know that once afloat on this river, it could take you anywhere. You might be a Blue Sun agent, able to impersonate people due to some uncanny powers, or maybe you just remember things that way, maybe it’s all in your mind.

I've enclosed some links to a couple stories. I’ve been doing some research, thinking about this, since I got your wave. One I thought was interesting, about a mathematician back on Earth-that-was, brilliant like you, and afflicted as well, a man by the name of John Nash. I am not saying you’re exactly like him, but there are similarities. If you do see a little of yourself, know this, since the 20th century neuroscience has made great leaps. There is no need for you to suffer like him, untreated. There are other stories there as well. Of successes. There is one last link, that I’ll probably get in trouble if it’s discovered I sent to you. It’s a not-yet declassified program to create moles during the U-War. Both sides did it, to varying degrees of success. These moles were made resistant to torture and discovery by having their memories suppressed and replaced with new ones. Stories so real to them, that some of these moles were lost to the other side. It didn't take years, it took weeks. That technology didn't just disappear when the war ended, and for some, the war never ended. Think about that and what an asset a person like Lt. Cmdr Rex Wise would be to such a group.

You have plenty of reasons to reject these hypotheses. You have a life and a love. Things worth fighting for. And with Miranda and all the rest that has happened, it is hard to tell science fact from fiction. I just hope you can see that maybe it is worth keeping the door open to other explanations.

So… that’s almost it. Other than this: If you really are not my son, if you are some kind of Doppelganger, then I need your help. I need you to find my son, the one who was taken from me. If you were with those that took him, will you help me?

Joshua watches the vid all the way through. He does not show it to the crew. Not yet. He has to absorb it first, to go over it with a fine-toothed comb, to try to examine it from all angles. To try to decide if any of what Cmdr. Wise believes to be true is true. To try to decide what, if any, obligations he owes. Until he’s more certain, he’ll hang on to it and keep the wave to himself.



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